Bloodshock

How do you review a film like this? Well, imagine being a hospital patient with "locked in syndrome." This is an illness where, due to a very specific type of stroke, the sufferer finds themself trapped in a body that, while completly devoid of voluntary muscle control, can feel every indignity of a normal person. So imagine that a fly lands on your nose. You are unable to swish it away, but you can feel every little itchy leg as it dances on your shnozz. You cannot ask for help, because you cannot move any of your voluntary muscles including those which control speech.

OK, you get where I'm coming from. Now imagine you took an enourmous painful diarrhea defecation, and had to just sit in it for an hour and a half before your wet-nurse came in to change your adult diaper. That is comparable to what its like to sit through this film. To paraphrase Christopher Walkin, "That isn't any kind of fun. But in terms of what this movie has to offer, that's as good as it's gonna get. And it wont ever get that good again." However, if you wish to ignore my heartfelt advice, and soil your mind with this load of visual fertilizer, the smell of which, will stay with you for a long time, you can watch it free on YouTube at a channel called Kings of Horror.

But don't say you havent been warned!

Directed by The Guru Of Gore, Marcus Koch, and written by The President Of Unearthed FIlms, Stephen Biro, The Man who revived the series in the US with the first chapter, called "Bouquets of Guts and Gore." Starring Dan Ellis, Lillian McKinney, Andy Winton, Gene Palubicki and Alberto Giovannelli, this is the most intense, unimaginable, raw, twisted, mind-blowing torture porn film I have ever seen in my life. I'm not saying this one's better than the rest of the guinea pig films, including the first Americanized version, but it's very different from all of them. It's more than just a torture flick - this film has that beautiful atmosphere, the vibe, the psychology, the feeling. It gets disturbing and more disturbing every minute till the end. The best beautiful, sick, unforgettable ending ever, which will hit you right in your head, BAM!!! This is my first Dan Ellis film, and it's just incredible the way he acted, going through all of the pain with the emotions he showed, incredible. I knew he was in Ryan Nicholson's films, which I will surely check out. Lillian McKinney gave an awesome performance as well, and I would love to see her act more. The rest of the cast all did well too. Movies like this are worth it in my opinion. I find disturbing films interesting. The sicker it gets, the more interesting it gets. This is one movie to see before you die if you're a pure extreme horror fan, and this is definitely not for the squeamish.

A man and a woman are put under extreme experiments so that natural morphine and adrenaline are created in their blood. The doctor draws out the blood at the right time. He then injects that blood into his own blood stream for some sort of wicked high. Weird.

This wasn't like a Guinea Pig movie at all. It's supposed to be the sequel to American Guinea Pig: Bouquet of Guts And Gore (2014) which was a nasty slice of film. This was the one where they used bolt cutters to get through the rib cage. Bloodshock however doesn't even compare. There is a couple of cringing moments but mostly boring believe it or not. This is shot in black and white which doesn't help the cause for this film. It does work for the director who wanted the end to be in colour showing the two patients ripping out each others stitches and playing in each others wounds. For an ultra violent black and white done right watch Infidus (2015).

This one just seemed too tame and puts you to sleep. Hopefully their next outing will be better.

In one scene the woman's chest cavity is opened a good ten inches exposing everything and you see the heart beating. I wondered what he was going to do to keep things from getting infected and suddenly the doctor bends over and licks all inside of the chest cavity. Problem solved.

The American Guinea Pig franchise is the American take on Japan's now infamous and banned series of films that all fell under the series name "Guinea Pig". The Guinea Pig series were a collection of notorious cult films that emerged out of the Japanese underground in the mid to late 80s to early 90s. The first film in this series, The Devil's Experiment, centered on a kidnapped woman who is held captive in a warehouse where she is exposed to a series of tortures inflicted by her captives who are exploring the human body's threshold for pain. This film's narrative holds distinct similarities to the plot of Bloodshock; and this is intentional.

The American Guinea Pig series pays clear homage to its original Japanese predecessor, and this is seen in the plot similarities between the films within the two series. The first film of the American Guinea Pig series, Bouquet of Guts and Gore, actually contains plot components that connects itself to the original Japanese Guinea Pig film, Flower of Flesh and Blood. Similarly, the third film in the American Guinea Pig series, Sacrifice, shares clear plot similarities with the original Guinea Pig film, He Never Dies. This model is no different when it comes to Bloodshock.

Bloodshock also centers its focus on a captive person, being held against their will, and forced to endure torturous experiments by the hands of the individuals holding them captive. Unique to The Devil's Experiment, rather than examining the human body's threshold for pain, Bloodshock's experimenters are harvesting the blood of their captive. The reason for this is interesting. During the infliction of pain and stress, the body releases chemicals called endorphins. These endorphins interact with the receptors in the brain that reduce your perception of pain. Endorphins also trigger a positive feeling in the body, similar to that of morphine. These experimenters are using their victim's blood as a new kind of recreational drug. The film's victim is being used as crop to harvest.

This approach is intriguing and allows the film to exhibit similar graphic scenes of torture and violence, as in The Devil's Experiment, while having a story that is more complex and allows the film to explore untouched areas that the original Guinea Pig series was never able to reach. Additionally, the practical effects in this film are quite impressive and are a definite step up in terms of realism and graphic imagery from the original series.

That said, this film does not come without its flaws. For one, some of the acting in this film is quite awful. This is to be expected with any low budget indie endeavor, and often can be dismissed or forgiven. Unfortunately, when it comes this film, it extends into damaging the picture. Most prominent, there is a scene where the film's protagonist is held in a chair where a large man is punching him in the face. He is then hit in the knee caps with a large hammer. These blows are clearly fake, to a point where it is nearly comical. This poor acting in contrast to the film's magnificent practical visual effects creates an uneven, sloppy, and at times silly juxtaposition.

Furthermore, the filmmakers attempted to take the series in a more artistic direction, presenting the film almost entirely in black and white, and giving the film an ambient and eerie score. Many have argued that the black and white decision hurt the film. I personally do not hold this perspective. I found the black and white to be vital in regard to the film's climax, which I will not spoil. I do however find issue with the film's sloppy audio editing. The film's score is powerful, yes, but I felt that he filmmakers relied too heavily on it for the picture's tone and atmosphere. Going so far as compromising necessary sound effects that would have enhanced practical imagery in exchange for creepy sounds of ambiance.

The film's climax does save the picture to a degree, where a gruesome finally of passion, self-destruction, beauty, lust and gore all flood the screen in vivid detail. Unfortunately, this is short lived once the credits start to role. The film's credits are interspersed with scenes that attempt to add to the film's plot, but ultimately just feel like unnecessary filler, and actually hurt the picture. Out of the four American Guinea Pig films that have been released thus far, I would consider Bloodshock to be the weakest of the bunch. That does not mean that the film does not have some redeeming qualities. It is still a brutal and visceral picture but compared to the other films in the series Bloodshock just doesn't pack the same punch.

This film was obviously based on the 2009 Horror Exploitation Classic Grotseque. It's literally the same exact princip. However, this movie is overly repetitive and slow. The end scene was the sickest scene dye to it being only colorized, and we see our two victims, having a sexual intercourse, and bite their own wounds, getting into a pool of blood. That was really nasty, everything else dye to being black and white, was kinda boring and dull.

The film was supposed to be a shocker, it was more a creepy movie instead of being really shocking, except the ending, the ending was really dark.