In 1942 a soldier and a special division of psychics working for the American military must use the help of Andre Toulon's puppets to infiltrate a secret Nazi headquarters and put an end to ... Read allIn 1942 a soldier and a special division of psychics working for the American military must use the help of Andre Toulon's puppets to infiltrate a secret Nazi headquarters and put an end to the evil experiments being conducted there.In 1942 a soldier and a special division of psychics working for the American military must use the help of Andre Toulon's puppets to infiltrate a secret Nazi headquarters and put an end to the evil experiments being conducted there.
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Axis Termination is the final part of the Puppet Master Axis trilogy, and it's quite a disappointment, lacking the fun factor of the previous two films. It's an overly talky effort, with not enough puppet action, and the acting is decidedly dodgy: Paul Logan as heroic Captain Brooks is wooden, Kevin Scott Allen and Tonya Kay (boasting a Botox trout pout) hide their lack of talent behind dodgy German accents, whereas George Appleby as Russian doctor Ivan Ivanov doesn't even try, his cadence just bizarre.
The film also suffers from bad CGI for the numerous bullet hits (I hate CGI blood), a dreary plot that wastes its interesting 'psychics at war' concept, and uninspired direction from Charles Band, who tries to disguise his apparent lack of interest by swathing everything in strong primary coloured lighting.
Given the delightfully OTT approach Band took with Axis Rising, I had hoped that this one would reach hitherto unseen heights of outrageousness; instead, it all feels very underwhelming.
The film also suffers from bad CGI for the numerous bullet hits (I hate CGI blood), a dreary plot that wastes its interesting 'psychics at war' concept, and uninspired direction from Charles Band, who tries to disguise his apparent lack of interest by swathing everything in strong primary coloured lighting.
Given the delightfully OTT approach Band took with Axis Rising, I had hoped that this one would reach hitherto unseen heights of outrageousness; instead, it all feels very underwhelming.
The eleventh installment in the long running Puppet Master master franchise has the deadly puppets again battling evil Nazis, but this time with the help of powerful psychics to battle an evil Nazi psychic and evil Nazi puppets. The story and characters aren't all that interesting and producer/director Charles Band has made the series increasingly campy on what seems to be smaller and smaller budgets, although they did shell out for some stop-motion puppet animation which was pretty fun. I think my main complaint is that there weren't enough of the puppets doing horrible things. If you're watching a Puppet Master film (or Gremlins or Chucky for that matter), you want to see little things attacking big things, and there was not enough of that in this final installment of the Puppet Master Axis Trilogy. Outside of "Puppet Master: The Legacy," which was primarily made up of clips from previous films, this is probably the low point of the series. Still, I enjoy pretty much everything Charles Band makes and I did find myself entertained, even if I was overall disappointed.
The finale of the Axis trilogy and at time of writing (Excluding the reboot) the final movie in the franchise, this is further evidence that Puppet Master needs laying to rest alongside all the other horror franchises that ran beyond their time.
You know the drill by now, a group of "Patriots" during WWII team with the good puppets to face off against Germans and their evil puppets and...........yeah.
It follows on from the previous two Axis movies, but just barely. It stars Paul Hogan who hams it up to a painful degree, the majority of the rest of the cast aren't much better and truth be told this is the worst Puppet Master since Puppet Master: Legacy (2003)!
With recycled footage, barely any plot, same generic content and awful cast this was just so very very bad.
Remember when Puppet Master started and they were actual horrors? Sure they were campy and hard to take seriously but they at least had character. Then suddenly Full Moon and Charles Band decided to take them in a goofy direction and the series lost all credibility.
I'd say this is one for big fans of Puppet Master only, but be aware that if this truly is the final movie then it ends on a low note and doesn't culminate the story that's been going since the 80's in the slightest.
The Good:
One decent scene
The Bad:
Russian accent, really?
Pretty much everything
You know the drill by now, a group of "Patriots" during WWII team with the good puppets to face off against Germans and their evil puppets and...........yeah.
It follows on from the previous two Axis movies, but just barely. It stars Paul Hogan who hams it up to a painful degree, the majority of the rest of the cast aren't much better and truth be told this is the worst Puppet Master since Puppet Master: Legacy (2003)!
With recycled footage, barely any plot, same generic content and awful cast this was just so very very bad.
Remember when Puppet Master started and they were actual horrors? Sure they were campy and hard to take seriously but they at least had character. Then suddenly Full Moon and Charles Band decided to take them in a goofy direction and the series lost all credibility.
I'd say this is one for big fans of Puppet Master only, but be aware that if this truly is the final movie then it ends on a low note and doesn't culminate the story that's been going since the 80's in the slightest.
The Good:
One decent scene
The Bad:
Russian accent, really?
Pretty much everything
P Puppet Master: Axis Termination (2017) on Tubi is the final chapter in the Axis trilogy. The German forces are prepared to end the puppet threat once and for all, unaware that the puppets plan to infiltrate their base and bring down their reign of terror forever.
Directed by Charles Band (Trancers), this installment stars George Appleby (Game of Thrones), Tonya Kay (Saving My Baby), Paul Logan (Alien Apocalypse), Tania Fox (Art of the Dead), and Diana Prince (Evil Bong 888).
Despite Band's legacy with the Puppet Master series, this film feels notably different from earlier entries, and it's a disappointing conclusion to the Axis trilogy. I'd actually rank it among the three weakest films in the series. Overall, it may be worth watching for dedicated fans, but it doesn't stand out as one of the better entries. I'd score this a 3.5/10.
