Abundant Acreage Available

Backed by Scorsese, writer and director Angus Maclachlin shows the brilliance possible in independent film. In Abundant Acreage, MacLachlin creates a cinema-graphically rich portrayal of a multi-generational family whose own comedic tragedy is interrupted by a band of interlopers. Simply beautiful. What an immersive film experience of laughter, tears, and drama is all about. You want every person in America to see this film. (....and then go watch Junebug, MacLaghlin's acclaimed 2005 Drama/Comedy)

This film asks us to consider the multiple narratives held, transformed and given by the land. While we try to demonstrate ownership, or declare our freedom, through our own stories about a place, none of us can defend or maintain our boundaries for very long. With fine acting, a beautiful score and a well-considered but unadorned presentation, Abundant Acreage Available is an opportunity for recalibration through reflection on our common destiny. Highly recommended as an antidote to the Hollywood blockbuster!

The acting was fantastic. The setting was beautiful. The potential for this story was immense. I liked exploring the different venues and patterns of grief based on religion. I don't know who is responsible for the rating of PG this was given on Peacock but the language and vulgarity, though not continuous, was extreme when it did occur. PG13 or maybe even R would be much more appropriate. As is so often the case, the special needs man was portrayed as crass, which gets old for special needs families like ours. Overall, I would say I am glad I watched this movie and appreciated the depth and variety of the raw and differing emotions of grief, but am also glad I did not watch it with my 12 year old daughter.

The elephant in the room here is the brother, whose religious convictions only serve to make him come across as an unreasonable fool. It's sad, because the first half hour is lovely. The relationship between the two main characters is sweet and believable, but the religious aspect soon overshadows all the positives in the narrative. It's simply just too much to bear. Clearly being religious is fine, but when it eclipses reason we have wandered into absurd territory and that character becomes kind of a buffoon. This is what happens here. Nobody wants to repeatedly get hammered over the head with God this and Satan that. Willingly giving away land and a family home just doesn't happen for any reason. Then there's the adoptive element too, which is handled in an equally ham handed fashion. Oh, you're not blood so you're not entitled to a darn thing and your opinior doesn't matter. The law doesn't operate that way. Not even close!! The scenery is lovely and the acting is top notch, except for the clown of a brother. Max Gail is compelling and captures very scene with a graceful power. Anyway, it lost me at the half hour point and never regained my full attention. What are supposed to come across as moving and engaging plot turns only come across as annoyances. These people are all supposed to be mature, responsible adults. None of their actions come across as so. It came so close to being a gem, but something was just off all the way through. It's a shame.....

I liked they way whole screen play unfolds, every new frame reveals a new mystery about a character and as and when the movie progresses the character evolves in your mind and every new frame requires you to undo and rebuild the character to match the new information. At the end you still feel that you still do not know the character fully especially when the younger brother says why he want to be left alone. Then you realize that with the new circumstances and life he himself will start a new life and will evolve to to be a new character to meet the necessities of the environment he is in. Very well taken and nice acting.