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6.8/10
7.7K
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A young man wakes up from a 12-year coma to discover new abilities that come to propel him into the middle of a dangerous conspiracy.A young man wakes up from a 12-year coma to discover new abilities that come to propel him into the middle of a dangerous conspiracy.A young man wakes up from a 12-year coma to discover new abilities that come to propel him into the middle of a dangerous conspiracy.
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- 3 wins & 6 nominations total
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westworld...game of thrones..we can safely say in this day and age that the quality which can be achieved in the TV medium can be amazing,truly awe inspiring stuff.Being able to connect with the viewers through likable characters with fleshed out personalities and flaws,first class acting delivered by titans in their field.
then there's the 'arrow' style of TV production...colour by numbers,cookie cutter,play it safe TV.shows that stretch out story lines to pad out a lack of story.side stories that never lead anywhere.TV where all the teens have perfect white teeth,no acne,siblings who look nothing alike but fresh off a catwalk,mediocre acting that makes you feel nothing...vacant,slightly dead inside,coma TV.
now,don't get me wrong,I'm not saying 'coma' as in 'it'll bore you to sleep'.there has probably been a group of TV producers/executives who've done market research for this just to make sure it excites to just the right level without pushing anything so as not to rock the boat...the whole thing just stinks of 'formulaic' (even the mysterious assassin was done better and way more sinister in 'utopia')
basically..the shows a pass..in the same way that 'the dome' was a pass...'arrow'..'the flash' and all the other one dimensional shows that leave you pondering absolutely nothing except plot holes and inconsistencies. i don't know about you guys but I'm tired of giving formula TV 'a pass'...the bars been raised...its shape up or ship out time...go hard or go home
then there's the 'arrow' style of TV production...colour by numbers,cookie cutter,play it safe TV.shows that stretch out story lines to pad out a lack of story.side stories that never lead anywhere.TV where all the teens have perfect white teeth,no acne,siblings who look nothing alike but fresh off a catwalk,mediocre acting that makes you feel nothing...vacant,slightly dead inside,coma TV.
now,don't get me wrong,I'm not saying 'coma' as in 'it'll bore you to sleep'.there has probably been a group of TV producers/executives who've done market research for this just to make sure it excites to just the right level without pushing anything so as not to rock the boat...the whole thing just stinks of 'formulaic' (even the mysterious assassin was done better and way more sinister in 'utopia')
basically..the shows a pass..in the same way that 'the dome' was a pass...'arrow'..'the flash' and all the other one dimensional shows that leave you pondering absolutely nothing except plot holes and inconsistencies. i don't know about you guys but I'm tired of giving formula TV 'a pass'...the bars been raised...its shape up or ship out time...go hard or go home
I started watching Beyond with low expectations because the premise sounds pretty typical. Cute boy mysteriously receives powers and is forced into action to protect the cute girl. I'm glad I was pleasantly surprised. Its still a typical small town unwilling teen hero plot, but the story line is absorbing, the acting is good and the characters are interesting enough to drive the story forward. A nice mix of mystery, drama, action and a sprinkle of horror in a teen hero plot complete with all the eye candy needed in today's ADD environment. I either rate things high if I like it or low if I don't, I don't believe in anything that exists in between. Beyond gets my vote for a good TV show.
In Fort Reed, Kansas, Holden Matthews wakes up from a 12 year coma after a motorcycle crash where he was chased by his best friend Kevin's older brother Jeff. He apparently returns with latent superpowers after crossing over from a different Realm. His younger brother Luke is now in college. There is the mysterious Willa and the dangerous Man in the Yellow Jacket who are interested in him. There is a vast conspiracy looking to harness his new powers. Charlie is another who woke up from a coma with special powers.
