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5.9/10
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Funny or Die presents a satirical rendition of Donald Trump's 1987 best selling business book, The Art of the Deal.Funny or Die presents a satirical rendition of Donald Trump's 1987 best selling business book, The Art of the Deal.Funny or Die presents a satirical rendition of Donald Trump's 1987 best selling business book, The Art of the Deal.
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I liked the humor in this a lot. It was ridiculous without going SNL-level over-the-top. All the jokes paid off. The pacing was a tiny bit off, but it's short, so it doesn't make a big difference. The cast was really great. A lot of familiar faces playing familiar characters. Johnny Depp especially was great. You wouldn't even have known it was him if you didn't specifically know it.
Honestly, after what happened in 2016, this is what we needed. I wish I had watched it before, but oh well. You need the distance from the event to be able to see the comedy.
Honestly, after what happened in 2016, this is what we needed. I wish I had watched it before, but oh well. You need the distance from the event to be able to see the comedy.
Donald Trump's The Art of the Deal: The Movie is a mediocre TV movie that has its ups and downs in terms of writing, despite a talented cast. Funny or Die certainly gathered an impressive creative team to parody the most controversial presidential candidate in American history.
There are great cameos throughout, such as Patton Oswalt and Ron Howard as himself. The star of the show is Johnny Depp, taking a very interesting turn as Trump himself, he may not sound very much like him, but his mannerisms and dialogue is stellar, he brings the character to life in his own very unique way.
It does get tiring after a while, twenty minutes it and the humour started to die down for me, it was very one note, fifty minutes was too much. The run time may have been a bit more bearable if they were not so inclined to make the movie look extremely low budget, purposely making the colour off putting, I got the joke but it took me out of the "plot" too much. While there are certainly funny moments, The Art of the Deal falls flat for me, if you enjoy making fun of Donald Trump you might as well check out Funny or Die as they take the joke way too far, other than that avoid it.
A satirical adaptation of business tycoon Donald Trump's bestselling novel, as he teaches a young boy how to make it big in the industry.
Best Performance: Johnny Depp
There are great cameos throughout, such as Patton Oswalt and Ron Howard as himself. The star of the show is Johnny Depp, taking a very interesting turn as Trump himself, he may not sound very much like him, but his mannerisms and dialogue is stellar, he brings the character to life in his own very unique way.
It does get tiring after a while, twenty minutes it and the humour started to die down for me, it was very one note, fifty minutes was too much. The run time may have been a bit more bearable if they were not so inclined to make the movie look extremely low budget, purposely making the colour off putting, I got the joke but it took me out of the "plot" too much. While there are certainly funny moments, The Art of the Deal falls flat for me, if you enjoy making fun of Donald Trump you might as well check out Funny or Die as they take the joke way too far, other than that avoid it.
A satirical adaptation of business tycoon Donald Trump's bestselling novel, as he teaches a young boy how to make it big in the industry.
Best Performance: Johnny Depp
This movie is absolutely funnier than the 5.8 it's sitting at. Y'all salty af and it's hilarious. You coulda told me this movie was an exact copy of the book and I probably wouldn't have questioned it. Depp and Alf pull off a great performance!
Donald Trump didn't coin the phrase "There's no such thing as bad publicity," but he may as well have (and he might even take credit for it anyway). For a titanic media figure whose image was already virtually predicated on self-satire (even before his recent bid for presidency), Trump's belligerent braying has courted many a satire in his time, but few that have made much of an incisive mark. If anything, the glut of recent Trump riffing, from SNL to Jimmy Fallon, have more than likely backfired in their riffing intent, and only served to further bolster the outrageous silliness of Trump's media personality, rather than drawing much- needed attention to the many problematic aspects of his campaign. As James Poniewozik from the New York Times mused, "How do you spoof a candidate who treats campaigning like a roast?"
This is the major sticking point with Funny or Die's 'Donald Trump's the Art of the Deal: The Movie'. On paper, a fantastic idea - Ron Howard introduces a videocassette of Trump's (fictional) '80s-set informercial-turned-TV-movie, lost in "the Cybill Shepherd blouse fire of 1989" (one of the film's choicest one-liners) - the film plays as an overlong skit which flounders due to not being terribly funny, and crucially lacking in any particularly percipient satire. Is it amusing? Yes, for the most part, but fairly blandly so. With an unfocused sense of humour broadly skewing for everything from Citizen Kane gags (thank goodness for Patton Oswald and his cinema-literacy) to occasional pokes at the fourth wall (some more successful than others, though one mid-film "re-casting" bit is a winner), to toilet humour, preciously few bits raise more than a faint smile. Oddly enough, where the film really excels is as an '80s pastiche, with its washed out VHS fuzziness, corny montages, and chirpy, gratuitous child lead(s) acing the tropes enough to make John Hughes proud. There's even a Kenny Loggins theme tune, bless 'em.
