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Aloys

  • 2016
  • Tous publics
  • 1h 31m
IMDb RATING
6.3/10
2.3K
YOUR RATING
Aloys (2016)
Coming soon to the UK and Ireland soon, a new film from director Tobias Nolle.

Aloys Adorn is a middle aged private detective who lives and works with his father. He experiences life from a safe distance, through a video camera he keeps recording 24 hours a day, and the massive collection of surveillance tapes he organizes and obsessively watches at home. But when his father dies, Aloys is left on his own and his sheltered existence begins to fall apart. After a night of heavy drinking, Aloys wakes up on a public bus to find that his camera and precious observation tapes have been stolen. Soon after, a mysterious woman calls to blackmail him. She offers to return the tapes if Aloys will try an obscure Japanese invention called  *telephone walking* with her, using his imagination as their only connection. As he is drawn deeper and deeper, falling in love with the voice on the other end of the phone, the woman opens up a new universe that may allow Aloys to break out of his isolation and into the real world. 

ALOYS will be released by Eureka Entertainment in the UK and Ireland in 2016
Play trailer1:45
1 Video
19 Photos
DramaFantasy

A lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as 'telephone walking'. Fascinated by her voice, Aloys discovers an imaginary universe t... Read allA lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as 'telephone walking'. Fascinated by her voice, Aloys discovers an imaginary universe that allows him to break out of his isolation.A lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as 'telephone walking'. Fascinated by her voice, Aloys discovers an imaginary universe that allows him to break out of his isolation.

  • Director
    • Tobias Nölle
  • Writer
    • Tobias Nölle
  • Stars
    • Georg Friedrich
    • Tilde von Overbeck
    • Kamil Krejcí
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    2.3K
    YOUR RATING
    • Director
      • Tobias Nölle
    • Writer
      • Tobias Nölle
    • Stars
      • Georg Friedrich
      • Tilde von Overbeck
      • Kamil Krejcí
    • 14User reviews
    • 92Critic reviews
  • See production info at IMDbPro
    • Awards
      • 6 wins & 14 nominations total

    Videos1

    ALOYS Original UK & Ireland Theatrical Trailer
    Trailer 1:45
    ALOYS Original UK & Ireland Theatrical Trailer

    Photos19

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    Top cast21

    Edit
    Georg Friedrich
    Georg Friedrich
    • Aloys Adorn
    Tilde von Overbeck
    • Vera
    Kamil Krejcí
    • Herr Schoch
    Yufei Li
    • Yen Lee
    Koi Lee
    • Herr Lee
    Sebastian Krähenbühl
    • Hauswart
    Karl Friedrich
    • Vater Aloys
    Peter Zumstein
    • Bestatter
    Agnes Lampkin
    • Julie Kramer
    Haroldo Simao
    • Drag Queen
    Arthur Miranda
    • Priester
    Rahel Hubacher
    • Schwangere Frau
    Tobias Bienz
    • DJ
    Alexander Seibt
    Alexander Seibt
    • Polizist Lift 1
    Benjamin Merz
    Benjamin Merz
    • Polizist Lift 2
    Jürg Plüss
    Jürg Plüss
    • Polizist Wohnung
    Barblin Leggio-Hänseler
    • Polizistin Wohnung
    Marlis Ochsner
    • Frau im Spital
    • Director
      • Tobias Nölle
    • Writer
      • Tobias Nölle
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    6.32.2K
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    Featured reviews

    10conrado-cs

    Smart way to tell a difficult story

    This movie is not only visually stunning, greatly directed and performed, but is also extremely clever and interesting. I get it, it's a slow movie! But it's also how the story is told, slow paced and detailed, that makes you feel immersed in to the characters lives and fears and frustrations. It's about the human condition and how we cope with small things in life. People who dislike this are probably Nolan fans who cant understand an extremely over-explained blockbuster movie. Worth the watch over all these brainless new titles flooding streaming services every day. 10/10
    6shakercoola

    Eternal clouds of an isolated mind

    A Swiss psychological drama; A story about a loner and private investigator whose surveillance equipment is stolen by someone who offers him the chance to break out from his self-isolation. This melancholic film is inventive, eerie, peculiar, captivating magic realism. It works a theme about escape from grief and loneliness, and addresses issues about digital surveillance and privacy. The film starts promisingly, but sags with the introduction of a weirdo-boy-meets-pretty-girl narrative and their madcap twists whereupon it focuses too much on clever technique than story spine. Nevertheless, intrigue is held across the strange characterisations and imaginative touches.
    8Rendanlovell

    An interesting mix of Her and Synedoche New York

    Honestly, I don't know how I stumbled across this film. I was just minding my own business, looking for a movie to watch and so I checked my 2016 watchlist. When I checked it a film called 'Aloys' was starring back at me. So I told myself that if I could find it, I would watch this little film. A little film that I couldn't even remember wanting to see. But find it, I did. The best way to really describe this film is that it's a hybrid between 'Her' and something like 'Synecdoche New York'. Simply put, this is a romance of sorts that has a lot of visual metaphors. It's a kind of bizarro little film that feels like a bunch of friends put together just because they could.

