Le cratère

I have to admit that I was actually harboring some expectations to this 2023 Disney family sci-fi adventure titled "Crater" from writer John Griffin and director Kyle Patrick Alvarez. Sure, I had never heard about the movie prior to sitting down to watch it, but with it being a Disney movie, then I figured chances were good of it being an enjoyable movie.

Talk about a swing and a miss. I managed to endure close to an hour of the 105 minute runtime that "Crater" ran for, and then I gave up out of sheer and utter boredom. The storyline in "Crater", as written by John Griffin, had the appeal of wet cardboard. It was so difficult to get submerged into the storyline and finding anything to enjoy. And it didn't help one bit that the characters in the movie were every bit as bland and irrelevant as the storyline itself. In fact, my 13 year old son, whom I sat down to watch "Crater" with, he gave up on the movie not even 20 minutes into the ordeal.

I wasn't familiar with the cast ensemble in the movie, but it was a shame that the actors and actresses were literally given nothing worthwhile to work with and to bring to the screen. I am sure that there were some good talents among the cast ensemble, they just didn't get to shine on the screen at the hands of director Kyle Patrick Alvarez.

Visually then "Crater" was good. It being a Disney movie does have its perks, and a proper budget for proper effects is one of those things. And it shows, because the CGI effects and special effects in "Crater" were good, realistic and added something good to the movie. Ultimately, the special effects could only do so much to alleviate for the movie's shortcomings in every other department.

"Crater" came and went without leaving as much as a ripple. And believe you me, when I say that I have zero interest in returning to the movie and attempt finish watching it. I just simply cared nothing about the flaccid and nearly non-existing storyline, nor of the one-dimensional character gallery.

This was a big disappointment of a movie, I have to say that much.

My rating of "Crater" lands on a very generous three out of ten stars.

I am concerned that today's CGI-fed adrenaline crowd is losing appreciation for good story-telling. I find it difficult to believe this film only has a 5.6 average rating as of this posting. Then there's the ever-present attitude-laden 1-star "worst movie ever" ratings, which are nonsense. Fair-notice: In this review I'm gonna de-bunk some of the criticisms. ; )

This is simply good science fiction, not from the standpoint of space battles or giant robots, but from the standpoint of five friends who go through a significant time in their lives.

The characters are diverse and well-acted. The directing is excellent, the script well-written (for the most part), music appropriate. No there aren't any giant space ships or Kaiju here. This is simply a heart warming story about friendship... and the movie has an appropriate ending.

The debunking: We have to remember this story is viewed through the eyes of young teenagers-- not adults-- and the majority of those teens have been raised in an enclosed, very limited environment. Their viewpoint won't be the same as ours. In addition it's a youth movie. It will appeal to many adults as it did to me... but it's still produced as youth entertainment. We shouldn't judge this from a demanding-adult perspective.

"IT'S NOT SCIENCE FICTION". Nonsense. It's about teenagers raised in a mining facility on the Moon, who take a Moon rover across the surface of the Moon, engage in activities that could only occur on the Moon (and would not work on Earth), and face dangers found only on the Moon. That is science fiction. Yes, it is a road-trip coming-of-age film as well, but it is still science fiction. Almost the entire film is set on the MOON, under Moon-specific conditions.

GRAVITY: Many science fiction movies and shows-- whether they mention it or not-- employ the concept of artificial gravity. It was introduced in 1966 with Star Trek (if not earlier) and has continued ever since. So yes... when someone is indoors or in a vehicle, the gravity is different than it is on the surface of the moon. The characters don't need to look at each another and blatantly point out, "Wow, isn't this artificial gravity great?". It's kind of a given. Artificial gravity has become a standard trope of scifi films. So if we see characters exhibiting normal gravity conditions, we just take it for granted artificial gravity is being employed.

"MAGICAL CURE": One user complained about one of the kids with a heart condition "magically cured" when he was in the Rover. No... he was very visibly given his medicine, specifically intended for just that purpose. They did emphasize that same medicine several times during the movie.

