Zero Days

Zero Days is an important documentary devoted much needed attention to the issue of cyberwarfare, focusing on a case study of the Stuxnet attack. It provides a behind the scenes take on the discovery and the development of the virus, as well as the political developments that caused it to spiral out of control.

Alex Gibney does a good job of explaining the technical aspects of the computer virus, as well as the political context that spurred the United States and Israel to develop the computer virus. He assembles a good cast of interviewees from various perspectives on the issue. Although Gibney has a definite viewpoint, he gives both sides of the question a hearing.

Although I had previously watched news coverage dealing with Stuxnet, this documentary goes far more in depth, making good use of inside sources within the NSA. In particular, Gibney examines the split that emerged between the United States and Israel over the use of the virus, ultimately culminating in a near disaster. The film provides a disturbing warning of how the American and Israeli governments have potentially opened a Pandora's box.

This film is important viewing that should be seen by everyone interested in current events or concerned over the implications of American foreign policy.

Saw this at the Berlinale 2016, where it was programmed as part of the official Competition section. I have to start with a full disclaimer, by confessing that information security has been my full time occupation for at least 25 years. As such it was not my intention to learn something new when viewing this documentary about the infamous Stuxnet worm, jointly developed by Israel and US, targeting Iranian reactors and obstructing the production of nuclear material. Yet I'm very interested in each and every vehicle (movie, book, newspaper article, whatever) to make non-IT people aware of the issues at hand, if only to provide material for an open debate about the pros and cons of "cyber warfare" with much wider implications than the average layman realizes.

As observed with previous movies about IT-related issues (WikiLeaks, Snowden, Steve Jobs etcetera) it is very difficult to sit it through while being (like myself) someone who worked in IT all his life. We saw numerous fragments of Assembler, flashing lights from network equipment, heavily populated cable bundles, and many screens showing various sorts of abracadabra, all supposedly intending to look technical for an average layman. Another problem is that several talking heads ducked when asked specific questions about Stuxnet, the latter being the main topic of this movie. Most of them had the usual excuse *Even when I knew about it, I cannot elaborate". Luckily, we heard not once the excuse "I can tell you about it but after that I have to shoot you", usually intended as a humorous escape from hot questions without appearing offensive or overly defiant. Several high ranking officials only wanted to speak out in general terms, thereby avoiding Stuxnet and other concrete projects, by explaining what they found wrong, especially about the secrecy that most found exaggerated and unnecessary. As such, their contributions were still useful, albeit not exactly touching the subject at hand.

Nevertheless, I heard a few new things I had not thought about yet. Firstly, Stuxnet was not designed to become so visible as it did. People at the NSA were furious when seeing that Israel extended v1.1 of the software to be more aggressive, making it spread and allowing it to surface, while that never had been the intention. The net result is that other countries may find justification to counter with similar software, now the US has provided for a precedent. Secondly, many people in CIA and NSA express their concerns about over-classification, preventing an open debate on future policies and rules of engagement in cyber space, like similar rules developed in the past for army, navy and air force. Cyber weapons are the fourth category, and it may take 20 to 30 years to create clear rules and policies for it. Lastly, the net effect that Stuxnet had on Iranian nuclear program, has proved to be negligible in the long run. There was a noticeable dip in the production statistics, but it triggered Iran to invest extra in centrifuges. An extra side effect was that Iran invested in cyber powers of their own, by attracting talented people on this field of expertise. As of now, it looks like they succeeded in overpowering the western world in this so-called cyber war. In other words, due to Stuxnet we lost our head start, and it is doubtful we will ever regain that.

