Iru Mugan

When a project has Chiyaan Vikram in its cast list, the perception around it takes on a different color. And director Anand Shankar's second directorial Iru Mugan is no exception either. To top it, we have two Vikrams who are vying for our attention in the aptly titled film.

A trailer is something that gives the audience a sneak peek of what to expect and also kindle the curiosity levels to make them buy the tickets and go to the theatre. Going by that, the trailer gave an inkling of how Iru Mugan is going to be.

Director Anand Shankar has attempted to give an action oriented espionage thriller with some scientific innovations thrown in. There are high flung chemical formulae mouthed by the characters with references to Hitler too. Looks like the team had done their research on it fine.

Well crafted action sequences, stylishly shot visuals, decent music and neat performances mark Iru Mugan. However, there is something amiss in the film to make you feel that it was such a well made, taut, commercial potboiler.

What can one say about Vikram? He gives his life and soul to any character that he essays and in Iru Mugan too, it is his show all the way. As the RAW officer Akilan, he brings out the ruthlessness and sharpness of an intelligence officer and as Love, he rocks it big time. He blends in the masculinity and also the effeminate nature of the character pretty well. It sure is a tightrope walking and kudos to the director for not making a mockery of such characters. But, why is this character this way? Was it just to bring in quirkiness?

Nayanthara and Nithya Menen have their roles clearly etched out to bring in the color to the proceedings. Interesting job descriptions such as ethical hacker and RAW case officer sound cool. Out of the supporting characters, Thambi Ramaiah has more screen time and the role is like any other one that he has been portraying in many of his films. It is a little unconvincing to see cop characters continuing to be projected outright silly on screen.

The beauty of Malaysia, Kashmir and other places come to the fore with RD Rajasekar's visuals. Bhuvan Srinivasan's edits appear decent. Under Harris Jayaraj's musical Halena song stays on. Although the songs are richly choreographed and shot, they are all unnecessary protractions especially when the proceedings are at a different gear. Costumes of Nayanthara are outright chic and uber cool.

In an investigative action thriller such as this, scenes must proceed at a rapid pace. But there are moments when we leave the happenings on screen and wander around. The team should have focused more on the story and screenplay, which could have resulted in a better product. The intended twists are well guessable by the current audience. There are a few logical questions which look unanswered in the story.

To sum it all, Iru Mugan has its pluses in the form of technical prowess and performances but the core story and the treatment let it down.

Verdict: Vikram in full form, technically strong too. But script and logic could have been handled better

Iru Mugan starts with a strong opening scene which establishes the main concept dealt in the film but right after the scene, the film feels too draggy till the interval. We are supposed to get along the story but instead, we are watching Vikram and Nithya Menen's action sequences and Thambi Ramaiah's comedy scenes which are making us disconnect from the initial story. It's only after the interval that the film starts to be much more interesting with only Vikram's terrific screen presence. Well, as Akilan the protagonist, Vikram's role doesn't seem to be heroic nor interesting because his backstory is totally wasted by a simple illogic factor. As Love the antagonist, Vikram shines on screen. He shows his versatility as an actor by portraying the role perfectly. His mannerisms, his attitude, and his performance are a delight for the audience. His role adds so much intensity to the film and helps it be engaging further. Except for Vikram, Iru Mugan fails to offer strong characters. On the musical front, Harris Jayaraj made a decent album and a pulsating background score. Visually Iru Mugan looks stylish. There are so many cinematic shots that help the film to be a high-quality venture. Coming back to Anand Shankar, he has done a decent job in this action entertainer and the scientific concept that he deals with in the film adds a certain uniqueness. While handling such a concept, Anand Shankar fails to look up to the logic because we witness so many illogical scenes that unfortunately need scientific researches. There are only a few surprising plot points that create a high peak effect in the film. Overall, Iru Mugan can be watched for Iru Vikram's screen presence.

Imagine if a man destroys all liquor shops but keeps few liquor bottles with him for him to drink,What will u call him? Imagine if a man destroys all brothels but keeps few girls as his mistresses,What will you call him? These two examples are I felt after watching iru mugan. I was about to enjoy and finally like some vikram movie after anniyan but like deiva thirumagal it's ending also ruins everything. Bad luck vikram.

I don't mind well made movies inspired from other language movies but this movie is very poorly executed. Too many instances from Hollywood movies and they didn't know how to stitch them into a seamless one. The result looks so forced and silly. The very intro scene of Vikram was ripped from both Rambo and Sherlock Holmes. All it manages to achieve is boosting Vikram's ego and nothing more. What's with the scientist who just spills the beans even without asking much about what he has been upto ??

After a very long time, I stopped watching a Tamil movie half way through as I was not able to bear wasting my time on such a mess.

Watched iru mugan with som expectation. Did it satisfy?. Good things about the movie first. It had great visuals, locations and good performance from Vikram if not his best performance. Apart from Vikram every one was made to look dumb including Thambi Ramaiah, Karunakaran, Female leads. With a very nice concept they could have made a edge of the seat thriller, but instead the movie is so predictable which makes it boring at many times. Also the movie looks very lengthy. I thought movie was over one hour before the movie actually came to an end. With this concept there at least the action should have been innovative, but that falls flat.

We can watch it only if we are a fan of Vikram.