Crone Wood

In this low-key folk horror, we follow Danny and Hayley (Ed Murphy and Elva Trill) as they seem determined to get themselves into as much bother as they can. They are a likeable couple, and it's a pleasure to spend time in their company, but you do wish - as is often the case in such films - that they would just turn around and go home.

Director and writer Mark Sheridan, for whom 'Crone Wood' seems to be his last venture to date, has created an immersive found footage world. Events are presented at a fair pace, and we're never in doubt as to exactly the kind of jeopardy our heroes are in - unless he wants to reveal a further twist, that is.

Taking full advantage of the beautiful Irish location, and the notorious Hellfire Club too, which hosted a satanic group at one time. Crone Wood is well worth a visit. My score is 8 out of 10.

And to be fair they did well with what little budget there is.

Lots of hot Irish ladies and some quite icky scenes - the one with the girl sticking her finger up and licking was quite a yuck upchuck moment and the acting is more competent than most of the stalk and slash college student horror fair coming out of US film studios in the last few years and being Scottish I am biased for my kindred Irish brothers and sisters and their unique style!

This is definitely a film for the feminists and although it does not have much in the way of actual horror and has none of the pervading creepiness of the real Wicker Man and the ending is rather disappointing, it is a valiant effort so gets a fair 4/10 hatchets from me!

Story: 0.25/2 - Direction & Pace 0.25 & 0.25/4 - Performances 0.75/2 - Entertainment: 0.25/2

Total 1.75/10

Crone Wood - or should we say, the unholy union of The Wicker Man and The Blair Witch Project? It's a Frankenstein's monster stitched together from good intentions but lacking the surgeon's finesse. This film embodies what happens when you have a bright idea after a late-night horror movie marathon and an abundance of hubris but none of the skill to execute it.

The most glaring sin of the script is laziness. Writers nudging the protagonist along like a puppet on strings? Nothing he does is of his own free will. He's guided through the day by a woman professing love. It's insulting when, at the ritual, they proclaim he's done all of this out of his own free will. It smacks of lackadaisical structuring.

Now, let's talk about the missing village kids. The premise orbits around the Green Man and the Witches trying to perpetuate their community with little ones, yet the playgrounds are empty. Someone forgot to hire child actors, maybe? When the Green Man boasts of a job well done, I'd contest that, given the lack of pitter-pattering ankle-biters echoing through those woods - though it was a commendable premise.

Supposed amateur enthusiasts capture the story on their handheld video cameras. It's a choice as perplexing as it is agonizing. A directorial preference to showcase bad filmmaking as intentional is as bold as it is misguided. It's almost like they said, "Why bother with second takes? Let's throw it together and call it avant-garde!" Embracing the warts-and-all approach to filmmaking might've been novel if it didn't feel like watching someone's terrible home videos - and not the heartwarming kind, mind you. Most amateur filmmakers would sooner poke out their eyes than release something resembling this mess. Scenes drag like a tortoise with a limp, and the pace is non-existent. Brace yourself for boredom with a side of frustration.

The performances deserve a reluctant golf clap - they exist, albeit in the murky depths of mediocrity. The cast seems to have had a jolly time rambling through the woods. Alas, the joy doesn't translate to the screen.

"Stay Away! Don't Watch!" Please consider this the most earnest advice I can dispense. Your time is precious - Don't fling it haphazardly into Crone Wood's profound abyss. Mercifully spare yourself and revisit The Wicker Man; it's a masterclass when justly compared to this horror misfire.

A few times during the movie I forgot it was an indie production and began to critic it too aggressively. A really solid production for a small budget movie. The cast were very convincing, and acted to a high standard. A fun watch, and a good contribution to the horror genre. Your review does not contain enough lines - the minimum length for reviews is 5 lines of text. Stupid rule!

What can you do with the found footage genre that hasn't been done. Not a lot. But this Irish hand held horror makes a good fist of treading new ground. First off the main characters : we don't know a lot about them but with some strong direction and subtle performances we feel like we know them and what's more like them. So after some first day together tom foolery the characters spend together the sense of dread just rises and rises as they head for a day in the forested mountains and the infamous Hellfire club. For a change we don't want the characters to die. They are funny sweet and human and doomed.

The atmosphere builds slowly and the pressure is released just at the right time, (without giving too much away) gears are switched on you and its a ride you can't get off. The story pulls the characters further and further down a rabbit hole full of twists and turns. Comparisons with The Blair Witch are obvious but its more towards the original Wicker Man that this film looks for its inspiration. If its cheap scares your looking for you won't find them here. Everything is set up and boiled until just right. Well worth a watch.