There was one talking head with distorted voice and face, who appeared many times throughout the story. In hindsight, she was reading collected texts from several people working in NSA, CIA etcetera, all of them having useful insights on the matter but unable to come forward. Being reasonably versed in these issues, I am of the opinion that these texts sound genuine and seem to really come from people with intimate knowledge, which would otherwise be kept from the public. One example is that they internally made fun about "air gapped", the common defense against infections from the outside. They knew several ways to get over this obstacle, e.g. by infecting vendors responsible for installing and updating software in the plant, more or less working like so-called watering hole attacks. Reading these texts as done here, was an artificial but necessary addition to the documentary. In a final scene the one reading the texts revealed herself as an actress who had no personal involvement in the issues, but was effectively used as a vehicle to get this information across. During the press conference organized by the Berlinale it was explained that this was the only way to obtain and release this information, if only to protect the sources since harsh policies have been issued to deal with information leakage.

All in all, I'm not sure the message will land where it should land, namely with non-IT people who should know about the implications of "cyber warfare", having an impact on our future that cannot be underestimated. I don't think that a documentary that takes nearly 2 hours, will achieve said goal. Nevertheless, I applaud every honest attempt. The documentary is well made and tries to present a balanced view on the matter. Well made, but probably shooting over everyone's head and defeating its well-intended purposes.

This was one of the most enlightening documentaries I've seen in recent years; it was also one of the most disturbing films I've seen in a long time. I had no idea how far into the age of cyberwarfare we already are, and how serious the consequences of this kind of conflict already can be. If you're a conspiracy theorist or otherwise prone to paranoia, don't watch this - but if you want to learn some of the darker secrets most government agencies try to shield our fragile little minds from, and if you want to know some hard truths about what's possible and what's already happening in terms of cyberattacks, I highly recommend this excellent documentary. 9 stars out of 10.

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I watched the BBC Storyville version of this film, which appears to run about 20 minutes or so shorter than the feature currently in cinemas; not sure what was lost in that, but I mention it for context. At the start of the film we have several talking heads who refuse to even respond to a question regarding the computer virus/worm which attacked Iran's nuclear centrifuges; this opening sets the stage for a documentary where a lot has to be pieced together, or cannot officially be known, but yet manages to do it in a way that gives the viewer a broad view, with enough detail to aid understanding, but nothing likely to lose you (I say this as someone who can setup his wifi but not much more).

The film starts after the fact and works backwards. In doing this it allows to do enter the subject via the security companies who found this virus and started trying to figure out what it does. This is done in a way that is engaging and accessible, even though you are talking about guys reading screen after screen of code. From here the film starts to draw in the politics, to explain Iran, and as it does this, the pieces fall into place – just as they did for the security guys. This framing helps make the film clear to follow, but also builds the tension in the film as we go from the unknown, to the understanding, and then are left with what it means for the road ahead.

The film's ending doesn't really do a good job of leaving us with that chill (I think the drawing in of the Iran deal didn't really work), but mostly it still does leave the viewer thinking about how much could go wrong if key infrastructure elements were switched off or controlled to do harm. Watching it a few days after the inauguration of Trump only makes it more chilling, since the only time I have heard him speak about this he said "So we have to get very, very tough on cyber and cyber warfare. It is — it is a huge problem. I have a son. He's 10 years old. He has computers. He is so good with these computers, it's unbelievable. The security aspect of cyber is very, very tough. And maybe it's hardly doable". Hardly oil on troubled waters.

This documentary about the Stuxnet worm that attacked Iran's uranium centrifuges tries to get at the truth about who was behind the attack. The movie shows interviews with a lot of high-ranking people who either won't talk or who will only comment about very public information. The facts are that Stuxnet was a large and very sophisticated computer virus, ultimately capable of infecting any Windows PC but it only activated inside of very specialized equipment: one brand of programmable logic controllers attached to a very specific configuration of machines. The target pattern matched Iran's uranium enrichment facility.

The movie's point is that, like the Trinity atomic test in New Mexico in 1945, Stuxnet has let another genie out of the weapons bottle. This genie is cyber weapons that can strike anywhere on the planet essentially in an instant.

If that makes you nervous, then the movie has met the filmmaker's objective.