A wildlife officer helps an FBI agent investigate a murder on an American Indian reservation.A wildlife officer helps an FBI agent investigate a murder on an American Indian reservation.A wildlife officer helps an FBI agent investigate a murder on an American Indian reservation.
- Awards
- 17 wins & 27 nominations total
Tokala Black Elk
- Sam Littlefeather
- (as Tokala Clifford)
Shayne J. Cullen
- BIA Officer #1
- (as Shayne Joel Cullen)
Austin R. Grant
- Carl
- (as Austin Grant)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One of the best movies I've seen in a long time. I enjoyed the subdued characters and acting. The story is unique and memorable. There is no gratuitous violence or nudity. The characters and story held my attention on their own.
There has been next to no fanfare for the release of this murder mystery. Which is surprising, considering the talent involved in front of the camera (Jeremy Renner, Elizabeth Olsen) and behind it (writer-director Taylor Sheridan). Fresh from joining the ranks of top-tiered screenwriters after the amazing one-two punch of Sicario and Hell or High Water, Sheridan continues his stellar run with a heart-wrenching study of loss and grief wrapped in a taut crime thriller narrative. Also having a crack at directing, Sheridan allows the snowy Wyoming setting to completely envelope the characters in a world that feels like it has no exits, both physically and emotionally. When this Native American community is hit with a homicide it feels like another tragedy in a long line of tragedies; their shock is replaced with deeper sorrow, their outrage is replaced with solemn defeat. Entering the scene like a fish out of water, Olsen's junior FBI agent Jane Banner must traverse the tricky cultural complexities if she's to understand the clues in front of her. Luckily she has Renner's local hunter Cory Lambert to assist, himself battling with a past family disaster. Renner and Olsen are both in terrific form, the former hiding his grief under a stoic veneer, the latter balancing big-city attitude with a genuine desire to find justice for the victim. Veteran character actor Gil Birmingham is also superb as a father unsure of how to deal with his earth-shattering loss. If this all sounds a bit heavy, well it is, but Sheridan's careful to inject a healthy dose of suspense and mild action to keep the drama gripping rather than overbearing; the finale in particular turns the movie on its head in an unpredictable but extremely effective manner. An intelligent, slow burning and provocative viewing that enthrals from start to finish, Wind River is an understated gem that deserves an audience.
This is a truly gripping, engaging and dramatic film. The first thing anyone will be aware of, is the quality of the production values, it is superbly made, gloriously acted, and meticulously filmed. A very classy production indeed.
You have to credit the sheer quality of the source material, a wonderful and sad plot, with plenty of twists and turns. Murder mystery fans will enjoy, thriller fans will also enjoy.
There are some truly big moments, one that will make you empathise with the victim's family, one that will leave you with your mouth open, as a big fight occurs.
So impressed by this movie. 9/10
You have to credit the sheer quality of the source material, a wonderful and sad plot, with plenty of twists and turns. Murder mystery fans will enjoy, thriller fans will also enjoy.
There are some truly big moments, one that will make you empathise with the victim's family, one that will leave you with your mouth open, as a big fight occurs.
So impressed by this movie. 9/10
When actors decide they want to make the transition to the other side of the camera and direct films, it can be a dicey proposition. It makes me even more nervous when said actor to director decides they don't have the acting out of their system and want to keep acting, but with "Wind River," Taylor Sheridan (best known for "Sons of Anarchy," but also the writer of both "Sicario" and "Hell or High Water" with this completing his American Frontier Trilogy) separates himself in order to focus on directing a wonderful based-on-a-true-story tale.
Jeremy Renner plays Cory Lambert, a tracker who works for the Fish and Game Commission in Wyoming who gets caught up in the investigation of the murder of a young Native American woman on a local reservation during a series of brutal snowstorms. He partners with FBI agent Jane Banner (Elizabeth Olsen) as they try to navigate the elements and even the law as it pertains to the reservation itself and a very thin law enforcement department headed up by Gen (Graham Greene).
I know there is not much to the above summary, but that is all you really need to know about this film, besides the fact that I REALLY enjoyed it as one can do with the material involved. Make no mistake: this is a dark film that deals with very haunting subject matter, so there is quite a bit of weight to it, but Sheridan treats this story with the highest level of respect by allowing his very well written script to drive it while still shooting it beautifully. To see such beautiful landscaping (actually shot in Utah) take my breath away while still understanding the danger of what the elements bring from the wildlife to the weather and even the inhabitants add a great layer to the story, but what takes it to the next level is the score from Nick Cave and Warren Ellis (not THAT Warren Ellis) that frames each and every scene perfectly without giving what is coming up ahead.
