Catfight

Cat claws are joined by rock, brick, hammer, wrench, tire iron and more as a pair of self-important and toxic narcissists sink their fangs into each other. Ashley and Veronica are from opposite sides of the political spectrum yet both share an unquenchable hatred for anyone who attacks their image. Veronica (Sandra Oh) is a caustic and drunken gold digger married to a businessman making insane profits from a war in the Middle East. She encourages her son to be anything other than a useless artist. Ashley (Anne Heche) is a sadistic painter whose apocalyptic view of war tolerates no blasphemies, including and not limited to the "false color" blue. Her partner is a clueless snob who, like herself, rejects anything that isn't a carbon copy of her own fluctuating views. Ashley and Veronica are former college acquaintances, now in their forties, who meet at a party. Soon they enter into a bitter, knock- down and bone- crushing brawl in the stairwell. This won't be the only fight. In their all-consuming rivalry they risk losing everything. The heat of a fire consumes all the fuel and air before it dies.

Catfight is fueled by dark humor and a realistic portrayal of narcissistic personality disorder. Narcissists believe that money, success and power entitles them to treat others like trash. Yet narcissists are useful to the world because they see through all its fallacies (the greatest sinners make the best preachers). Ashley and Veronica are self-absorbed, have no empathy for others and treat their assistants more like servants and machines than persons. They are too broken to reveal their wounds to others though, which is why they never truly heal.

The violence in Catfight is really brutal and vastly different from other cinematic fight scenes. The female on female fighting is just one aspect that makes the fight scenes different. Other nuances include creative brawling tools and settings, compelling themes and characters, and great acting. Anne Heche and Sandra Oh are versatile, capable actors that are adept at this type of satire. Catfight's director, in the question and answer session after the film, said that Anne and Sandra had different, but equally effective, styles of preparing for the scenes. One actor was methodical in planning and preparation, and the other was energized by each passing moment. World premiere seen at the 2016 Toronto International Film Festival.

This certainly won't be everyone's cup of tea but I quite enjoyed the sheer nihilistic futility of it all. Catfight is certainly original and takes on a narrative that keeps you guessing right to the end. There are some great digs at the pretentiousness of modern art and some gloriously violent fight scenes. You may hate it but it's definitely worth a try if you enjoy black comedy.

I think it was Kapuscinski who wrote "war is but a series of revenges with an untraceable origin", then there´s Gandhi and his famous "eye for an eye and the world will go blind". Some might despise this film for being such an obvious allegory but it´s just too rich. It might lose some balance at times between its despicable characters and their meaning but nonetheless, it does work on both levels, personally and globally. A tight structure allows the film to expose its point with sharpness and confidence. It´s able to settle years of war debate in a 30 seconds piece of dialogue. It goes from social critique to symbolism to downright comedy in a matter of seconds, totally in control.

Comically, it works, oh yes. There´s something oddly funny about two people grudging obsessively over the years. I think "The Duellists" had a lot of unintentional humor. This one embraces the absurd concept. It ironically glorifies violence featuring ridiculous punch sound effects and it never gets too close to the character´s misfortunes. It´s a comedy, first of all.

Conceptually, it stays neutral, and that´s no joke. Aggresions and affronts are equaly terrible on both sides. That is extremely important not to lose its validity. One can argue that Catfight has a few missteps but it´s certainly not clumsy. Better than that, it´s absolutely hilarious.

A weird and twisted character study of self absorbed, clueless narcissists ad nauseum.

I know, it's supposed to be a clever dark comedy, but having actually encountered more than a few examples of the very characters portrayed here in the real world, it was more like watching the equivalent of experiencing nails on a chalkboard.

I'm not knocking the film, or caliber of acting and direction, quite the contrary. As a film, it's actually a very well created production.

As a sort of snapshot into a world which really exists (well, sort of), perhaps it's a bit too realistic for comfort.

OK, the art gallery fight scene was more than a bit over the top.

Not to deliver any spoilers here, but perhaps an apt description could be summarized as a spectacular reversal of fortune story, mapped into a bizarre parallel universe of quirky characters and seemingly impossible scenarios which are actually all too real, depending upon which version of reality one might encounter at some seemingly random moment.

Not sure how to rate this, might not be for everyone, but it is definitely unique. A cautious seven stars . . .

This film tells the story of two women who have been adversaries in high school. They meet each other again in a party, and a huge fight entails.

"Catfight" is a rare comedy that is funny and thought provoking at the same time. The similarity of two women in both the ways they treat other people, and their experiences are remarkable. It tells the message that what comes around goes around, and fortunes are impermanent. Holding grudges aren't the way to go either, even though the three women in the film all hold grudges spectacularly. I enjoyed watching the film.