The Discovery

The idea behind the premise of The Discovery is an interesting one but its implementation isn't as refined as expected and only works in bits n pieces. It's a thoughtful feature that experiments with existential elements and poses some intriguing questions but it neither presents it in a convincing manner nor remains thoroughly gripping.

Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.

Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.

The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.

The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.

On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.

Don't know why this is getting some bad reviews. This was actually pretty darn good.

This movie has an interesting take on consciousness and death that is worth the time to watch. Perhaps people are not liking the existential weirdness and the questions it brings up but I enjoyed myself on this one.

I think we all need to ponder consciousness and reality a little more.

Watching a movie made around Jason Segel (playing mopey and morose to boot) is like trying to start a fire under a wet blanket. There was an occasional spark, an idea or twist, that reinvigorated a hope for something more. An appealingly moody colour palate, cold blues and greys. Interesting premise/s. Rooney Mara was great, as usual, bringing charisma to an otherwise desolate and charmless experience that inevitably led me to write this. As mentioned by so many people before me: what a disappointing waste of a phenomenal idea. This could have been something riveting. Perhaps my reception was tainted by Jason Segel's lack of likability. Is it my fault? In any case, I don't care. I'll have completely forgotten about this movie before I finish this...

I wasn't sure about seeing this film because of the rating, but the concept was interesting and being a fan of Rooney Mara's work I decided to give it a shot. And I am glad I did.

The opening scene is very well done because it grabs your attention from the first second. But what comes after is what bothered most of the viewers who felt disappointed - the personal story line between Jason Siegel's and Rooney Mara's characters becoming the center of attention instead of the concept of an afterlife and how it works.

Personally, while watching the movie, I did feel a little bit deceived, because "the discovery" took a back seat, BUT after finishing the movie it all made sense. I think the film was very well structured and managed to get across it's idea and explanation of how afterlife works very well to the audience, without having to talk about it and explain it in every scene as if the viewers are little children. I do not agree with some statements that the concept of "the discovery" was not well done, finished or explained well. Last 10 min. do contain a lot of information and the viewer should pay attention.

The acting was very good, however overall I must agree that it is not the most exciting film. What I mean is that it won't be in your "most memorable or favorite"movie list. It's a good watch on lazy night though. Give it a go.

Talk about a wasted opportunity.

A fine cast led by the underrated Jason Segal (still doing his best to break out from his How I Met Your Mother persona and delivering a so-so turn when you look back at his role in End of the Tour) and backed up by Rooney Mara, Robert Redford and one of the finest supporting players going around Jason Plemon's isn't enough to save Charlie McDowell's Netflix original Sci-Fi/Drama The Discovery from a disappointing result and ending its runtime as one of the most frustratingly forgettable films in many a moon.

The core idea behind The Discovery, that Redford's scientist Thomas Harber has discovered evidence of a confirmed afterlife, leading to a world in which the suicide rates have ramped up to epidemic levels with Harber then working on a secret project that looks to record this afterlife for those alive to witness is a fantastic one and an idea that strikes up many a various conversation point but McDowell's film which ends up being more of an unbelievable romance between Segal's charisma free Will and Mara's mumbling and emo Isla than anything else feels unable to make the most of its idea.

Perhaps hampered by budget restraint's (although this hardly seems to be a problem for Netflix originals these days) or perhaps just a lack of overall vision. The Discovery showcases glimmers of what could be in stall for us whether it's the oft mentioned suicides, the cult like following Harber has garnered thanks to his work or Will's and Isla's investigation into a possible glimpse of the afterlife they have recorded but all these intriguing elements are quickly swept under the rug and while the film's final reveal makes the journey feel more rewarding than it actually is, you can't help but escape the feeling The Discovery has short-changed its viewers with a mediocre effort of a far more interesting story.

It's great seeing Netflix continue to invest in unique and original film properties but The Discovery will be marked down as one of their clear failures and while this intellectual thinking man's Sci-Fi has moments of greatness, overall this emotionally void experience is one of the dominate companies worst original studio efforts this side of their Sandler "comedies".

2 bunk beds out of 5