"NOT SCIENTIFICALLY ACCURATE": That is why they call this science fiction... a concept which often stretches and bends science to fit the story. For the purposes of this movie the science was accurate enough. If you're one of those people that absolutely demands 100% scientific accuracy, you might stick to documentaries and avoid science fiction entirely. But a caution: even documentaries probably won't meet your demand of scientific perfection. Science is kind of an ongoing study.

AIRLOCKS: Space vehicles and buildings do not always require airlocks. The Rover was a prime example. Instead of an airlock, the vehicle stores all the internal oxygen in tanks until a vacuum is created, then opens the rear hatch. Once the passengers return, are inside and the hatch closed, the oxygen restoration system is triggered. Same holds true with building entry-ways. Systems of the future aren't all 2001 A Space Odyssey. Even today underwater habitats are entered through an open hole in the floor, and water is kept out by the internal air pressure of the habitat. There's more than one way to enter and exit differing atmospheres and environments than using complex airlock systems.

Etc. Etc.

I give this movie only 7 stars for good reasons: The concept of the kids stealing a rover during a dangerous meteor shower warning, overriding station security during said shutdown, and the destructive display later in the movie (no spoilers)... as if that's all okay. Poor lessons to teach younger viewers. I'm sure they get a kick out of it entertainment-wise, but it would be nice if Disney could figure out less-criminal methods to accomplish their morality plays.

Given the environment those kids were in, they quite likely could have all died and endangered others in the process. Kids do crazy things and do get in trouble, but they also often wind up in confinement afterward for such criminal acts. Teach better lessons, Disney.

Wait, what am I saying? It's Disney; they've been teaching kids bad lessons for years. ; )

It still would be nice to NOT glorify open criminal defiance of essential security measures and willful (and shameful) destruction of property. So only 7 stars.

Despite these drawbacks, the movie was a fun watch, and the overall story well done. I found it entertaining, and the interaction between the characters very-well formed.

Initially, this reminded me of one of those stories that might have been written by Enid Blyton and made by the Children's Film Foundation. It's starring children and it's, primarily, for children too. After the death of his father in the lunar mines, "Caleb" (Isaiah Russell-Bailey) is to be shipped to the ultimate "Omega" colony were he is to be fostered in luxury. He's not keen, and when chatting with his three friends they decide to pinch a rover vehicle and go for a joyride outside of their base. They need a code to open the doors though, and that's where "Addison" (Mckenna Grace) comes in - and off they go. At times the rest of this is quite entertaining - the kids get to be kids in space suits with oxygen tanks as propulsion units and foolery ensues. Sadly, though, the writers can't resist and the melodrama soon comes bounding over the crater and sinks the whole thing. It can't quite decide if it's an adventure film or a drama, and sadly falls between both stools. The actors are quite good, and I think had they been left to deliver an action film as they explore the Moon having fun and mishaps along the way, it would have been very much better. As it is, the soft-focus father/son reminiscences just clogged the whole thing up, dragged the pace down and left me a little bit bored. It's watchable though, just not memorable.

A group of kids steal a rover on the moon to travel to a crater where a secret is waiting for one of them. They will have adventures and face dangers on their way while learning more about the world they live on and the world that their parents or grandparents came from.

The beauty of this movie is it is about kids living in a future that is negative. They learned nothing about the Earth at school, they see no great future for them because their parents and then themselves will be forced into basically bonded labour contracts with unfair conditions that are almost impossible to escape.

Yet the movie ends on a hopeful note, even if they are no revolutionaries. Yes, a lot of the moon stuff and physics is all wrong, but the reality of the feelings and story are important. These are kids and the story is grounded at their level.

Not sure why there are negative reviews. Maybe it is the adults watching what is a kids movies. Maybe it is parents upset that the movie is negative. Perhaps the pacing is too slow for modern kids. Not sure, but still should be better regarded than it is.

I was wondering if there is no friends of the people who were involved in this production. Why is it with a low evaluation. Its 4,7 when I write this.

It its a Disney production with a beautifull coming of age story. There are the elements of drama and comedy and a family like story, that can atract a public of young age and adults.

Some picky adults will complain about some sciency inacuracy in some sequences. But it serves the script.

I am not an English native, so, pardon my mispells or another errors. I could use some translation tools, but I chose not to.

Those were a light almost 90 minutes of leisure.