Oasis's breakthrough years documented into a detailed depiction of the band from the formation in Manchester in the early 1990s leading up to the legendary performance at Knebworth Festival.Oasis's breakthrough years documented into a detailed depiction of the band from the formation in Manchester in the early 1990s leading up to the legendary performance at Knebworth Festival.Oasis's breakthrough years documented into a detailed depiction of the band from the formation in Manchester in the early 1990s leading up to the legendary performance at Knebworth Festival.
- Awards
- 2 wins & 2 nominations total
Paul Arthurs
- Self - Rhythm Guitar
- (as Bonehead)
Christine Biller
- Self - Ignition Management
- (as Christine Mary Biller)
Debbie Turner
- Self - Rhythm Guitar & Singer, Sister Lovers
- (as Debbie Ellis)
Peggy Gallagher
- Self - Noel and Liam's Mother
- (as Peggie Gallagher)
Tim Abbot
- Self - Creation Records
- (archive sound)
Richard Ashcroft
- Self
- (archive footage)
Featured reviews
Some young men, very sincere, strongly talented and even winsome, in the end. The film is nice, easy to watch and not boring (a bit repetitive sometimes). I would recommend it to anyone loving or simply interested in music.
The songs are good, some of them outstanding. Nothing to do with the Beatles, not that kind of history and any comparison would end to be heavy and unmotivated. They were a good band, nevertheless (and an incredibly successful one), one of those having the gift of making music simple: good ear, good voices, good sound
Near the end Noel Gallagher states that ' people will never, ever, ever forget the way that you made them feel '' and I wish with him this to be true.
The songs are good, some of them outstanding. Nothing to do with the Beatles, not that kind of history and any comparison would end to be heavy and unmotivated. They were a good band, nevertheless (and an incredibly successful one), one of those having the gift of making music simple: good ear, good voices, good sound
Near the end Noel Gallagher states that ' people will never, ever, ever forget the way that you made them feel '' and I wish with him this to be true.
"Oasis: Supersonic" (2016 release from the UK; 122 min.) is a documentary about the early years of Britain's biggest band of the 90s. As the movie opens, the voice-over mentions that the band went in less than 3 years from signing to a label to headlining Knebworth 1996 in front of 250,000 fans, and the footage shows us the mega-madness that event was. We then go back in time, to the childhood of Noel and Liam (5 years younger) and oldest brother Paul, and how Noel and Liam end up in music. At this point we're 10 min. into the movie.
Couple of comments: this documentary is directed by Mat Whitecross, a Brit who's directed other music-related documentaries. More tellingly, the movie is executive produced by Asif Kagadu, who last year directed the brilliant and Oscar-winning Amy Winehouse documentary "Amy". This documentary made a number of very smart choices, including: (1) it focuses ONLY on the early years (nothing beyond 1996 is covered or mentioned), and the bulk of the film is about 1994-95, when the band reached it critical and commercial peak with the first 2 albums and the many related singles and B-sides from that era; (2) the sibling rivalry between Noel and Liam is not neglected but neither is it overplayed. I loved Noel's observation "I am like a cat, while Noel's like a dog. I am independent, while he craves attention and begs 'play with me! throw me the ball!", ha! (3) the documentary contains some amazing footage, including of Oasis' very first gig (8/18/91, when Noel hadn't even joined yet) and the infamous gig in Glasgow (5/31/93) where they were spotted by Creation Records co-owner Alan McGee, who promptly signed them. (And Noel comments about that gig: "There were 7 people there, and he (McGee) was 2 of them. So yea, we were an overnight sensation, 2 1/2 years in the making." The rest, as they say, is history. There are a lot of funny moments sprinkled throughout the film as well, which really keeps the overall mood quite light, and that is a good thing. Bottom line: if you are a fan of Oasis, as I was from the beginning, you absolutely do not want to miss this.
I saw "Oasis: Supersonic" at my local art-house theater here in Cincinnati last night, when the movie was shown in theaters across the country for a one-night-only showing. The theater here was PACKED, somewhat to my surprise. I guess there is a pent-up demand (nostalgia?) for the good ol' days of the 90s Britpop. Much of the crowd roared with delight at the funny bits, and seemed completely into the movie (as was I). "Oasis: Supersonic" is HIGHLY RECOMMENDED!
