Ma petite entreprise de Noël

We'll just go with this: the officer who pulled over Mr Young claims to be the sheriff. Yet the squad car and the precinct building both say police.

I don't understand all the negative reviews, yes we've seen Hallmark do similar stories, but this one had elements here and there to make it just a little bit different.

Riley Vance is desperately seeking a job, she gets hired as Assistant due to a case of mistaken identity. Her boss, William Young, inherited the toy company from his father, his Executives urge him to close a factory located in a small town that's not performing well right before Christmas. Riley persuades him to visit the town to see what can be done to keep the factory open. Riley has her work cut out for her, because after William's grandmother died, all his Christmas spirit died too, but, he's intrigued by Riley's ideas.

Shenae Grimes-Beech did a great job playing the fiesty, optimistic, determined and Christmas loving Riley. Steve Lund, does a good job portraying William who is transformed from the cynical Scrooge he started out to be. I don't know what other reviewers were watching, but I thought Shenae and Lund had wonderful chemistry. The cast, in particular Ron Lee as the Mayor, and Derry Robinson as Santa do great in their supporting roles. As in most Hallmark movies, there was the usual "conflict", and predictable ending. But overall,it's a pleasant enjoyable movie.

Sure, it was corny and formulaic, but that's exactly what I love about Hallmark movies. They're clean, have mild religious overtones, no sex, maybe just a kiss at the end. Riley talks about her family attending Midnight Mass. Love that. I believe people crave these types of movies rather than Hollywood filth with their obligatory premarital sex scenes.

Riley is an appealing character, and she carried the film She's a little tart, not too mushy, not too gorgeous, but a nice down-to- earth girl you'd love for her to invite you to her parents' home for Christmas. The male lead wasn't as strong. The story wasn't all that strong, but I don't care. I liked it, and wanted to watch it until the end.

I HAVE REVIEWED OVER 400 (C H R I S T M A S ) MOVIES AND SPECIALS.

BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THERE IS A GOOD CHANCE THEY WERE INVOLVED WITH THE PRODUCTION. NOW I HAVE NO AGENDA! I AM HONEST! I REVIEW MOVIES & SPECIALS AS A WAY TO KEEP TRACK OF WHAT I HAVE SEEN!

Sometimes, life just seems to hand you exactly what you need – particularly at Christmastime. In this new yuletide tale, Riley is scraping bottom when she miraculously lands a job with a wealthy New York City entrepreneur. He's a bad-boy socialite type who is poised to play Scrooge by closing one of his factories just before Christmas, which would devastate and entire town. It's left to Riley to talk him out of it and turn him into a man of virtue rather than shame. But will a case of mistaken identity ruin the whole plan?

What is disappointing was this had an attractive cast that could of made this film amazing. The film is by the numbers. Nothing New here folks. Its worth watching once.

Film historians of the future will no doubt teach seminars on the impact of the Canadian film factory (heavily taxpayer subsidized) on the content circulating through north America from approximately 1985 onwards.

Hollywood bluebloods hate the Canuck film machine because it takes food off the table. But, based on a lower dollar, the Canadians have found multiple "niches" where year after year they can slip almost-generic content into the maw, each one virtually into profit the moment the film leaves the camera because of the lower costs.

Some 90% of the movies that flood the airways around X-mas, in particular, are of this origin and most Americans don't have a clue.

This film is unusual for two reasons. Behind the camera is David Perlmutter who has been a Canuck film producer since the 80s and is by no definition a Johnny Come Lately.

And in front of the camera we have Shenae Grimes-Beech, an actress possessed of enough charisma for two leading ladies. She carries this film on her back and in the many areas where the script fails, or the casting of the extras (all too-familiar Canadian faces) fails, or the set design fails (the "toy factory" looks like an empty warehouse with a cheap sign installed at very the last minute) she simply cracks a smile and the audience decides to stick with the film for a few moments longer.

Finally and for the benefit of newbies to these sorts of films, a "6" rating is veritably an Oscar nod for such a film. I have seen worse.