The Boy Downstairs

I really enjoyed this film, minimal bad language or objectionable content, great acting and story. There are some movies, where the silence portrays so much and it feels like you are just watching a real relationship develop. This was one of those films. More like this please.

I do think your enjoyment of this will hinge on your tolerance for the acting style of Zosia Mamet. If you have not seen Girls then you should know that Zosia acts in a particular style. Lots of ummms.... etc. This doesn't bother me.

The story is a bit refreshing as well. Basically a girl is about to head off to London for an extended time there (2 years or more) when she meets someone. She chooses to break it off because of that and, upon returning to New York, unknowingly rents out an apartment in the same building as her ex. Awkward hijinks ensue.

Both characters were well written and seemed like real people. Many of the situations they found themselves in did not seem unreasonable and were interesting. I particularly liked her love interest in both how he acted and how he looked as he was not the typical hollywood love interest.

Uh... Err... Ummm... I... uh... yeah... No I mean... Yeah... Um... Uh...

If the above nonsense is hysterical for you, you'll probably like The Boy Downstairs. Characters with nothing interesting about them, not even on a molecular level, a story that's been done and re-done to death in movies, good sitcoms, bad sitcoms, and all the mediocre sitcoms in between... All that could be forgiven and forgotten, of course, if the whole thing was more than the sum of its parts: A funny movie, or a charming movie, or something that would at least hold the viewer's interest. Sorry, but no.

There is probably a target audience for this, no doubt about that. People who in their own minds star in Woody Allen movies, people who see some characters in a movie and go "OMG that's me! That girl is just-like-me!" and therefore give it 10 stars... People who want to declare a national emergency for any minute crisis they face (and I needn't point out that this "crisis" is always about an ex). People who think awkwardness, nervousness is cute and funny, even a selling point to the opposite sex... People who spend more time at Starbucks than at work or school. People who think starting every sentence with a 10-second "Ummm... Uhh... yeah but... No I mean..." nonsense intro makes your words interesting... Check out the main character in this film: She NEVER speaks a straight line in the whole 80 minutes. Always going "ummm..... uhhhh...." first. We should be glad she doesn't work at an emergency call center. The whole building would burn down before she could say "Hello, what's the emergency?"

You may think I'm being too harsh, or I "just don't get it" or may want to respond "Just go watch Expendables 5, you insensitive ignoramus!" but no. I love dramas, comedies, "dramedies" as they're now called, and I love movies about young people's insecurities, relationships... on one condition: If they're done well. I've seen some good examples, by young directors, young casts, millenials, the social network generation. They put out some good stuff there. Sadly, this doesn't rank among them. It misses every chance it gets to be funny, or interesting, or just mildly amusing.

So I really really wanted to like this movie, and a part of me did; only because I love " Shoshana". The acting was appropriate for its vernacular. My cinema induced anxiety was a result of the grossly abused words heard in almost every scene i.e " like" " ummm" " yea". Way too millennialish, and I am a millennial! True to life scenario's- we don't always get what we want, the one that got away, and of course IRONY. While this movie did have some good, it like had ummmmm like more bad, like yea.

An American romantic comedy; A story about a young woman who is forced to reflect on her first relationship when she inadvertently moves into her ex-boyfriend's apartment building. There are some fresh moments in this droll and occasionally amusing indie, even if it may feel like a familiar storyline. It is told from a mix of present-day scenes and flashbacks but they do nothing to stop the characters looking stranded at times. Mamet is charismatic in her quirkiness but by equal measure her character is irritatingly self-absorbed. All in all, the naval-gazing is diverting, even if the characters lack distinctiveness.