Buster's Mal Heart

What a weird movie. And that is not just because of the time line, but because of the main character and his .. well way to "freedom" I guess. It really is messy and I'm not just talking about his "future" self, that seems to have gone a different path than his former self. And we do jump back and forth, which makes the movie more interesting. I imagine having our main character be in one mindset for a longer period of time - that might have taken some of the tension out of the movie and make it boring (dare I say?).

The central performance is amazing. Also DJ Qualls really surprised me, being quite humorless and just being as serious as possible. In a good way that is, in case I wasn't clear. And that is what makes the movie really enticing, but you really have to have patience ...

I only have a vague idea of what I just watched, but whatever it was was extremely well done. Sarah Adina Smith definitely has a brain 4 times the size of mine.

Greetings again from the darkness. A film festival wouldn't be complete without at least one mind-blowing avant-garde cinematic experience. I'm not the kind that needs every ending neatly bow-wrapped, and I often enjoy having conventional story structure challenged and even dissolved. Writer/director Sarah Adina Smith seems to thrive in such an environment in this twisty psychological thriller covering three timelines (one of which may be a dream) … or a split personality … or two/three men from one … or some combination … or something else entirely that I might have missed. (I'm not too proud to admit this distinct possibility).

When a filmmaker bravely dives into the bizarre, casting becomes crucial. Ms. Smith nails it with Rami Malek, DJ Qualls and Kate Lyn Sheil. Thanks to the popularity of TV's "Mr. Robot", Malek is now a leading man – albeit far outside the Ryan Gosling mold. Here he plays Jonah, a struggling family man with a wife (Ms. Sheil) and young child. Working as a night Concierge at a hotel, Jonah tries to make the best of the lack of sleep and minimal contact with his family. In addition to Jonah, Malek plays Buster, a slippery and hirsute mountain man who negotiates his way through the Montana mountains by hanging out in the multi-million dollar vacation homes (mostly) vacated by their owners during the snowy winter months.

The film bounces between 3 periods for Jonah/Buster: the elusive near-mythical mountain man running from the law, the bleak nights of the family man, and a dream-like sequence where he is adrift at sea in a row boat. Throughout the film, references to "sphincter" and multiple proclamations that "The Inversion is coming" lead us to believe there could be a sci-fi connection or an apocalyptic ending headed our way. Instead, it's "the belly of the whale" that might unlock the mystery or mysteries serenaded by the thunderous techno-bass bass. Even with the dark comedic elements, it's a head-scratcher for sure; but one that manages to keep us engaged despite our whirlwind of theories and uncertainly.

After a first watch, it's difficult to characterise or rate this movie. Certainly intriguing and engaging, the viewing experience is mind-bending. The atmosphere is a weird mix of claustrophobia, psychedelia and human drama. The movie explores ideas around sanity, reality, imprisonment and the quest for freedom. It comes over as sensitive and real on a human level, alternately touching, tragic, funny, sad, depressing, chilling, and strangely inspiring. The main character gives a brilliant portrayal of an altered state of consciousness. The meaning and story of the movie are expressed in a very unconventional way; non-linear, disorientating and confusing - which I'm sure was intentional. The experience is rather psychedelic, and there isn't quite enough logical substance to really carry the viewer to a satisfactory conclusion, but this might change with a rewatch, when the rating might go up.

I'm keeping with the on the run theme, having just watched The 39 Steps. Buster (Rami Malek) is no Robert Donut though and this is a much more involved film. We first meet Buster or Jonah as he was, looking like a wild hermit, the local cops inform us he's been on the run for 5 years, breaking into places for sustenance and evading capture. What plays out is essentially what's lead Buster to this place, but it's not a smooth ride. He works hard. Works the night shift. Has a young family, goes to Church. There's niggles though. His wife's parents that they live with don't approve of him. He's a free thinker, motivated, ambitious, there's a lot of energy in him and Malek taps into it well. I've often thought about how hard working nights must be. For Jonah here, well it's the catalyst for his break with society and reality. Working in the hotel as concierge when there's little to do but tidy up, he's on the edge of sleep deprivation with his mind time to wander. An encounter with The Last Free Man (DJ Qualls) brings some excitement. Qualls does paranoid crazy well. He's a torrent of conspiracy theories, Y2K, CIA Hitlists, the Inversion. This becomes Buster's new centre, The Inversion, his obsession, the idea of an impending event, one that will deliver him and others that he tries to warn by ranting on local talk radio. Taking refuge in vacant summer homes, his life on the lam is not unpleasant. Hot baths, some personal hygiene care, mixed with what I'm sure he'd denote as warnings of The Inversion, turning family photos upside down. It's all a bit like The Shining without the focus. This isn't a great film, but Jonah's desire to live his life free, away from the system of renting a home, working for the man, that's interesting and his struggle to make that work for his family, well there's real substance. There's a lot going on in Jonah's head and we only really see things from his perspective, meaning things can get a little fuzzy as he becomes more and more disconnected. It's intentional though, allowing the viewer to decide what's real, what's psychosis, what's important, what's the minds way of coping with horrible events. It would be better if it left some things left unsaid, but instead it feels the need to explain and simplify. This is a bit frustrating, but with so many possible interpretations, I guess Sarah Adina Smith who wrote and directed this wanted to throw us a bone. It's a twister, it's good, a little confusing, not overly satisfying, somewhat maddening, but highly engaging and the sort of film I could watch a few times, digging further into various theories. At the same time, it can be interpreted as being quite simple. The story of a bloke losing it, breaking down and healing to perhaps only relive the cycle over and over. It's not for everyone.