Qui a peur du Slenderman?

It seems as though the victim in this, Payton Leutner, is just a footnote to this story. She was talked about very little, almost as if she were just some random classmate. I kept waiting to hear from her or her family, and when I didn't, I waited for a disclaimer that they didn't want to be interviewed, but neither happened. The film portrayed a lot of sympathy for the girls, and I have none. They had planned out this attack. Even at 12 years old, you know killing someone is wrong. But watching their families go on and on about how hard it was to be without their daughters and how it was so upsetting, it is easy to see why the girls themselves were so self-centered. They showed no remorse for killing her whatsoever. This film could have been so much better. What a disappointment.

Beware of the Slenderman was well-received at its world premiere at Austin's SXSW Film Festival. It is a true crime story about two 12-year-old girls who attempt to kill another young girl. The film, which will be broadcast in the near future on HBO. They are telling an intriguing story, but they try to tell too many stories. It seems obvious from the beginning that the girls are suffering from severe mental illness and that's the primary explanation for their violent behavior. Their behavior appears to be linked to mythic internet creature called Slenderman. Some of the most intellectual parts are their explorations of myth and folklore and how people come to rely on them. But then they seem to want to blame mental illness on misuse of the Internet. They don't seem to realize that there are mentally ill people who acted out violently long before there was the Internet. Long before "Slenderman" there were young people with psychological issues. And then spend a lot of time talking to the kids' troubled parents who feel responsible. And they explore the court procedures around their story. And they keep going on and on. They can't really figure out what story they are telling. At two hours the film simply goes on too long and goes off on too many tangents. They repeat their themes over and over without really getting that far. In the end, they could have told this troubling story a lot better and lot more simply. It is still an entertaining story, but it could have been a lot better.

Others have summarized this documentary far better than I can. I will just reiterate that the movie is far too long. There is a lengthy description of folklore and horror stories, which could have been cut down considerably.

Then there are the interviews with the parents of the two perpetrators, which also could have been cut down. It seems like there is a lot of repetition.

This movie could have been tightened up and submitted as a short- subject documentary, and I think it would have been better.

I did like the courtroom sequences; however, the cases are not yet resolved. Perhaps the film-maker could have waited another six months to give the story a better conclusion? Obviously the appeals are going to drag on for years, but at least show the audience the outcome of the trials, which apparently are taking place in the spring of 2017.

I also would have liked to have heard from the victim, or a member of the victim's family.

While the documentary seeks to explore several themes around mental health, modern folklore, bullying, and modern technology's role in adolescent development and parenting it seldom finds a coherent thread to pull them together in any meaningful way. The film starts interestingly enough exploring the story of two adolescent girls who are pending trial as adults for the attempted murder of their friend. This in and of itself would make for a compelling case study on mandatory laws surrounding the subject of violent crimes committed by minors. Add to that the fact that the girls committed this act to gain the favor of a modern fictional boogeyman named Slenderman, and we now have the potential for an even more compelling discussion around mental health, the internet's influence on child development, modern parenting and any number of related topics. Unfortunately, this is where the narrative seems to stall with the filmmakers doing little more than exploring the folklore of Slenderman and how the girls' mutual status as outsiders may have led them to seek acceptance through belief in the fictional being. Though the filmmakers make several attempts to explore other themes including mental health (which arguably should be the central narrative), they seldom make it past a cursory examination of the facts as they exist, and attempt to draw little to no conclusion about how these facts should influence the outcome of the still pending trial. Perhaps this stance, or lack there-of, is out of respect for the victim in this tragic case, which is surprisingly absent through most of the discussion. The result however, is a story that would be thought provoking as a 30 minute true-crime new story, but feels a bit drawn out as the handful of facts are repeated ad nauseum, rarely digging past the surface of any single topic.

It's like there wasn't even a victim in this story. So sad. You would have thought the two criminals were the victims. I kept waiting to see a statement about how the victim and her family declined to participate. It never came. Their voices were so painfully absent. All tangled up in all the wrong things.

Overall it was certainly interesting, even captivating. But I found myself wanting so badly to hear from poor Payton. The only victim, along with her loved ones.

It will be interesting to see how it all turns out.

All the details about how internet myths start was so scary. And how kids are being raised now is scariest of all.