    Mainly the film is about a private investigator who recently lost the one person he was close to, his father. The film picks up shortly after the funeral for his dad. As the films goes along we see that this man is stuck in a deep rut. He's completely isolated from the world and does nothing but secretly tape people and then re-watch it over and over. That is, until he gets his camera robbed.

    From then the robber begins calling him and telling him that he needs to get out of his shell if he wants his stuff back. The woman and him form a relationship over the phone and fall for each other. They do this by simultaneously imagining themselves with each other doing mundane tasks. Eating food together, talking at a table, playing the piano etc. Of course both of them are just sitting in their own rooms picturing it.

    The film does a great job showing that these people can have a genuine connection. Both helping each other break out of their own shells. While both of these characters are horribly depressed the film manages to be incredibly fun to watch at points. There's a wonderful scene where they throw a party at Aloys (private investigator man) house. Where all the people Aloys has come into contact with during the movie are dancing and having a good time.

    This is what really surprised me about this film. Where 'Her' Focuses on relationships this film focuses more on people in relationships. And It has a great grasp on its characters. They are both sad, lonely people but they both have distinct voices. We understand them and their struggle. Which just makes us want to see them connect more.

    For me, 'Her' is a far superior film but 'Aloys' has quite a few surprises up its sleeve for anyone willing to give it a chance. It talks a lot about relationship expectations vs reality without becoming sappy or unbelievable. We see these two picture themselves in a perfect, bright, colorful, happy relationship when they haven't even met each other. And its this realization that hits you time and time again throughout these sequences.

    And every time it does you just feel a little worse. There was numerous times when I was just yelling, "TAKE HER OUT FOR REAL!" to myself. While this is a film that I do like, it isn't perfect. As it marches to the finish it starts to feel a bit full of itself. There are times when we jump around between reality and numerous different fantasies and I was left wondering, why? I wanted an explanation for all of it that never came.

    It felt like the film didn't really know where to go near the end. So, it just threw in various dream like sequences that didn't fit with what was happening. That being said, the last shot of the film almost completely redeems it. It's the basic, so close but so far. And it works so amazingly well for this movie.

    Overall, I really liked this movie. It's genuinely well constructed and written. But what makes this film work, is the characters. You actually know and like these two people. They share a bond that feels real. Even outside of the main romance, this film feels like a movie made by someone who's been in the business for a while. It's breathtaking in it's style, framing, and blocking of shots. If the end was tightened up this could've been one of my favorite films of the year. As it is, this is still a great movie that I quite enjoyed.
    10davidasleep

    stunning. and overwhelmingly beautiful.

    One death. a phone call. and a knock on the door of a dark room/ leads to an amazing journey in love/ loneliness and imagination/ but you can never be sure what is real and what is not real. However sad and beautiful the story is/ this is one of those rare films that turns itself into a living dream. But If your into spoon fed narratives/ then please chose another movie. If you can let go. . .then you wont be the same again. I let go. . and enjoyed one the best films I have seen in many years/
    4krocheav

    Aloys Has Difficulties

    From a strange, eerie opening, featuring a continuous string of stylish visuals and ethereal music the audience is led into a semi-surreal fantasy. At first, the mysterious situations that make up the life of small time private eye, Aloys, promises to take us into some interesting psychological territory but, as the story ambles into unfathomable character involvements - the initial element of mystery simply becomes tiresome. The real becomes fused with the unreal - till it all falls over itself. That's when most viewers are likely to become restless and begin to want it all to move toward some sort of closure. Slick images and a mysterious first 25mins is simply not strong enough to hang a limp study of loneliness (or is it madness?) & then expect it to carry the weight of 90mins. As a short experimental movie it could have worked - there's simply not the legs to carry a feature. As to be expected, this overstretched work won praise from festivals but defiantly won't win many patrons. It certainly would be a hard watch to ever re-visit. Photography, mystical score, and the main performance, carry it to a degree but lack of coherence brings it down to little more than an interesting failure.

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    Storyline

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    Did you know

    Edit
    • Trivia
      Aloys Adorn is played by Georg Friedrich while his father is played by Georg's real life father Karl Friedrich, who is otherwise not an actor.
    • Goofs
      The piano is actually a keyboard.
    • Quotes

      Aloys Adorn: [to a cat] You stupid pig! You're a stupid pig!

    • Soundtracks
      Father Theme
      Produced, arranged and composed by Tom Huber & Beat Jegen.

      Vinyl/Digital Release 31.3.2016 @ Spezialmaterial

      www.jegenhuber.com

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    Details

    Edit
    • Release date
      • September 23, 2016 (United Kingdom)
    • Countries of origin
      • Switzerland
      • France
    • Official sites
      • hugofilm (Switzerland)
      • New Europe Film Sales (Poland)
    • Language
      • Swiss German
    • Also known as
      • We Are (Dead)
    • Production companies
      • hugofilm
      • Schweizer Radio und Fernsehen (SRF)
      • SRG - SSR
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross worldwide
      • $523
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 31 minutes
    • Color
      • Color
    • Aspect ratio
      • 2.35 : 1

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