This Freeform sci-fi show struggles for two seasons and never really settles into a good flow. The young lead Burkely Duffield is a bit stiff with a deer in the headlights look. Oddly enough, that actually fits the character. I'm less impressed with Dilan Gwyn who plays Willa at various levels of irritation. Eden Brolin has the most fun playing the sarcastic Charlie and she has great chemistry with the lead. Sadly, she joins the show at episode five and they didn't figure out adding her character as a main character until the second season. This show really took too long to figure out the group chemistry. It's too bad because all the parts are there. The Man in the Yellow Jacket is a great villain. The premise is intriguing. In more assured hands, this show could have been good but this never truly found its footing despite getting a twenty episode run.
This Freeform sci-fi show struggles for two seasons and never really settles into a good flow. The young lead Burkely Duffield is a bit stiff with a deer in the headlights look. Oddly enough, that actually fits the character. I'm less impressed with Dilan Gwyn who plays Willa at various levels of irritation. Eden Brolin has the most fun playing the sarcastic Charlie and she has great chemistry with the lead. Sadly, she joins the show at episode five and they didn't figure out adding her character as a main character until the second season. This show really took too long to figure out the group chemistry. It's too bad because all the parts are there. The Man in the Yellow Jacket is a great villain. The premise is intriguing. In more assured hands, this show could have been good but this never truly found its footing despite getting a twenty episode run.
I just finished watching season one and I have to say that I rather enjoyed this one. It's not perfect by any means but it was captivating and a great binge watch.
This series definitely had a Syfy channel feel to it and I mean that in a rather negative way. I used to be a Syfy channel fan when it first kicked off but they chose a more bubble gum Sci-Fi route for most of the new programs so haven't watched much lately. This Syfy channel feel along with some sloppy directing were among my top annoyances but it was pretty decent otherwise.
On the positive side, top of the list for me was the fresh and diverse Cast and the great job they did. Burley Duffield (Holden) was annoying at first as he ran around like a confused fool for the first three or four episodes but that played out well for later when he finally snapped out of being such a wuss and properly took the lead for the show.
Swedish actress Dilan Gwyn was probably my favorite of the bunch and she should have a very successful career ahead of her. Other fantastic performances came from Jeff Pierre, Eden Brolin, and a long-time favorite of mine from his Hal Hartley 'Trust' days, Martin Donovan. Oh, and special mention for Peter Kelamis who was an awesome villain.
The Sci-Fi itself was also not that bad. It certainly wasn't groundbreaking or mind-altering but was enough to keep me interested. I look forward to season two, provided there is one.
This series definitely had a Syfy channel feel to it and I mean that in a rather negative way. I used to be a Syfy channel fan when it first kicked off but they chose a more bubble gum Sci-Fi route for most of the new programs so haven't watched much lately. This Syfy channel feel along with some sloppy directing were among my top annoyances but it was pretty decent otherwise.
On the positive side, top of the list for me was the fresh and diverse Cast and the great job they did. Burley Duffield (Holden) was annoying at first as he ran around like a confused fool for the first three or four episodes but that played out well for later when he finally snapped out of being such a wuss and properly took the lead for the show.
Swedish actress Dilan Gwyn was probably my favorite of the bunch and she should have a very successful career ahead of her. Other fantastic performances came from Jeff Pierre, Eden Brolin, and a long-time favorite of mine from his Hal Hartley 'Trust' days, Martin Donovan. Oh, and special mention for Peter Kelamis who was an awesome villain.
The Sci-Fi itself was also not that bad. It certainly wasn't groundbreaking or mind-altering but was enough to keep me interested. I look forward to season two, provided there is one.
I found this show enjoyable and it pulled me in. It has some good actors and some very well done scenes (I was particularly impressed by Eden Brolin- -it seems the Brolins may be getting better with each generation.) However, you must suspend disbelief almost entirely, as the show's plot really doesn't stand up to any sort of analysis.
Like many of the other early reviews here, I binge watched this series over the New Years holiday.
I went into 'Beyond' thinking it was likely campy, breezy, sci-fi with an eye toward a YA demographic (similar to Freeform's 'Shadowhunters', a guilty pleasure if you're in the right mood).
