A 26-year-old woman escapes the cellar that's been her prison for the last thirteen years.A 26-year-old woman escapes the cellar that's been her prison for the last thirteen years.A 26-year-old woman escapes the cellar that's been her prison for the last thirteen years.
- Nominated for 1 BAFTA Award
- 3 nominations total
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The BBC mini-series Thirteen (available online) follows 26-year-old Ivy Moxam, who was held captive in a cellar for thirteen years. After escaping from her attacker's prison, she returns to her family home outside of London, but struggles to put her life back together. There is an uncanny resemblance to the story in the American television series, The Family.
Thirteen presents the police investigation as a secondary plot and focuses on the victim's situation and psychology, touching upon the Stockholm syndrome and the fragility and unreliability of memory. Everyone closely associated with the crime is also, in some way, a victim. Read the entire review -- "Thirteen"--"An Unlucky Life" at: www.unhealedwound.com and let me know what you think!
Thirteen presents the police investigation as a secondary plot and focuses on the victim's situation and psychology, touching upon the Stockholm syndrome and the fragility and unreliability of memory. Everyone closely associated with the crime is also, in some way, a victim. Read the entire review -- "Thirteen"--"An Unlucky Life" at: www.unhealedwound.com and let me know what you think!
As I like both British and Scandinavian crime thrillers, I usually watch them by turns, largely relying on IMDb and Wikipedia assessments as life is too short for all of them anyway :) The one in question began to develop from the first moments - which I tend to prefer - and then, in following scenes, we obtained a versatile and realistic picture of both the life in captivity and the one of the rest of the abductee's family; due to certain subsequent events, the intrigue and misery continued, and both the police and the family had to deal with several shadows from the past and changes in the present. Well, the pace was sometimes uneven, particularly in the final episode, when about 3/4 was too slow and then last 1/4 seemed to round up the story in a certain rush. In my opinion, the total of almost 5 hours could be easily reduced by one-fifth or even one-fourth, without impairing the general concept, mood and course of events.
As for performances, the series is strongly dominated by the female lead - Ivy Moxam (Jodie Comer), who is present both visibly and in the minds of all people around her and dealing with her case. The rest were not too memorable, I recalled I had seen Stuart Graham a couple of times in some films and series, and that's it. Apparently the sketchiness of supporting characters did not enable the actors and actresses to "open out"; even the accused was not so special.
Thus, perhaps a 1-episode-too-long, but still a good suspense series by BBC, referring to Scandinavian Noir in many aspects. However, those fond of constant chases, shootings and obtrusive cops should probably find something else.
As for performances, the series is strongly dominated by the female lead - Ivy Moxam (Jodie Comer), who is present both visibly and in the minds of all people around her and dealing with her case. The rest were not too memorable, I recalled I had seen Stuart Graham a couple of times in some films and series, and that's it. Apparently the sketchiness of supporting characters did not enable the actors and actresses to "open out"; even the accused was not so special.
Thus, perhaps a 1-episode-too-long, but still a good suspense series by BBC, referring to Scandinavian Noir in many aspects. However, those fond of constant chases, shootings and obtrusive cops should probably find something else.
It had so much potential with such an intriguing premise, but unfortunately fell short.
The script was overworked and hindered with unnecessary subplots, ideas and characters which never properly served the central story, but rather diluted it. So many pieces introduced that were left unanswered or just didn't have enough payoff to justify its inclusion.
So much scope for an exhilarating and sophisticated mystery/thriller, but sadly it took an underwhelming and predictable path.
The script was overworked and hindered with unnecessary subplots, ideas and characters which never properly served the central story, but rather diluted it. So many pieces introduced that were left unanswered or just didn't have enough payoff to justify its inclusion.
So much scope for an exhilarating and sophisticated mystery/thriller, but sadly it took an underwhelming and predictable path.
Jodie Comer...delivers a stunning performance, playing on many levels at once, her growing disbelief as she understands she has spent much of her prime so isolated, convincing and heartbreaking.
Thirteen takes white-knuckle turns that elevate it from the expected.
Thirteen gives a well-worn premise an intriguing facelift with haunting execution and compelling performances across the board. Underrated . Jodie Comer performance is reason enough to invest 4h 45 minutes to see her acting hauntingly triumph .
Over a weekend filled with the flu and fueled with Dayquil and hazelnut coffee I had the chance to subscribe to a free trial of Amazon Prime. Who sees this offer and goes "Nah, I don't need more bingeworthy content."? Well not me. After having seen the movie "Room" on Netflix about a month ago, when I stumbled acrossed BBC's "Thirteen" I was intrigued and decided to spend a day watching it from beginning to end.
The first thing you need to know is "Thirteen" follows 26 year old Ivy Moxom (Jodie Comer) who has been in captivity for the last 13 years. Her family has since moved on with her sister about to start her own family and her boyfriend, now a married man, an adult that she still sees as the same person he was when she left. Her dad, now in a new relationship, seems to have also left her an all but forgotten relic of his past.
In the first few parts of the show it is easy to feel sorry for Ivy. She goes through an incredible amount of police questioning as well as speaking with government officials who are all asking her the same thing. It is an inside chance to see how the process of coming back to society can be quite demeaning, both as a human being and as the victim. Ivy, through her constant poking and prodding, is put on the back burner because her kidnapper has now taken someone else. Ideas of jealousy and stockholm sydrome swallow the thoughts of one the detectives, DS Lisa Merchant (Valene Kane) , while the other, Elliot (Richard Rankin), seems to be blinded by getting too personal with Ivy.
As the show progresses it is easy to see a continuing theme of Ivy becoming attached to the men in her life. Her motives are questioned and one detective can't help but believe that she may be "helping" her kidnapper in some fashion and lying about being kidnapped at all. Ivy even has a moment back at the cellar where she was held that looks to corroborrate the idea that she was actually in love with her kidnapper. Her continuing jealousy surrounding her family, friends, and the police lead me to believe that instead of escaping she was actually tossed aside for a younger victim.
The series definitely put me on the edge of my seat and ready to click the next episode as soon as the current one ended. It was easy to decide who I was "rooting" for as it seemed the writer kept that open for interpretation. There were only a few moments that left me questioning, even at the end, but I won't spoil that for you. I give "Thirteen" an 8/10
Did you know
- TriviaJodie Comer, during 2017 press for The White Princess, stated that Ivy Moxam was her most challenging role.
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