Buster's Mal Heart

This is a visually striking film with an amazing plot. It took some time for me to fully understand this film but once you understand it, it will stick with you for a long time. Rami Malek's performance is flawless and minimalistic. If you're obsessed with filmmaking and cinematography you will appreciate this to its full potential.

What a weird movie. And that is not just because of the time line, but because of the main character and his .. well way to "freedom" I guess. It really is messy and I'm not just talking about his "future" self, that seems to have gone a different path than his former self. And we do jump back and forth, which makes the movie more interesting. I imagine having our main character be in one mindset for a longer period of time - that might have taken some of the tension out of the movie and make it boring (dare I say?).

The central performance is amazing. Also DJ Qualls really surprised me, being quite humorless and just being as serious as possible. In a good way that is, in case I wasn't clear. And that is what makes the movie really enticing, but you really have to have patience ...

Greetings again from the darkness. A film festival wouldn't be complete without at least one mind-blowing avant-garde cinematic experience. I'm not the kind that needs every ending neatly bow-wrapped, and I often enjoy having conventional story structure challenged and even dissolved. Writer/director Sarah Adina Smith seems to thrive in such an environment in this twisty psychological thriller covering three timelines (one of which may be a dream) … or a split personality … or two/three men from one … or some combination … or something else entirely that I might have missed. (I'm not too proud to admit this distinct possibility).

When a filmmaker bravely dives into the bizarre, casting becomes crucial. Ms. Smith nails it with Rami Malek, DJ Qualls and Kate Lyn Sheil. Thanks to the popularity of TV's "Mr. Robot", Malek is now a leading man – albeit far outside the Ryan Gosling mold. Here he plays Jonah, a struggling family man with a wife (Ms. Sheil) and young child. Working as a night Concierge at a hotel, Jonah tries to make the best of the lack of sleep and minimal contact with his family. In addition to Jonah, Malek plays Buster, a slippery and hirsute mountain man who negotiates his way through the Montana mountains by hanging out in the multi-million dollar vacation homes (mostly) vacated by their owners during the snowy winter months.

The film bounces between 3 periods for Jonah/Buster: the elusive near-mythical mountain man running from the law, the bleak nights of the family man, and a dream-like sequence where he is adrift at sea in a row boat. Throughout the film, references to "sphincter" and multiple proclamations that "The Inversion is coming" lead us to believe there could be a sci-fi connection or an apocalyptic ending headed our way. Instead, it's "the belly of the whale" that might unlock the mystery or mysteries serenaded by the thunderous techno-bass bass. Even with the dark comedic elements, it's a head-scratcher for sure; but one that manages to keep us engaged despite our whirlwind of theories and uncertainly.

I was able to suss out the plot line about midway through the 2nd act. Still, there were a few surprises working through to the end. Rami was excellent and perfect for the role; there were a few cool Easter eggs as the film progressed. Anything more would be spoiler-ish.

Overall, I'd recommend this flick to any M. Night Shyamalan fan.

Well done.

There are definitely different ways to approach this film. It can be darkly comic, but at its core, it's a tragedy with one actor at the center of it who is ready to give it his all. Malek has become a star due to his TV series, Mr. Robot, and here he gets an opportunity to shine even further. The lead character is a tricky one, balancing different story lines and timelines and personality traits while still having to be consistent in characterization. It's not hard to see why Malek was cast here. He has such a bubbling intensity and forceful acting style that comes across natural while leaving a lasting impression, and that's exactly what he does here.