Bloodshock

Two extremely resilient prisoners, a man (Dan Ellis) and a woman (Lillian McKinney), are subjected to a series of brutal medical procedures by a sadistic doctor.

I've always considered films like this to be challenge—to see if I can stomach the extreme violence being depicted. American Guinea Pig: Bloodshock is a challenge all right—to see if I can watch the whole thing without losing interest.

Bloodshock proves to be an apt title, since I was shocked to see that nearly all of the blood in the film has been captured in glorious black and white! While the gore is graphic (yet nowhere near as relentlessly nasty as its predecessor, Bouquet of Guts and Gore), its effect on the viewer is seriously diminished thanks to a misguided attempt at an art-house style that simply doesn't suit the material. It seems like such a waste of effort.

Director Marcus Koch's art-house approach also leads to interminable scenes that focus on the victims while they are locked in a padded cell, sharing poignant notes with each other through a hole in the wall, all of which serve to make the film a real chore at times. The pretentiousness is ramped up to 11 for the final act in which the two victims, free at last, decide not to escape but to get it on, reopening their wounds whilst having sex. At least that part pulls fewer punches, with the messiness now in full colour.

A final twist—revealed during the end credits—tries to make some sense of what we have seen, but does little to improve matters.

A man and a woman are put under extreme experiments so that natural morphine and adrenaline are created in their blood. The doctor draws out the blood at the right time. He then injects that blood into his own blood stream for some sort of wicked high. Weird.

This wasn't like a Guinea Pig movie at all. It's supposed to be the sequel to American Guinea Pig: Bouquet of Guts And Gore (2014) which was a nasty slice of film. This was the one where they used bolt cutters to get through the rib cage. Bloodshock however doesn't even compare. There is a couple of cringing moments but mostly boring believe it or not. This is shot in black and white which doesn't help the cause for this film. It does work for the director who wanted the end to be in colour showing the two patients ripping out each others stitches and playing in each others wounds. For an ultra violent black and white done right watch Infidus (2015).

This one just seemed too tame and puts you to sleep. Hopefully their next outing will be better.

In one scene the woman's chest cavity is opened a good ten inches exposing everything and you see the heart beating. I wondered what he was going to do to keep things from getting infected and suddenly the doctor bends over and licks all inside of the chest cavity. Problem solved.

Directed by The Guru Of Gore, Marcus Koch, and written by The President Of Unearthed FIlms, Stephen Biro, The Man who revived the series in the US with the first chapter, called "Bouquets of Guts and Gore." Starring Dan Ellis, Lillian McKinney, Andy Winton, Gene Palubicki and Alberto Giovannelli, this is the most intense, unimaginable, raw, twisted, mind-blowing torture porn film I have ever seen in my life. I'm not saying this one's better than the rest of the guinea pig films, including the first Americanized version, but it's very different from all of them. It's more than just a torture flick - this film has that beautiful atmosphere, the vibe, the psychology, the feeling. It gets disturbing and more disturbing every minute till the end. The best beautiful, sick, unforgettable ending ever, which will hit you right in your head, BAM!!! This is my first Dan Ellis film, and it's just incredible the way he acted, going through all of the pain with the emotions he showed, incredible. I knew he was in Ryan Nicholson's films, which I will surely check out. Lillian McKinney gave an awesome performance as well, and I would love to see her act more. The rest of the cast all did well too. Movies like this are worth it in my opinion. I find disturbing films interesting. The sicker it gets, the more interesting it gets. This is one movie to see before you die if you're a pure extreme horror fan, and this is definitely not for the squeamish.

I was very curious Bloodshock, simply said it's about a man who's locked up in a white room. And every few minutes he gets tortured in all kinds of creative ways, the first half hour was decent but nothing too shocking unless you've never seen the harder stuff. It starts to get interesting after 40 minutes, i thought that for most of the time it was just pure torture for the sake of torture and nothing else, but oke there's a little subplot about another prisoner of which i won't spoil anything. In my opinion the movie was just oke because i expected it to be just as extreme and nauseating as Stephen Biro's Bouquet of Guts and Gore , it never reaches the same level of gore. But Bloodshock does deliver at some moments, especialy near the end. My final point of criticism is that i personally would've rather seen the movie in color, but to each his own. If you like blood and gore just add it to your collection.

The original Guinea Pig series from the 80's were more shocking than the American series. They are similar in many ways with hardly no dialogue and over the top gore. I have seen several reviewers compare it with or to Human Centipede 2 maybe for the fact it's black and white. The difference I feel is Centipede 2 could not have been made in color the special FX were too good. This films FX are sub par. With that said I did enjoy it somewhat for what it is. I just can't for the life of me tell you what it was. Some enjoyed the score I found it annoying and tedious. The film overall made no sense and perhaps that's what makes it watchable.