From a performance standpoint, I really dug the way that both Renner and Olsen dialed it WAY back within their characters with Renner keeping Lambert simple and focused on the task at hand and Olsen showing how Banner is just trying to do the right thing while attempting to understand the situation she in AND asserting the authority she has representing the Bureau. Greene gives great balance and levity to their dynamic while keeping his character involved as a reminder of the heightened sensitivity of their situation.
The Weinsteins' eye for film strikes again here, and I am also looking forward to where Sheridan's career behind the camera goes as well. For this being the second time he has helmed a film, this is incredibly impressive and should at least be on your "need to check out" list if not all the way to "must see".
Jeremy Renner plays Cory Lambert, a tracker who works for the Fish and Game Commission in Wyoming who gets caught up in the investigation of the murder of a young Native American woman on a local reservation during a series of brutal snowstorms. He partners with FBI agent Jane Banner (Elizabeth Olsen) as they try to navigate the elements and even the law as it pertains to the reservation itself and a very thin law enforcement department headed up by Gen (Graham Greene).
I know there is not much to the above summary, but that is all you really need to know about this film, besides the fact that I REALLY enjoyed it as one can do with the material involved. Make no mistake: this is a dark film that deals with very haunting subject matter, so there is quite a bit of weight to it, but Sheridan treats this story with the highest level of respect by allowing his very well written script to drive it while still shooting it beautifully. To see such beautiful landscaping (actually shot in Utah) take my breath away while still understanding the danger of what the elements bring from the wildlife to the weather and even the inhabitants add a great layer to the story, but what takes it to the next level is the score from Nick Cave and Warren Ellis (not THAT Warren Ellis) that frames each and every scene perfectly without giving what is coming up ahead.
From a performance standpoint, I really dug the way that both Renner and Olsen dialed it WAY back within their characters with Renner keeping Lambert simple and focused on the task at hand and Olsen showing how Banner is just trying to do the right thing while attempting to understand the situation she in AND asserting the authority she has representing the Bureau. Greene gives great balance and levity to their dynamic while keeping his character involved as a reminder of the heightened sensitivity of their situation.
The Weinsteins' eye for film strikes again here, and I am also looking forward to where Sheridan's career behind the camera goes as well. For this being the second time he has helmed a film, this is incredibly impressive and should at least be on your "need to check out" list if not all the way to "must see".
Although very, very small errors crept in this story it is very true. As someone who lived right off the Wind River Reservation and whose husband worked for the Northern Arapaho tribe (one of three non-native employees) I can say that without a doubt this is what happens too many times on the res there. The natives often live in deplorable conditions but it's not all the other guy's fault either. However, the treatment of women and the disappearance of women, and yes men too, is horrific. There is often no closure. Things are so confusing and convoluted and corrupt that it's no surprise these things happen. We've since moved away but some of the experiences and events will never be gone. I wish that the people there, on and off the res, can find some resolution to the atrocities. It's a beautiful area and everyone should visit the Wind River mountains. It's on most people's way to the Grand Tetons and Yellowstone. Stop at Brooks lake and see the beginning of the Wind River. And the rest of the beauty there. Just don't go up on the res unless you're with a local.
Did you know
- TriviaDuring the course of the shoot, writer-director Taylor Sheridan was visited on set by some Shoshone tribal leaders who astonished him with the revelation that, at that very time, there were 12 unsolved murders of young women on a reservation of about 6,000 people. Due to a 1978 landmark government ruling (Oliphant v. Suquamish), the Supreme Court stripped tribes of the right to arrest and prosecute non-natives who commit crimes on native land. If neither victim nor perpetrator are native, a county or state officer must make the arrest. If the perpetrator is non-native and the victim an enrolled member, only a federally-certified agent has that right. If the opposite is true, a tribal officer can make the arrest, but the case must still go to federal court. This quagmire creates a jurisdictional nightmare by choking up the legal process on reservations to such a degree, many criminals go unpunished indefinitely for serious crimes.
- GoofsIt's not possible to freeze the lungs by running, even in extreme cold. Air gets heated by the nose and throat before it reaches the lungs, and the lungs themselves are continually heated by the circulating blood. You'd die from hypothermia long before the lungs could freeze.
- Quotes
Chip: Man, I get so mad. I wanna fight the whole world. You got any idea what that feels like?
Cory Lambert: I do. But I decided to fight the feeling instead, 'cause I figured the world would win.
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Muerte misteriosa
- Filming locations
- Lander, Wyoming, USA(city limit sign)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $33,800,859
- Opening weekend US & Canada
- $161,558
- Aug 6, 2017
- Gross worldwide
- $44,202,682
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content