One Kiss

I've never seen a movie with a gay theme that holds as much entertainment value for straights, gays, men, or women as this movie. It has it all, and it ends most remarkably.

Imagine, if you can, a Italian (English subtitled) movie featuring all the qualities of a flip gay musical that suddenly turns into a traumatic and beautifully-scored but star-crossed love affair, and then ends with power, pathos, and a strong message. That's Un Bacio.

The actors are superb--a gay boy Lorenzo played by the almost too pretty Rimau Grillo Ritzberger, a girl Blu played by the beautiful Valentina Romani, and a straight boy Antonio played by the stunningly handsome Leonardo Pazzagli (pronounced pahtz-EYE-ee). They play three best-of-friends, more or less outsiders at their high school. But Lorenzo falls in love with Antonio, who falls in love with Blu, who loves an another man out of school. It's obviously complicated, and it only gets more so when Lorenzo finally shows his affection for an unreceptive Antonio. The drama builds from there in traumatic scenes that anyone who has suffered unrequited love can understand. The heaviest scenes are scored perfectly to songs like Hurts and Read All About It...so perfectly that you will want re-watch these scenes many times.

Here I must stop. An enormous spoiler is possible, and I will not go there. I will say only that is a movie with beautiful sets, beautiful music, beautiful faces, powerful acting, sadness, tragedy, love, joy, and a message. Ask yourself how often you see a movie with all of that.

Just don't quit at the butterflies and musical interludes. They'll make more sense in retrospect. This movie is...what is the Italian word?....oh, yes...

FANTASTICO!!

I'll start with the bad notes. Acting and scene design might have been much better.

Sometimes they appear a bit amateurish: while a simple, real-life style might not be out of place given the themes, it's clear the attempt to be polished and refined in most of the film. Unfortunately a lot of times photography, action and dialogue delivery are not as sharp as expected, giving a bad feeling of fiction.

This said, the movie is great. The untold topics are social conflict, integration, exclusion, hate. The context is the life in a high school for 3 teens with a complex background (and who hasn't one?). Drama, comedy and tragedy (and even musical scenes) alternate effortlessly maintaining a level of depth, sensitivity and intelligence that can be rarely spotted in other "coming of age" productions.

Strongly advised.

This little flick has it's own reality! It's a mix of cheerful hopefulness and sad truth.

Three young teenagers, two boys and one girl, who don't exactly fit in with the other students their age, befriend one another and develop a close bond. Lorenzo is naturally positive, happy, and pays no mind to the other classmates who reject him. Antonio is an ace basketball player but emotionally damaged by his brothers death. Blu is her own person and secure in her decisions and behavior. These three find one another and their friendship brings light into their lives.

All is well until their sexual desires enter the picture and their relationships begin to fracture. Antonio is still very insecure and cannot break his need to be accepted by his peers. His damaged emotional self-image turns the happy threesome upside-down. The story has two endings the real one and the idealized one that Lorenzo and Blu would have preferred.

Seen at the Movies That Matter film festival 2017 in The Hague. Disappointing, storytelling-wise as well as how the fantasies of main protagonists were visualized. The clearest example of the latter is Lorenzo's arrival at his new school. We see him drop his backpack and dance his way into the building with the other pupils applauding. Another example, not much better than the former, can be found in Lorenzo's dialogues with his dead brother.

Plot and developments overall are not involving, and as such not as moving as the film makers apparently had hoped for. The composition of the threesome is a bit artificial, seemingly only setup to expose and thus emphasize their differences, their sole binding factor being that all three were treated as outsiders by their peers.

The story around Blu does not receive the attention it deserves. It leaves unclear why she still hangs out with one of the guys who filmed her while she was sedated and seduced by him and his three friends, something that appears later to be a full-fledged gang-rape, less consented than Blu herself tells everyone repeatedly. The rest of the school has earmarked her as "easy to get", words like sl*t are graffiti-d on walls all over the area. The footage itself was not made public, yet the seduction was known all along by other means (gossip?? hearsay??). Near the end of the movie when Blu happens to see the whole footage and learns what really happened with her and the foursome "friends", it triggers her to take formal steps against them, together with her parents and eventually involving the police. How and why that developed is covered in only a few minutes, hence left us wondering.

When our three main protagonists are taking a swim at a deserted place outside, Lorenzo makes his move to Antonio and touches him, something that Antonio apparently does not take well and he leaves without saying anything, despite Blu calling after him to learn why he left. I cannot reveal further developments, in fear of spoilers. But in the end, also somewhat artificial, we see the very same scene where Lorenzo touches Antonio, with a totally different outcome, leaving us outguessing how it will develop. This is where the movie ends with showing the final credits, leaving us wondering again.

All in all, I feel a bit lost because of the generally positive reviews, by non-critics as well as critics. None of them even touches the objections I outlined above. In other words, this is a minority viewpoint. Most probably, my age (67) will be deemed the culprit.

Set in a provincial Italian school where a teenage boy has just been adopted by progressive thinking parents. They need to be as this is Lorenzo and he is 'as gay as Bloomingdales at Christmas' (I nicked that from 'Will and Grace'). Once there he meets Blu who is the offspring of hippy type parents and whose good name is besmirched as a result of a 'full on party gal' reputation.

They are outcast and everyone hates them. There is also the dashingly good looking and painfully unaware Antonio, he is great at basketball and so is tolerated but as he spends so much time with the ghost of his dead brother, he is not seen as 'cool kid' material. They soon form up as three friends and set about righting a few wrongs. Thing is it does not take much to break the fragile and fledgling new found friendship.

Now this is just brilliant. I loved it from the start, there are dance routines, there is animation, there are fabulous outfits, there is humour, pathos and it is all wrapped up in great acting, a powerful yet simple story and a moving narrative. This like Lorenzo deserves a lot more attention and for fans of LGBT cinema there is much here to admire, but moreover it is a simple story of love, longing, friendship, fear and truth – simply can not recommend enough and now my gush is over.