Brahman Naman

Okay first things first, I am a female reviewing this movie. I really like the aesthetics. The medium film is a visual medium and this movie really makes full use of visuals and editing, also sound editing to make jokes. It's really inventive that way. Or maybe I just think it's inventive because I haven't watched enough movies to know better, but what I mean is, you know, whoever made this movie had a vision.

Also like the writing.The jokes are funny, witty and the back and forth between the characters, it should sound forced and fake but doesn't. everything is adorably quirky

I guess this movie is setting out to capture that specific life of nerdy upper class Brahman college students in Bangalore in the 80's. I wouldn't know if it did that authentically, but somehow this all feels like something that must have been like that at some time.

The movie is incredibly sexist and doesn't shy away from making its main character look like an elitist, sexist asshole. The male gaze is everywhere in this movie and it's obsessed with naked women, specifically their nipples and vaginas. The addition of the womens quizz team they meet in the train doesn't excuse all the objectification. Naina in the end, is as much a male nerd's fantasy as those nipples and vaginas. However, the movie isn't kind to it's male characters either, they're shown as hormone driven, insecure and even emasculated pricks. So yeah, the movie is shitty to both men and women. And while the sexism never gets condemned, it doesn't get justified either. For whatever that's worth.

All in all, pretty good movie. I just wanted to make sure that sexism thing was gonna be mentioned in at least one of the reviews.

Well I am seeing IMDb for last 15 years and yet this is the first time I am writing review for any movie. No this movie is not that great but the current reviews do a lot of injustice. It is very enjoyable movie. It is dark but it is honest about it. I liked it. I am not sure if this is real review but I could relate to characters. I could see the darkness in the movie, quirkiness, taking me to 80s when you have only sex on your mind and it was real fun. I loved it.

"Brahman Naman" is a coming-of-age comedy directed by Qaushiq Mukherjee, commonly known as Q. Released in 2016, the film presents a refreshing take on teenage angst, sexuality, and cultural identity set against the backdrop of a quizzing competition in 1980s India.

Plot and Execution:

The film follows the misadventures of Naman, a socially awkward, brilliant quizzing champion played by Shashank Arora, and his two friends, Ajay (Tanmay Dhanania) and Ramu (Chaitanya Varad). Together, they navigate the complexities of adolescence, raging hormones, and their quest to win the all-India quiz championship.

Strengths:

Humor and Satire:

"Brahman Naman" excels in its sharp wit and irreverent humor. Q's direction infuses the narrative with biting satire and comic situations, offering a humorous yet poignant exploration of teenage insecurities and desires.

Cultural Commentary:

The film provides a candid commentary on the societal norms and conservative attitudes prevalent in 1980s India, particularly concerning sex and relationships. It juxtaposes the characters' academic prowess with their awkwardness in social interactions, highlighting the clash between tradition and modernity.

Character Dynamics:

The chemistry among the central trio-Naman, Ajay, and Ramu-is palpable and drives much of the film's narrative charm. Their banter, camaraderie, and individual quirks add depth to their characters, making them relatable and endearing to the audience.

Period Aesthetics:

Q's attention to detail in recreating the 1980s era is commendable. The film captures the nostalgia of that time through its costumes, music, and cultural references, enhancing the authenticity of the setting and adding to the film's nostalgic appeal.

Weaknesses:

Pacing and Narrative Focus: While the film is rich in humor and character-driven moments, some viewers may find the pacing uneven, especially in the second half. Certain subplots could have been further developed to maintain narrative momentum and coherence.

Conclusion:

"Brahman Naman" is a delightful coming-of-age comedy that cleverly blends humor, satire, and cultural commentary. Qaushiq Mukherjee's direction, coupled with strong performances from the cast, delivers a film that not only entertains but also offers insightful reflections on youth, identity, and societal expectations.

The film's irreverent humor and sharp wit make it a standout in the genre of Indian indie cinema. It challenges conventions while celebrating the awkwardness and complexities of adolescence, ultimately resonating with audiences who appreciate its candid portrayal of teenage life in a rapidly changing society.

Overall, "Brahman Naman" is a must-watch for its unique storytelling, memorable characters, and its ability to capture the essence of youthful rebellion and self-discovery. It remains a testament to Q's distinctive filmmaking style and his knack for blending humor with social critique, making it a rewarding cinematic experience.

Okay. So I watched this movie last night. I'm not sure what naysayers have against it, but I would most certainly recommend it to someone who's grown up in India. Even more so to someone who's been a 70s or 80s child. And really really very much to someone who's into trivia. And lastly to anyone who's been a young man in this country, wondering how to get the girls :)

That being said, I'll list out some of the things that I loved about the movie --- 1) Look and feel: The movie has been shot remarkably well. The credits, the sets, the production.. it's all classy. Very nicely done. 2) The 80s feels: I do not know what the India of the 80s was like, but I was struck by how nicely they've tried to live true to the movie's setting. There were certainly things that I could relate to, having seen small town India in the 90s :) 3) Narrative, Editing & Direction: I cannot recall a single dull moment in the movie. The narrative grasps you right from the outset and does not let go till the end.

This is the Indian version of the teen genre films like "American Pie". It tries too hard to be quirky by using very unique looking actors and odd camera angles. The script shows the results of 300 years of brainwashing by the British Raj. Although it does represent a new thrust by young film makers on the subcontinent, this really would have limited appeal to Indians, not wide global appeal.