Akira

Lately, we have been witnessing many movies on women empowerment and emancipation like Queen, Kahani, Mardaani, English Vinglish, NH10, Parched etc. Akira is an addition to these kinds of flicks from directed by A.R. Murugadoss (Gajini, Holiday fame).

We get the message delivered at the very beginning when younger Akira confronts the acid attackers and later we see how she engulfed in a web of endangerment. Now she has to challenge the murky system and penance involved in the execution.

The intention is noble and it was accomplished in some measure during the first half, however, it becomes predictable and clichéd in the later half. The screenplay is little sloppy and representation of some characters loses the grip. Sonakshi Sinha did justice to her role but the expressions and demeanor lacked in many important scenes.

We see Konkana Sen Sharma is a very strong character but it was underdeveloped. Anurag Kashyap's menacing act is promising but lacks authenticity as a Marathi Cop. Other supporting cast did a good job.

Action scenes are good and well-choreographed, music is average and background score is just fine.

So, overall did the message get delivered, well, it depends on the perception because it has the same theme and execution which we have been served trillions of time, a protagonist rises against some malicious hoodlums then scuffles survives and finally becomes a conqueror.

I don't care if the movie is remake of a South Indian masterpiece. I never watched that South Indian movie. So I can't relate this movie with that original. This movie, however, I found very good overall, but it's ending failed to deliver a good impact. Maybe because the protagonist here was a woman instead of a man. And after what she went through the entire movie such a passive ending with mostly negativity for her made it extremely unsatisfactory. The movie till the ending was a extremely good, however. And I'm really impressed by how Sonakshi Senha played her role. Anurag Kashyap also did extremely well, and so did the rest of the cast. Action sequences and choreography was also marvelous. If the ending was handled properly this could have become a masterpiece, and one of the best Indian movie involving a female protagonist. Sadly, the ending ruined the movie for which I cannot rate it too highly.

Movie had nothing new to offer. The pacing was at its worst. Acting was good by Anurag kashyap and sonakshi. But other than this there is not much to appreciate. What's good.. 1. Acting - Anurag and sonakshi. 2. 1st half of the movie. 3. Dialogues - mainly Anurag kashyap's. 4. No extra song or romantic angle. 5. Konkarna sen 's cameo. What's bad. 1.Jumbled Second half. 2. One dimensional character. 3. Slow Pacing. 4.Preachy narration. I didn't expected this from A.r. murgadoss. But happy with performance of sonakshi. At one point in the movie you are shocked how family members of sonakshi send her to mental hospital without any reason. On the whole a disappointing meal.

It is a shame that this movie has 5.6 out of 10 on iMDb. Such a gripping story highlighting the amorality extent in our society and how somebody can become a victim in such circumstances. The action sequences are quite amazing, something missing in our movies or overly exaggerated like in Salman Khan movies.

This is a story of the relentless persecution of a woman, daring to break out of the stereotypical mold, by a failed social system which is both corrupt and broken. Hard-hitting and depressing - mainstream Bollywood seldom gets this realistic. Yet, this is such an ordinary, everyday story - being played out again and again all around us. In Indian society, a young girl who dares to question the system, a girl who dares to protest - is an anachronism. She is either disciplined and that rare spark of life is extinguished even before it is properly lit. Or she gets lucky and finds a supporter, like Akira did in her father. In reality it is more of a misfortune. Apart from that unusual mentor the unusual woman remains utterly alone all through her life. In fact, the society raises even steeper barriers in her path overcompensating for that one supportive mentor whether or not s/he continues to be around. In the end, the lone struggle of the young woman invariably runs out of options and we are once again left saddened with the depressing realisation that it is not easy to be a woman even in the twenty-first century.