However, this show takes itself more seriously-the violence in the early episodes is much more realistic. As is the bickering that goes on in the lead character's family. Additionally, there are more serious background themes present here concerning the exploitation of grief by religion and commerce, as well as the common experience of PTSD by former soldiers. Heady stuff, for this kind of show. That this show takes itself more seriously, however, is not really a good reason to watch it. The early episode violence is gratuitous, to the point that it doesn't even make sense by the end of the series; and the background issues remain firmly in the background.
The central conceit of the show is that after recovering from a 12-year coma, the lead character Holden is plagued by mysterious visions, supernatural experiences, recruitment attempts by bizarre cultists, as well as the attention of a beautiful and mysterious woman who wants to help protect him from all of these other things.
With each episode, more memories from Holden's time in his coma are revealed. Whether these memories are dreams, near-death experiences, or actual memories of time spent in purely spiritual world slowly becomes clearer over the course of the episodes. The way in which Holden's memories are revealed, and their relation to the cult and his mysterious guardian are what pulls you into the story. Along the way, there are also some really well done bits concerning Holden's romance with another coma victim, as well the appearance of random characters, such as a movie obsessed pharmacist, that make the unfolding of Holden's story rather more enjoyable than it probably ought to be.
By the end, frankly, none of it makes a damn bit of sense, making a scene from Holden's middle episodes romance all the more foretelling. In that scene, after catching a fish with his paramour, he lets it go, much to her amazement-the moral being that it is about the effort/journey, not the result/destination. As long as you keep that in mind, and don't bother trying to make sense of the series as a whole, 'Beyond' is an enjoyable ride.
Like many of the other early reviews here, I binge watched this series over the New Years holiday.
I went into 'Beyond' thinking it was likely campy, breezy, sci-fi with an eye toward a YA demographic (similar to Freeform's 'Shadowhunters', a guilty pleasure if you're in the right mood).
However, this show takes itself more seriously-the violence in the early episodes is much more realistic. As is the bickering that goes on in the lead character's family. Additionally, there are more serious background themes present here concerning the exploitation of grief by religion and commerce, as well as the common experience of PTSD by former soldiers. Heady stuff, for this kind of show. That this show takes itself more seriously, however, is not really a good reason to watch it. The early episode violence is gratuitous, to the point that it doesn't even make sense by the end of the series; and the background issues remain firmly in the background.
The central conceit of the show is that after recovering from a 12-year coma, the lead character Holden is plagued by mysterious visions, supernatural experiences, recruitment attempts by bizarre cultists, as well as the attention of a beautiful and mysterious woman who wants to help protect him from all of these other things.
With each episode, more memories from Holden's time in his coma are revealed. Whether these memories are dreams, near-death experiences, or actual memories of time spent in purely spiritual world slowly becomes clearer over the course of the episodes. The way in which Holden's memories are revealed, and their relation to the cult and his mysterious guardian are what pulls you into the story. Along the way, there are also some really well done bits concerning Holden's romance with another coma victim, as well the appearance of random characters, such as a movie obsessed pharmacist, that make the unfolding of Holden's story rather more enjoyable than it probably ought to be.
By the end, frankly, none of it makes a damn bit of sense, making a scene from Holden's middle episodes romance all the more foretelling. In that scene, after catching a fish with his paramour, he lets it go, much to her amazement-the moral being that it is about the effort/journey, not the result/destination. As long as you keep that in mind, and don't bother trying to make sense of the series as a whole, 'Beyond' is an enjoyable ride.
Did you know
- TriviaActors Dylan Schmid and Dean Petriw, who play the younger brothers (Holden and Luke) in the series, both played a younger version of Baelfire (Rumpelstiltskin's son) from Once Upon A Time.
- How many seasons does Beyond have?Powered by Alexa
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- Also known as
- Na druhej strane
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- See more company credits at IMDbPro
- Runtime
- 43m
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- 16:9 HD
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