Woman Walks Ahead

My wife and I found this movie streaming on Amazon Prime, with high-def picture and D-D surround sound. Quite nice presentation and beautiful cinematography. Filmed in New Mexico.

It was the 1880s and Native Americans had already been defeated and controlled by the American government. A New York painter, Jessica Chastain in the role of Catherine Weldon, becomes sympathetic to the plight of the Natives and decides to travel to North Dakota to meet Sitting Bull, paint his portrait, and assist him and his people resist.

The movie isn't completely fact-based, it doesn't even mention her son, and the events that led to Sitting Bull's murder in 1890 are highly dramatized in the script, but overall it is a good dramatic depiction of what the relationship consisted of.

Canadian actor Michael Greyeyes is very good as Sitting Bull, powerful chief relegated to potato farming. This is a good movie but it is a sad reminder of how poorly the Native Americans were treated back then.

Knowing nothing of the story upon which this film centres, I have since viewing same been led to learn more about the treatment of Sitting Bull and his people leading up to the human tragedy of the massacre at Wounded Knee. Obviously this beautifully shot movie with its understated wonderful music score and very strong performances of lead characters, has left a deep impression. Justifiably, some reviews here have found fault with the story's historical inaccuracy such as the age of the two major characters. It seems that dramatic licence is always a component of movies based on real events. But this should not detract from all too real emotions engendered, not only between the artist and her subject but by the embittered townsfolk who see Sitting Bull and his people as true savages. A film of beauty to be recommended.

Loosely based on fact this interesting historical drama tells of Catherine Weldon's (Jessica Chastain) journey out west to paint a portrait of Sitting Bull. Saskatchewan Cree Indian, Michael Greyeyes gives a slick performance as the famous chief, during his latter days on the reservation. It might seem a curious topic for English director; Susanna White to tackle but she turns in a competent (if a little slow) rendition of this unique event. The New Mexico locations provide a nice setting for this rather odd story - although historical accuracy seems to be a little wanting. The white woman and the chief sharing a Tepee together might be a bit of a stretch - just as the ending also seems to wander from other recollections, still, much time has passed and recollections do become hazy. Some may find it no Dances With Wolves but it should maintain interest for those with knowledge of this sad time and the tragic events that unfolded during a dark phase of pioneering USA history. It looks at the pros and cons of Ratification and Ghost Dancing - the latter that caused controversy for its war connotations.

Well done historical story line between native Indian Chief Sitting Bull and New York socialite and artist Catherine Weldon. The landscape of the western plain fields where the native Indians main food source the buffalo were driven into near extinction, and the Indian reserves were lacking of any form of prosperity painted a picture of how the United States military power were still struggling with the embarrassment of General George Armstrong Custer's complete annihilation in 1876 at Little Big Horn made famous by Sitting Bull's victory and known as Custer's Last Stand.

Jessica Chastain plays American socialite/portrait painter Catherine Weldon and she is desperate to paint the portrait of the great Indian Chief Sitting Bull played exceptionally well by actor Michael Greyeyes. Their friendship grows out of their respective and very different upbringings and life histories as well as their respective stubborn personalities. The symbolism of the white stallion Rico who was given to Sitting Bull by the great westerner Buffalo Bill is not lost on the audience as Catherine Weldon's childhood fear of horses (thus her preference to walk everywhere) is eventually defeated, ironically so is Sitting Bull to whom the audience is sympathetic towards the plight of the Native Indian(s).

This is a simple yet historically valuable film that as I plopped the disc into our Blu Ray player very late at night even Mrs. Shullivan watched intently never falling asleep (which she would normally do) as both of us enjoyed the performances by Jessica Chastain, Michael Greyeyes and Sam Rockwell as well as the historical value of this moment in time in the year of 1890.

I give the film a credible 7 out of 10 IMDB rating.

There's an emotional sense to the film, the images, direction and dialogue have a honest but poetic tone. Cinematography was beautiful. And it's a tragic and moving subject. The destruction of a varied and rich culture, the nations and the resignation of these indigenous people. I felt the profound loss through the character of Catherine Weldon, the determined painter who was captured by the spirit of Sitting Bull while trying to capture him in paint.

The performances were noteworthy, I always like the projects chosen by Jessica Chastain and Sam Rockwell. And Michael Greyeyes has a lot of charisma portraying Sitting Bull especially with scenes with Jessica.

However, the story does lack in some pacing and factualness. The story was a very loose representation but it still makes it's point in the theme. Some have suggested this a white savior movie and it may well be. Yet, one doesn't take away a sense of pride in any of it. It's still a white story, just a sad and not particularly flattering one.