All Hallows' Eve 2

In most every way this one was better than the first... except for one big part. The lack of the character Art the clown left this one as much more of a compilation of short films and not so much an anthology. While I'm sure they wanted to do something different with this one, Art was not only a wildly creepy addition but was also the connecting factor and cohesion throughout.

The actual over arching storyline between the shorts took a huge backseat and was very lacking which was unfortunate. Plus the pumpkin man severely paled in comparison to Art, but it didn't seem like they even tried tbh. In general it just felt a bit lazy.

Now, in every OTHER way this one was better than the first. The picture quality, the stories, the acting, the level of engagement and intrigue... all better. Because of this it kind of evens itself out to its predecessor landing pretty middle of the road. 5.5 rounding down to a 5. Would recommend.

Anthology can be a trick medium, you have many short stories told in such limited amount of time and with different direction. This formal is prone to consistency issue throughout, which is what happens to this particular anthology. The quality of each one is also varied, depending on the runtime as well as underlying concept, it can feel jarring and detached, especially on the longer less interesting ones.

This is a string of stories made in one theme, a woman watching a mysterious VHS of many strange occurrences. The similarity is vague, some stories might just end abruptly or simply too bizarre, creating a messy undertone. A couple of them even drag for a bit without too much pay off, this not only creates dull moments, it also hampers the pace for the other tales that follow.

At best it's a varied degree of successful short clips of campfire story. They don't have much depth in terms of narrative as many of them end in five or ten minutes, and the shocking revelations might not be satisfying. Others collection of short stories have presented nifty twists in the same amount of time, and while there is decent use of practical effect here, it's not the same level of dread.

The overall theme and quality displayed are not refined enough for more than average short bursts of thrill.

Anthology films are few and far between recently. This project uses the structure as a way of showcasing nine often very short vignettes independently created by a different team and shown as a collection of unsavoury tales collected on a videotape. The tape falls into the hands, or rather is left at the door, of a young woman (Andrea Monia). The purpose of the videotape forms the enveloping story-line.

I won't go into details about the instalments, because their originality is very satisfying and it would be a shame to spoil that. Sometimes, instead of any detailed story, they are simply moments, like in a dream, of surreal occurrences which are nevertheless detailed and grounded enough to satisfy on their own merits. There are moments that had me turning away due to the graphic special effects, but this is far from drenched in gore. Rather, each weird tale builds up an ambience that is deliberately uneven and unpredictable.

This is a sequel to the original 'All Hallows' Eve' (2013), which was directed and produced by a different team. According to some reviews, the original was superior to this. This excites me, because I haven't seen it, and for the most part, I found this refreshingly original and generally well made.

For sure, it could be said this entry lacks that which made the first something more special. Is it using old shorts from YouTube? Maybe. Is it the lack of a proper foreground story? Probably.

But nonetheless, it's a fine combination of horror shorts - obviously some lesser than others but that's a very subjective opinion. None of the shorts are overly gory and the ones which stand out stand out VERY well and it's quite clear why they should be featured in this movie. The cinematography and acting is surprisingly solid throughout all shorts and the effects aren't too shabby either.

All in all, it's not a terrible waste of an hour and thirty minutes of your life - but I wouldn't plan a movie night around it.

All Hallows Eve 2, the standalone sequel to the 2013 anthology horror film that introduced Art the Clown. This distinction is crucial because unlike its predecessor, the 2015 follow-up does not feature Art the Clown, a fact that often shapes audience reception and critical discussion.

"All Hallows' Eve 2" (2015), directed by Jesse Baget, Elias Benavidez, Andres Borghi, Antonio Padovan, Ryan Patch, and Marc Roussel, essentially functions as another horror anthology, connected to the first primarily by its thematic tie-in to Halloween and the concept of found footage or mysterious video content. However, it's less of a direct narrative sequel and more of a spiritual successor, taking a different approach to its scares.

The film's framing device revolves around a young woman who, on Halloween night, finds a mysterious, unmarked VHS tape on her doorstep. Intrigued, she pops it into her VCR, only to be subjected to a series of disturbing and increasingly terrifying short films. Unlike the first "All Hallows' Eve," which featured an overarching narrative tied to Art the Clown's malevolent presence, this sequel presents more disparate tales. The segments vary wildly in style, tone, and quality, a common characteristic of anthology films with multiple directors.

Some of the segments attempt to evoke classic horror tropes - jump scares, eerie atmospheres, and psychological dread. Others delve into more abstract or bizarre scenarios. One notable segment often discussed is "A Christmas Carol," which, despite its title, manages to be quite disturbing with its twisted take on the festive season. The segments in "All Hallows' Eve 2" are generally self-contained and don't contribute to a larger, unifying mythology or character arc, which was a strength of the original for many viewers due to Art the Clown's nascent character development.

The critical reception for "All Hallows' Eve 2" was generally mixed to negative, often drawing unfavorable comparisons to its predecessor. The absence of Art the Clown was a significant point of contention for fans of the original. Art's silent, menacing, and utterly depraved persona had made him an instant cult horror icon, and his exclusion from the sequel left many feeling that a core element of the "All Hallows' Eve" brand was missing. Without a strong, unifying villain or a compelling wraparound story, the film struggled to establish its own identity.

Furthermore, the quality of the individual segments was inconsistent. While some shorts might have offered genuine chills or interesting concepts, others felt derivative, poorly executed, or simply uninspired. This unevenness is a common pitfall for anthologies, where the strength of the best segments can be overshadowed by the weakness of the worst. Reviewers often pointed out that the film lacked the raw, visceral punch of its predecessor and that the scares felt less impactful without the singular focus provided by Art the Clown.

In essence, "All Hallows' Eve 2" (2015) stands as an example of an anthology sequel that attempted to capitalize on the goodwill of its predecessor's title but failed to replicate its most successful element - a terrifying and iconic villain. It offered a collection of Halloween-themed horror shorts, some passable, some forgettable, but ultimately lacked the distinct identity and memorable villainy that made the original "All Hallows' Eve" a noteworthy entry in the horror genre. For fans expecting a continuation of Art the Clown's reign of terror, the 2015 film was a significant departure and, for many, a missed opportunity. It underscores how crucial a strong, cohesive vision and a compelling antagonist can be for the success of a horror franchise, even within the anthology format.