Of course, the film's main bid for attention is its 'who woulda thunk it?' stunt casting of Johnny Depp as Trump - and, yes, it's as much of a rollicking success as you've heard. With the aid of some impressive prosthetics and a mighty hairpiece, Depp nails Trump's fidgety physicality and distinctive Queens bellow. However, he's also wise enough to dig beneath mere mimicry, finding notes of preening sinisterness and occasional desperation, entirely devoid of empathy, all coalescing into a performance that feels entirely human, and all the more unsettling for it. The gaggle of guest stars are also generally good for a laugh - Oswald, transposing his characteristic neurotic schlub into a Miami Vice villain is a scream, while Alfred Molina tirelessly fishes for peanut gallery one-liners as Trump's seedy "Jewish lawyer." Even if most of the cast are invited to retool their best bits from other work, they're all still on top form - Jack McBrayer revisiting his bubbly, hollow- eyed imp from 30 Rock, Henry Winkler his blustery hypocrite from Arrested Development, while Robert Morse gets one more adorable 'top of the ladder' yuk, and there's a Christopher Lloyd cameo so stupendous I won't spoil it here. Still, it's a shame such a superb ensemble isn't given more to do than be fairly repetitively roasted by Depp's Trump, believable as it may be.
'Believable,' ultimately, is the sadly operative word. If Funny or Die's intent was to defame Trump's image midway through the primaries, it's a bit of a redundant effort: such an unfortunately gentle satire is hardly news for Trump-opposition, while those firmly on Team Trump are unlikely be shaken by any of Depp's mugging, excellent as he is. Call it the Wolf of Wall Street effect (though The Art of the Deal is a far feebler effort): the artistic intent is to present Trump's misdemeanours at barely exaggerated face value, intending them to speak for themselves as inherently absurd and satirical. However, due to Trump's cult of personality, those already swayed by him are all too likely to reppropriate the joke as sincere, making it a bit of a disappointingly apolitical backfire of a political satire. Ultimately, Funny or Die's The Art of the Deal means well, but it's lazy, highly produced, and lacking in cohesion and teeth, muddying its point in a bunch of loud, airy bluster counterbalanced with infectious enough buffoonery to ride out in spite of itself. In short, it's everything Donald Trump would love.
-5/10
This is the major sticking point with Funny or Die's 'Donald Trump's the Art of the Deal: The Movie'. On paper, a fantastic idea - Ron Howard introduces a videocassette of Trump's (fictional) '80s-set informercial-turned-TV-movie, lost in "the Cybill Shepherd blouse fire of 1989" (one of the film's choicest one-liners) - the film plays as an overlong skit which flounders due to not being terribly funny, and crucially lacking in any particularly percipient satire. Is it amusing? Yes, for the most part, but fairly blandly so. With an unfocused sense of humour broadly skewing for everything from Citizen Kane gags (thank goodness for Patton Oswald and his cinema-literacy) to occasional pokes at the fourth wall (some more successful than others, though one mid-film "re-casting" bit is a winner), to toilet humour, preciously few bits raise more than a faint smile. Oddly enough, where the film really excels is as an '80s pastiche, with its washed out VHS fuzziness, corny montages, and chirpy, gratuitous child lead(s) acing the tropes enough to make John Hughes proud. There's even a Kenny Loggins theme tune, bless 'em.
Of course, the film's main bid for attention is its 'who woulda thunk it?' stunt casting of Johnny Depp as Trump - and, yes, it's as much of a rollicking success as you've heard. With the aid of some impressive prosthetics and a mighty hairpiece, Depp nails Trump's fidgety physicality and distinctive Queens bellow. However, he's also wise enough to dig beneath mere mimicry, finding notes of preening sinisterness and occasional desperation, entirely devoid of empathy, all coalescing into a performance that feels entirely human, and all the more unsettling for it. The gaggle of guest stars are also generally good for a laugh - Oswald, transposing his characteristic neurotic schlub into a Miami Vice villain is a scream, while Alfred Molina tirelessly fishes for peanut gallery one-liners as Trump's seedy "Jewish lawyer." Even if most of the cast are invited to retool their best bits from other work, they're all still on top form - Jack McBrayer revisiting his bubbly, hollow- eyed imp from 30 Rock, Henry Winkler his blustery hypocrite from Arrested Development, while Robert Morse gets one more adorable 'top of the ladder' yuk, and there's a Christopher Lloyd cameo so stupendous I won't spoil it here. Still, it's a shame such a superb ensemble isn't given more to do than be fairly repetitively roasted by Depp's Trump, believable as it may be.
