The Discovery

Talk about a wasted opportunity.

A fine cast led by the underrated Jason Segal (still doing his best to break out from his How I Met Your Mother persona and delivering a so-so turn when you look back at his role in End of the Tour) and backed up by Rooney Mara, Robert Redford and one of the finest supporting players going around Jason Plemon's isn't enough to save Charlie McDowell's Netflix original Sci-Fi/Drama The Discovery from a disappointing result and ending its runtime as one of the most frustratingly forgettable films in many a moon.

The core idea behind The Discovery, that Redford's scientist Thomas Harber has discovered evidence of a confirmed afterlife, leading to a world in which the suicide rates have ramped up to epidemic levels with Harber then working on a secret project that looks to record this afterlife for those alive to witness is a fantastic one and an idea that strikes up many a various conversation point but McDowell's film which ends up being more of an unbelievable romance between Segal's charisma free Will and Mara's mumbling and emo Isla than anything else feels unable to make the most of its idea.

Perhaps hampered by budget restraint's (although this hardly seems to be a problem for Netflix originals these days) or perhaps just a lack of overall vision. The Discovery showcases glimmers of what could be in stall for us whether it's the oft mentioned suicides, the cult like following Harber has garnered thanks to his work or Will's and Isla's investigation into a possible glimpse of the afterlife they have recorded but all these intriguing elements are quickly swept under the rug and while the film's final reveal makes the journey feel more rewarding than it actually is, you can't help but escape the feeling The Discovery has short-changed its viewers with a mediocre effort of a far more interesting story.

It's great seeing Netflix continue to invest in unique and original film properties but The Discovery will be marked down as one of their clear failures and while this intellectual thinking man's Sci-Fi has moments of greatness, overall this emotionally void experience is one of the dominate companies worst original studio efforts this side of their Sandler "comedies".

2 bunk beds out of 5

Just reading the synopsis raised my expectations, which is perhaps why the movie fell flat for me. Instead of an exploration of an intriguing idea, the film really became a declaration of faith in what is essentially a notion that cannot be proven and thus cannot really be known. When assertions are made about the mysteries of consciousness, you either believe them or you do not.

I would have given this a higher rating just for tackling such a difficult topic but the direction, acting and even cinematography never really came together. There were plenty of big, proven names who lent their prestige to this project and yet surprisingly none of the people involved seemed willing to commit. It was like they all knew the outcome would stink but no one wanted to sully their reputations by doing a bad job.

It is worth a watch if you are fans of some of the actors as I am. The arc of the plot is not unsatisfying even though it is in many instances frustrating. A film perhaps to while away the time and put yourself in a more contemplative mood.

There are a number of good things that can be said about Netflix's "The Discovery": It is good to see Netflix tackling big-budget, dramatic/sci-fi fare. It's encouraging that actors with the reputation such as Robert Redford has are now willing to work with the premiere streaming service. Plus, "The Discovery" actually has a germ of a really great idea at its core. Unfortunately, however, the film never really comes together like it should, essentially wasting that inventive idea with clunky acting and even worse pacing.

For a basic plot summary, "The Discovery" takes place in a future where noted scientist Thomas (Redford) has definitively proved the existence of an afterlife. The problem? Now people are committing suicide by the millions knowing that "something else" is beyond this mortal coil. The next logical step for Thomas, then? Discovering exactly what this afterlife consists of. This is where his son Will (Jason Segel) comes into the picture, visiting the scientist for the first time since a major falling-out to try and convince him to scrap the entire project. Along the way, younger son Toby (Jesse Plemons) chooses sides, while Will finds a mysterious woman (played by Rooney Mara) who has her own relationship with the "discovery".

Like I said, the concept behind this film is fascinating: What would happen if the afterlife were proved scientifically? Also, and I won't give away spoilers here, but even the research into what that afterlife consists of is fascinating in what it entails.

Unfortunately, though, the film is only a middling effort because of two glaring missteps that drag down the whole production:

1. The romance angle between Will & Isla. If you've seen the film "Eternal Sunshine of the Spotless Mind", that one nails this dynamic much better. In "Discovery", however, there is just no reason to believe that these two will fall in love, much less how that angle comes to dominant much of the film's runtime.

2. Perhaps better acting would have saved that romance angle, but alas it wasn't to be found here. Mara is much too bland as Isla, while Segel is terribly miscast as the lead. More than blank, brooding stares were needed for the role, but that is all Segel seems to be able to provide here. Redford is his usually solid self, and Plemmons steals the show from time to time, but other than that none of the other acting performances are above average (with some being quite below that line).

So, while "The Discovery" is a film that I really want to like more than 5-stars out of 10, the end product just isn't worthy of anything more. Had the sci-fi aspect been the focus throughout, I think that would have improved things considerably. A better, less confusing ending would have helped as well. As it stands, though, "Discovery" comes off as a very second-rate "Eternal Sunshine of the Spotless Mind" clone. Netflix may be taking strides in the right direction when it comes to original feature films, but there is still a ways to go to compete with the big studios.

'THE DISCOVERY': Three and a Half Stars (Out of Five)

A sci-fi romantic drama about a world where an afterlife has been scientifically proven, and how that knowledge drastically affects society. It was directed by Charlie McDowell, and it was written by McDowell and Justin Lade (the duo also teamed on 2014's 'THE ONE I LOVE'). The film stars Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough and Ron Canada. It's received mixed reviews from critics, and it was released by Netflix through their streaming site. I found the movie itself to be a little disappointing, due to the extremely promising premise and setup.

The story takes place two years after 'the discovery of an afterlife', by Thomas Harbor (Redford). The scientific proof of an afterlife has caused an extremely dramatic increase in suicides. Thomas's son, Will (Segel), blames his father for the high suicide rate. He travels to see him, at an isolated mansion, where Thomas is doing more research on his findings. Will meets a suicidal woman on his trip, named Isla (Mara), who he later prevents from killing herself. He then brings Isla to his father's mansion, and the two assist him in his research there. The whole time Will is extremely skeptical about the damage they're doing to society, with these new findings.

The movie is extremely dark and depressing, for almost it's entire running length. Like I said, the idea for the film is really intriguing, and fascinating, but it's definitely not fun watching it play out. The performances are decent, and the climax is somewhat interesting, and unpredictable, as well. I had hoped for a lot more from it though, when I started watching it.

Watching a movie made around Jason Segel (playing mopey and morose to boot) is like trying to start a fire under a wet blanket. There was an occasional spark, an idea or twist, that reinvigorated a hope for something more. An appealingly moody colour palate, cold blues and greys. Interesting premise/s. Rooney Mara was great, as usual, bringing charisma to an otherwise desolate and charmless experience that inevitably led me to write this. As mentioned by so many people before me: what a disappointing waste of a phenomenal idea. This could have been something riveting. Perhaps my reception was tainted by Jason Segel's lack of likability. Is it my fault? In any case, I don't care. I'll have completely forgotten about this movie before I finish this...