Directed by Charles Band (Trancers), this installment stars George Appleby (Game of Thrones), Tonya Kay (Saving My Baby), Paul Logan (Alien Apocalypse), Tania Fox (Art of the Dead), and Diana Prince (Evil Bong 888).
Despite Band's legacy with the Puppet Master series, this film feels notably different from earlier entries, and it's a disappointing conclusion to the Axis trilogy. I'd actually rank it among the three weakest films in the series. Overall, it may be worth watching for dedicated fans, but it doesn't stand out as one of the better entries. I'd score this a 3.5/10.
With their former owners dead, the puppets are given to the military to determine how they move about, drawing attention from a deranged Nazi commandant and his assistant looking to control their own puppets and forcing the two sides to utilize their resources in order to stop the other.
This here was a rather decent enough entry. One of the film's few positives here is the way this one dives into the concluding chapter of the storyline present, making this a rather strong outing. The fact that the dolls are given straight to the military in order to continue their research on how they work and what their orders are going to be for the majority of the film is all given out in the first opening minutes here, wasting no time and getting this plotline going. This quick-moving story enables the far-reaching elements such as clairvoyance and dream premonitions to emerge as quite logical in this universe, introducing the concept of the dueling group of mystics battling to keep themselves secret from each other or the highly enjoyable series of interactions that play up the need to complete the dolls in their own spaces. This setup allows the film to have some rather fun cheesy action with this mix of magic and sorcery. The idea of watching the Nazi's conduct their experiments, including them going through the test subjects in their chambers to the experiments with the captured dolls as well as the daughter, offer up some truly enjoyable supernatural-themed action as the ability to control and manipulate everyone around them to do their bidding. Not only do we see their own soldiers and subordinates being controlled in some rather tense scenes in the compound but the encounter at the refinery allows for a much more chilling demonstration of their powers when mixed together with the puppet action here in the finale. With the gunplay coming into play with the puppets alongside the rest of the battles against the controllers, there's a lot to like here from the kinetic action and fine bloodshed with the dolls in play to hold it up rather nicely. That said, there are a few minor flaws to be had here. The main issue to be had is the lack of obvious puppet action since there's way too much time spent elsewhere with this one. There's way too much emphasis on the mysticism between the scientist and his daughter attempting to explain their powers that really just keep going on in stilted English full of gibberish and nonsensical megalomaniacal threats rather than putting the puppets to work. By having both sides gravitate towards speechifying as well as the overwhelming need for standing around letting their powers take center stage rather than focusing on all-out puppet action, the film takes on more of a fantasy vibe more than any other entry in the series which might be somewhat detrimental. The other factor is the cheap-looking special effects for the puppets, who look for very CGI-based and don't really have much realism in their few scenes. Beyond this, there isn't much else to this one.
Rated Unrated/R: Graphic Violence, Language and Nudity.
This here was a rather decent enough entry. One of the film's few positives here is the way this one dives into the concluding chapter of the storyline present, making this a rather strong outing. The fact that the dolls are given straight to the military in order to continue their research on how they work and what their orders are going to be for the majority of the film is all given out in the first opening minutes here, wasting no time and getting this plotline going. This quick-moving story enables the far-reaching elements such as clairvoyance and dream premonitions to emerge as quite logical in this universe, introducing the concept of the dueling group of mystics battling to keep themselves secret from each other or the highly enjoyable series of interactions that play up the need to complete the dolls in their own spaces. This setup allows the film to have some rather fun cheesy action with this mix of magic and sorcery. The idea of watching the Nazi's conduct their experiments, including them going through the test subjects in their chambers to the experiments with the captured dolls as well as the daughter, offer up some truly enjoyable supernatural-themed action as the ability to control and manipulate everyone around them to do their bidding. Not only do we see their own soldiers and subordinates being controlled in some rather tense scenes in the compound but the encounter at the refinery allows for a much more chilling demonstration of their powers when mixed together with the puppet action here in the finale. With the gunplay coming into play with the puppets alongside the rest of the battles against the controllers, there's a lot to like here from the kinetic action and fine bloodshed with the dolls in play to hold it up rather nicely. That said, there are a few minor flaws to be had here. The main issue to be had is the lack of obvious puppet action since there's way too much time spent elsewhere with this one. There's way too much emphasis on the mysticism between the scientist and his daughter attempting to explain their powers that really just keep going on in stilted English full of gibberish and nonsensical megalomaniacal threats rather than putting the puppets to work. By having both sides gravitate towards speechifying as well as the overwhelming need for standing around letting their powers take center stage rather than focusing on all-out puppet action, the film takes on more of a fantasy vibe more than any other entry in the series which might be somewhat detrimental. The other factor is the cheap-looking special effects for the puppets, who look for very CGI-based and don't really have much realism in their few scenes. Beyond this, there isn't much else to this one.
Rated Unrated/R: Graphic Violence, Language and Nudity.
Did you know
- TriviaMost of the Nazi thugs are played by fans who paid to have a role in the movie.
- GoofsEven though the movie takes place during WWII, the establishing shots of Los Angeles are obviously very recent.
- ConnectionsEdited into Carnage Collection - Puppet Master: Trunk Full of Terror (2022)
- How long is Puppet Master: Axis Termination?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
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- Also known as
- Puppet Master XI: Axis Termination
- Production company
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- Runtime
- 1h 15m(75 min)
- Color
- Aspect ratio
- 1.78 : 1
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