'Believable,' ultimately, is the sadly operative word. If Funny or Die's intent was to defame Trump's image midway through the primaries, it's a bit of a redundant effort: such an unfortunately gentle satire is hardly news for Trump-opposition, while those firmly on Team Trump are unlikely be shaken by any of Depp's mugging, excellent as he is. Call it the Wolf of Wall Street effect (though The Art of the Deal is a far feebler effort): the artistic intent is to present Trump's misdemeanours at barely exaggerated face value, intending them to speak for themselves as inherently absurd and satirical. However, due to Trump's cult of personality, those already swayed by him are all too likely to reppropriate the joke as sincere, making it a bit of a disappointingly apolitical backfire of a political satire. Ultimately, Funny or Die's The Art of the Deal means well, but it's lazy, highly produced, and lacking in cohesion and teeth, muddying its point in a bunch of loud, airy bluster counterbalanced with infectious enough buffoonery to ride out in spite of itself. In short, it's everything Donald Trump would love.
-5/10
The concept of this movie is actually really fascinating to me. Personally, I really dislike Donald Trump, and a good satire of him would work extremely well! Also, it's interesting how this movie is a) an adaptation of his book "The Art of the Deal" b)is shot as mockumentary, and has a cool visual style, and c) Johnny Depp is playing Donald Trump!
However, the movie itself is nowhere near as good as its concept!While I did laugh a couple of times here and there, it was, overall, very unfunny. Most of it is immaturely making fun of Trump instead of packing the movie with little details about Trump's life that would take actual research. I'm ALWAYS impressed when those behind the scenes actually do research on whoever/whatever they're satirizing.
But, despite the movie not really being funny, I thought Johnny Depp did a pretty great job. He doesn't look or sound much like the real Donald Trump, but his performance is extremely unique and bizarre, and I really found myself enjoying!
Also, I'd like to comment on the people angrily calling this movie "propaganda". I highly disagree with them. It's just a quick little comedy that pokes fun of Trump, it's no "Triumph of the Will"! Really, calm down!
Overall, this movie made me agree with what Ron Howard said at the end of the credits.
However, the movie itself is nowhere near as good as its concept!While I did laugh a couple of times here and there, it was, overall, very unfunny. Most of it is immaturely making fun of Trump instead of packing the movie with little details about Trump's life that would take actual research. I'm ALWAYS impressed when those behind the scenes actually do research on whoever/whatever they're satirizing.
But, despite the movie not really being funny, I thought Johnny Depp did a pretty great job. He doesn't look or sound much like the real Donald Trump, but his performance is extremely unique and bizarre, and I really found myself enjoying!
Also, I'd like to comment on the people angrily calling this movie "propaganda". I highly disagree with them. It's just a quick little comedy that pokes fun of Trump, it's no "Triumph of the Will"! Really, calm down!
Overall, this movie made me agree with what Ron Howard said at the end of the credits.
Did you know
- TriviaJohnny Depp brought his own team of make-up artists and hairstylists.
- GoofsAt the bar, Trump refers to Roy Cohn as "right-hand man to Senator Eugene McCarthy." Cohn worked for anti-Communist Republican Senator Joseph McCarthy, not Liberal Democratic Minnesota Senator Eugene McCarthy.
- Quotes
Donald J. Trump: Mr. Gorbatchev, tear down this wall. I can build you a much nicer one.
- Crazy creditsAt the end of the movie there are fake credits for the movie, crediting Donald J. Trump for almost every task (exceptions are e.g. "Catering - The Mexicans"). During these credits Donald Trump is talking to the audience. After that the real credits for the movie appear. After these credits Ron Howard appears and says how awful the movie was and he wants all to forget that this movie or even Donald Trump exists.
- ConnectionsFeatured in Diminishing Returns: Back to the Future (2018)
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What is the Spanish language plot outline for Donald Trump's The Art of the Deal: The Movie (2016)?
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