Couple of comments: this documentary is directed by Mat Whitecross, a Brit who's directed other music-related documentaries. More tellingly, the movie is executive produced by Asif Kagadu, who last year directed the brilliant and Oscar-winning Amy Winehouse documentary "Amy". This documentary made a number of very smart choices, including: (1) it focuses ONLY on the early years (nothing beyond 1996 is covered or mentioned), and the bulk of the film is about 1994-95, when the band reached it critical and commercial peak with the first 2 albums and the many related singles and B-sides from that era; (2) the sibling rivalry between Noel and Liam is not neglected but neither is it overplayed. I loved Noel's observation "I am like a cat, while Noel's like a dog. I am independent, while he craves attention and begs 'play with me! throw me the ball!", ha! (3) the documentary contains some amazing footage, including of Oasis' very first gig (8/18/91, when Noel hadn't even joined yet) and the infamous gig in Glasgow (5/31/93) where they were spotted by Creation Records co-owner Alan McGee, who promptly signed them. (And Noel comments about that gig: "There were 7 people there, and he (McGee) was 2 of them. So yea, we were an overnight sensation, 2 1/2 years in the making." The rest, as they say, is history. There are a lot of funny moments sprinkled throughout the film as well, which really keeps the overall mood quite light, and that is a good thing. Bottom line: if you are a fan of Oasis, as I was from the beginning, you absolutely do not want to miss this.
I saw "Oasis: Supersonic" at my local art-house theater here in Cincinnati last night, when the movie was shown in theaters across the country for a one-night-only showing. The theater here was PACKED, somewhat to my surprise. I guess there is a pent-up demand (nostalgia?) for the good ol' days of the 90s Britpop. Much of the crowd roared with delight at the funny bits, and seemed completely into the movie (as was I). "Oasis: Supersonic" is HIGHLY RECOMMENDED!
If you are an Oasis fan dont miss this .. i also like the fact that the documentary focused on how oasis defined a generation of music .. not how it ended.
Popular musicians can pass from obscurity to worldwide fame in a very short period of time; and that's the focus of 'Oasis: Supersonic', a documentary which charts the rapid rise of the Gallagher brothers' band. It's a not uninteresting story: the group sprung from humble origins, its two leading figures were both combative in nature (especially with each other), but the basic narrative here is the story of sudden, overwhelming fame. There's a merciful absence of outside talking heads, which means we are spared solemn pontification abot their musical significance, but also there's no discussion of the general 'Britpop' phenomenon of which Oasis were just one part. But Noel and Liam are sufficiently frank that it doesn't feel like an airbrushed history either; we do get a sense of what it was actually like to be part of Oasis at this time. As with any music documentary, the music itself is part of it: personally I liked Oasis's their retro rock-and-roll sound even if it wasn't outstandingly innovative, so I enjoyed the soundtrack. The film ends with musing that, in the modern digital age, a similar story couldn't happen now. In general, I'm sceptical about theories about the end of history; even so, twenty-plus years since Oasis played Knebworth, it's hard to think of a band since that has, however briefly, seemed so totally to capture the national mood.
Supersonic. I was never a massive Oasis fan - couldn't really understand the hype. But this documentary film - from the makers of Senna and Amy - was a brilliant portrayal of the rise and rise of the band in their early years. Looking back their music was very good, even if Liam and Noel were total arses. A thoroughly entertaining 8 out of ten. Well worth a watch even if you don't like their music..... Might even give Eight Days a Week a try now (even though personally I find them over-rated........)
Did you know
- TriviaWhen the location for the UK premiere was announced to be London, Liam Gallagher took to Twitter to vent his anger, saying that it should be in Manchester, where Oasis were originally based.
- ConnectionsFeatured in Breakfast: Episode dated 3 October 2016 (2016)
- SoundtracksShakermaker
Written by Bill Davis, Roger Greenaway,Bill Backer (as William Backer), Roger Cook & Noel Gallagher
Published by Universal Music Publishing Ltd
o/b/o Dick James Music Ltd & SM Publishing (UK) Ltd
Performed by Oasis
Licensed courtesy of Big Brother Recordings Ltd
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Supersonic
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $242,867
- Opening weekend US & Canada
- $16,880
- Oct 30, 2016
- Gross worldwide
- $1,503,038
- Runtime
- 2h 2m(122 min)
- Color
- Aspect ratio
- 2.35 : 1
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