The Secret

Top notch stuff but who are the idiot reviewers that think Northern Ireland is in England?

I went into this movie with no knowledge of the actual crime or even that this was based on one. I never believe the old "based on a true story" line so just assumed this, like most, was loosely based on something that happened in England but was not actually a faithful reproduction. It's only today when I was doing some research on it that I discovered all the drama created by the victim's daughter but. I don't really understand the controversy. If the victims families don't want to be traumatised by a TV dramatisation of these tragic events then....why watch it? Seems simple to me. I'm pretty sure I wouldn't be able to watch if someone made a movie about deaths of people close to me. Maybe I"m missing something but honestly, the daughter who is voicing all these complaints should have just not watched the show. What is the point of kicking up a huge song and dance about it? Anyway, moving on to the actual critique. Personally like many others, I absolutely loved the series and it is well worth watching. I don't often like dramatisations of true crimes because they are usually stilted, stiff & boring with bad production values, B grade actors and lousy script writing. The Secret is nothing like the "usual" type. It's exceptionally good quality, well written, beautifully produced and all of the actors do a wonderful job. Nesbitt's performance in particular is absolutely chilling in his portrayal of the "ordinary" outside of this very sinister & disturbed individual. In all the story is told with class & compassion. HIGHLY RECOMMENDED.

Very good and we'll recommend. Paced well with some great preferences from the main cast, Nesbitt is particularly good in this.

This is up there with the best dramas I've seen.i don't usually write reviews but I thought this deserved one.the acting was first class and obviously based on a true story made it even more intriguing.... You will definitely enjoy this if watched.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A true story set in the early 90s, in the small Irish town of Coleraine, a devoutly religious community where the church elders sway a lot of influence in the lives of the parishioners. Colin Howell (James Nesbitt) works as a dentist, and has an idyllic family life with his wife and children. But he becomes infatuated with Hazel (Genevieve O' Reilly), the wife of the local policeman, and the two begin a passionate affair. After they're exposed, they drift apart for a while, only for them to rekindle it again. It's after this that Colin suggests a murderous way that they can be together, that marks the beginning of a twenty year quest towards justice and closure.

Given the comparatively small number of murders that the UK witnesses (at least, in times gone past), there's always that great potential for drama in exploring the motivations behind the killings, especially in portrayals of serial killers. But this particular story tells the tale of a single double murder committed by two people. But the tale itself is such a wayward, unusual one, involving a pair of non perverted, normal people with probably no trouble with the law in the past, who chose such a strange, cold blooded way to deal with their forbidden love.

In a drama that spans out between two parts and two decades, Nesbitt has to carry the title role. In TV dramas such as this, he has sort of become the 'go to guy' for this kind of thing, but if he's the reliable bloke for producers to fall back on, then he's definitely honed his craft over the years, and delivers a stirring lead performance here.It's a convincing portrayal of a complete novice, who transforms into a cold, calculating killer with little or no disdain. It's hard to tell whether he's using his religious convictions to justify his horrific deeds, or whether it's all just a front to cover his sick, assured presence, and as such it's great. Likewise, O'Reilly also shines as a cold, icy accomplice, happy to continue her life in spite of her actions.

An impressive, well made dramatisation of cold blooded ruthlessness. ****