Ce qui nous lie

If you have siblings, this movie is a great reflection and portrayal of the struggles we each face finding our way in the world but also growing and changing within the family unit. There's questions about acceptance, love, growing up (maturing) and the changing responsibilities where we go from being looked after as children, to looking after parents. I think each of us will see ourselves in one of the siblings. Cliched? Maybe, but its a good portrayal of family life and growing up.

It is a long movie, but I honestly didn't mind and I didn't find it tedious. The acting is superb. The scenery is beautiful and there's good character development along the way.

I loved this movie, and I think 'Retour en Bourgogne' is a must-see for people who love France. I enjoyed the seemingly simple and very charming camera-work It hides in fact a very dedicated vision of both director and camera workers.The actors are very good also, because they act naturally as if they are telling their own life story. Enough surprises to keep you stick to the story-line.I was part of this family in no time, and wanted to help them with all these questions that life brings up to us people, as we grow older. I would have liked to have such very nice family members as in this movie!!It never gets too sentimental, which could have easily happened. I liked the way different times and places were entangled. It was pure poetry!

It is an excellent movie that made me experience a lot of feelings. Definitely, needs to be watched by people. All the interactions between the main characters make the public feel really involved with the movie. The director really did an effort in applying the best technology for the elaboration of the movie.

A film that is 30% too long, rather prosaic and lacking in close-ups or actors who could hold them, combined with a very ordinary script and ploddingly literal screenplay. Phew! So you guessed I was underwhelmed. And there were times I wondered if I was watching a coroporate video on how to make wine ( sorry, French wine), its clearly better than that made elsewhere in the world, as they were keen to impress on us. Then compare this 'made for TV' effort to some of the wonderfully poetic movies that have come out of France..... and you wonder why they bothered. I can think of better ways to spend $10m.

Making wine and drama. Jean (Pio Marmaï) left his family home ten years ago. When father falls ill, he returns and reunites with his sister Juliette (Ana Girardot) and brother Jérémie (François Civil), to sort out stuff between them. Ah… families. Their problems and conflicts seem very important for themselves, but are often difficult to understand for bystanders. This is also true for writer-director Cédric Klapisch's latest, slow-burning but quite nice drama about the importance of family and the power of forgiving. The short summary feels sugary, and Klapisch does aim for feel-good, but the movie does not try to manipulate with audience in any tasteless way. It is actually realistic depiction of well-behaved and intelligent family's life, where everybody has their problems but these are not solved in overtly dramatic way often expected from family sagas. This subtle approach doesn't make for very engaging drama, but the feel-good factor is important part of the movie. If you care to invest yourself in these characters' lives, you will probably feel like a part of their group in their end. Which is the best thing this kind of movie can ask for. One can also learn quite a lot about making and appreciating wine. 113 minutes makes it rather long watch, it's not a standout work but quietly confident and satisfying. I don't like international and also Estonian title „Back to Burgundy" („Tagasi Burgundiasse") which is not as eloquent as the original – directly translated „What Links Us" („Mis meid seob"). But you would have to watch the movie to care about this, I guess.