Two scheming demon brothers, Wendell and Wild, enlist the aid of 13-year-old Kat Elliot to summon them to the Land of the Living.Two scheming demon brothers, Wendell and Wild, enlist the aid of 13-year-old Kat Elliot to summon them to the Land of the Living.Two scheming demon brothers, Wendell and Wild, enlist the aid of 13-year-old Kat Elliot to summon them to the Land of the Living.
- Awards
- 3 wins & 26 nominations total
Lyric Ross
- Kat
- (voice)
Keegan-Michael Key
- Wendell
- (voice)
Jordan Peele
- Wild
- (voice)
Angela Bassett
- Sister Helley
- (voice)
James Hong
- Father Bests
- (voice)
Sam Zelaya
- Raul
- (voice)
Tamara Smart
- Siobhan
- (voice)
Seema Virdi
- Sloane
- (voice)
Ramona Young
- Sweetie
- (voice)
Ving Rhames
- Buffalo Belzer
- (voice)
Michele Mariana
- Sister Daley
- (voice)
- …
Tantoo Cardinal
- Ms. Hunter
- (voice)
Gary Gatewood
- Delroy Elliot
- (voice)
Gabrielle Dennis
- Wilma Elliot
- (voice)
David Harewood
- Lane Klaxon
- (voice)
Maxine Peake
- Irmgard Klaxon
- (voice)
Featured reviews
As a fan of stop-motion animation as well as Keegan Michael-Keys and Jordan Peeles electric chemistry I was greatly anticipating this film when it was announced.
However I was overhyped for its release. The only aspect that is truly outstanding about this movie is stop motion animation.
The story is chaotic and introduces lore without a hint of context. The finale? Condensed. The solutions? Convenient. And for a movie called "Wendell & Wild" the title characters do not get as much screen time as you might imagine. Which is a shame because Key and Peeles voice delivery is stellar.
As a movie? It's middle of the road. As a stop motion movie? It's kinda bad.
However I was overhyped for its release. The only aspect that is truly outstanding about this movie is stop motion animation.
The story is chaotic and introduces lore without a hint of context. The finale? Condensed. The solutions? Convenient. And for a movie called "Wendell & Wild" the title characters do not get as much screen time as you might imagine. Which is a shame because Key and Peeles voice delivery is stellar.
As a movie? It's middle of the road. As a stop motion movie? It's kinda bad.
I love Henry Selick's work in Stop Motion, Coraline is even one of my all time favorite films, however this new effort has unfortunately left me a little cold.
On the technical side it is certainly something great but the script is really simple with an unbalanced pace.
The ending comes all of a sudden and the viewer is not given time to empathize with what's going on.
The protagonists are nice even if some have a design that didn't drive me crazy. However, the film is not a bad film but thinking about past works it does not even reach those levels a bit.
Such a shame as I was very confident for Wendell & Wild.
On the technical side it is certainly something great but the script is really simple with an unbalanced pace.
The ending comes all of a sudden and the viewer is not given time to empathize with what's going on.
The protagonists are nice even if some have a design that didn't drive me crazy. However, the film is not a bad film but thinking about past works it does not even reach those levels a bit.
Such a shame as I was very confident for Wendell & Wild.
'Wendell & Wild (2022)' is adaptation of Henry Selick's own book about a troubled girl who meets her demons shortly after being enrolled at an all-girls catholic school in her home town. It's the director's first film since his much-loved classic, 'Coraline (2009)', and it features many of the hallmarks of his delightfully macabre style. Teaming up with Jordan Peele (who takes on co-writing, producing and acting as the titular Wild) seems like a match made in heaven - or, perhaps, hell - and a lot of the movie lives up to that potential. However, ultimately it's one of the weaker entries in either filmmakers' filmographies because it simply can't get a handle on what it wants to be. Straight away, something seems off with the pacing. The editing is very elliptical, even in the most straight-forward sequences, and the overarching structure is very unfocused. The piece bounces around between its various elements, never quite coming together as a cohesive whole. These elements are mostly excellent in isolation, but the fact that they never quite gel leads to an experience that's difficult to get fully immersed in. The flick deals with a lot of interesting ideas, touching on themes of family and guilt while commenting on important societal issues such as the prison-industrial complex, and it's also awash in positive representation (even though I could have done without the deadnaming of one of its characters). It's a bit heavy-handed, sure, but it mostly works and actively enhances the narrative. It's a shame that these subtextual, and even textual, aspects get a bit lost in the overall muddled nature of the affair. There are, I suppose, too many for any one of them to be fully fleshed out, leading to moments in which certain things pop up and affect the plot - despite never having been set-up properly - and then fizzle away just as quickly as they appeared. Despite its issues, though, the film is enjoyable throughout. Its aesthetic is distinct and and appealing, with its fluid animation combining with its colourful characters to bring its gleefully grotesque world to life. It has a tangible vibe to it, which is one of its most valuable assets. Regardless of how messy its story is, it's undeniably entertaining, and it conveys several good messages that are as expected as they are necessary. It often deals with familiar elements in an unfamiliar way, at its best when playing with its more subversive scenarios. The picture is a solid effort, even though it certainly has a few narrative issues. If it were more focused, it could have been great. Still, it's a good time overall.
Very little charm, not scary or creepy, and lacking any heart. This was wholly disappointing. I had trouble connecting with any of the characters, although I tried my best to! Kat, the movie's protagonist and an orphan, should've been SO much more sympathetic than she was. Even the titular characters Wendall & Wild were pretty one-dimensional.
The story lines also felt very jarring and disjointed. The only thing keeping me engaged was the stop motion and the occasional laugh, but even that wasn't enough to make me care. There's something seriously wrong with this movie. It should've been amazing, but ultimately, there's no magic to be had here.
The story lines also felt very jarring and disjointed. The only thing keeping me engaged was the stop motion and the occasional laugh, but even that wasn't enough to make me care. There's something seriously wrong with this movie. It should've been amazing, but ultimately, there's no magic to be had here.
The idea of Key&Peele as stop-motion characters was enough to draw me in, the problem with the movie is they're not the main characters even though the title says Wendell & Wild, the main character is the school girl Kat, and because her life's trauma left her cold, she hard to like, the animation has high production value, it looks good, but the story is about too many different things, and the title characters fade into the background, Kat is supposed to be some kind of hell something lol, and her mentor played by Angela Bassett has the same powers but it's not fleshed out enough to understand what the purpose of those powers are, overall a cute Halloween movie for a family to watch, parents turn off your brain and let the kids enjoy the animation.
Did you know
- TriviaJack Skellington from "The Nightmare Before Christmas" makes a brief cameo during the credits. In the scene going down in the ground, Jack's skull appears among other skulls. He is also seen as a topper on the antenna of the juvenile justice van.
- Crazy creditsIn a post-credits scene, an animator working in the middle of the night films on his camera the model of Kat coming to life and is amused by it.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: Mushroom Kingdom, Here We Come! (2022)
- SoundtracksMa and Pa
Written by Kendall Jones (as Kendall Rey Jones) and Angelo Moore (as Angelo Christopher Moore)
Performed by Fishbone
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
- How long is Wendell & Wild?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Wendell y Wild
- Filming locations
- Portland, Oregon, USA(Studio)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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