Raising the Bar

I watched this with my kids, and although I have seen some bad productions, this has to take the cake. There isn't a single feature of this film I could mention in a positive term. The script, the cast, the acting, the cinematography are all shamefully poor. So much so it was cringe worthy to watch. This film should be used to illustrate how not to make a film. The dialogs were pathetic, the acting amateurish, and could go on and on. No only was is this film spectacularly bad, but also very sloppy. One of the main characters, who is a gymnast, was clearly overweight, her physic didn't remotely resemble that of an athlete. Also, in a scene the main character Kelly starts her high bar routine with one hair do and finishes with another. AVOID!

I'm not sure what the director was thinking...for a gymnastics film the camera angles were so off and didn't show anything?! Why are there so many long closups on hands and oddly framed shots without the gymnastics in shot?

You know, you see these little films in the list and decide to give them a try, only to be disappointed. Somehow, with Raising the Bar, I did stick it out till the end, but it was dismal. The acting was so bad. And the energy was very low. I would not recommend it. There are plenty of other low budget movies that are a better use of time.

I will not add much to what has already been said about a bad movie with bad acting skills except this: Actress Kelli did a good job as the main character Kelly, she was basically the only factor which held this whole mess together and thus avoided a complete trainwreck. She should have her chance for "real" movies with "real" scripts and a real chance to show her acting skills.

It was an entertaining movie, but was very disappointed that I didn't really get to see any of the routines. The camera angles only showed the hands or the feet, or a ceiling camera for the floor routines, but never the whole girl, like in American Anthem. It was very formulaic and I agree with a previous poster about the ending.