Un beau petit diable

provocative. and real simple. touching. and surprising. a coming of age film. and little more. because, not being extraordinary, it gives, after the final credits, a special state. first - its target is very large. because it is a film about youth and its challenges. in same measure, it is a film about difference. the second - it gives a coherent message. and it escapes from moralistic/pink cages. be yourself ! it is the axis. and that does the gay coming up almost a pretext. because it has the science to mix humor with bulling,social masks with deep honesty, teenager sensibility/cruelty with the portrait of the teacher well known from many other films, changing everything (Andrew Scott does an admirable job ). a film like a challenge. good actors, good script, an amazing Fion O Shea and the right director. and, sure, a so simple story.

The age-old story of an unlikely friendship between the athlete and the outsider with a large dose of Dead Poets Society thrown in.

Its not original but the film is heart-warming and full of charm. Well acted throughout with many well known names in cameo roles. The most well known is Andrew Scott who plays the unconventional English teacher who tries to encourage the outsider while helping the developing friendship with the schools star rugby player. The film is emotionally manipulative at times, pulling familiar tricks to get the viewers sympathy but its easy to forgive when the characters and dialogue are so charming. The use of voice-over and split screen are not always effective and detract from the film at times. And the lead characters could have been developed more. But overall Handsome Devil is a charm and an easy pleasure to watch.

I loved this film. I went to a rugby school in Ireland in the 1960s but wasn't any good at rugby myself. I'm gay too but back then it was something to keep quiet about., A lot of people have assumed that the character, Ned, is gay. In fact the film never makes clear whether he is or not (this was confirmed by the director). I loved how Fionn O'Shea played the character. He may have been picked on for being different but he wasn't a shrinking violet and verbally gave as good as he got. I also marveled at how Nicholas Galitzine, a young English actor, got the middle class south Dublin accent so right. The rugby scenes are as authentic as any you will see in a movie.The director used Leinster under 19 players. I met him at a festival and he told me that they assembled them for the filming of the rugby scenes but hadn't told them who the choreographer was going to be. They were both gobsmacked and delighted when it turned out to be Brian O'Driscoll (for those unfamiliar with rugby he is widely regarded as Ireland's greatest ever rugby player - his wife played Ned's mother in the film). As others have noted the upbeat ending was really necessary in this film.

I picked this off Netflix on a boring Saturday afternoon. Boy I wish I had seen it sooner.

I was totally shocked at how good it is - the story line is something we can all relate to - a world that often isolates those who don't "fit in".

Fionn (Ned) and Nicholas (Connor) are absolutely relatable in their roles, and I loved the cameo by the English Teacher. While some may critique the ending as "predictable", but IMO any other type ending would destroy this movie. After the emotional roller-coaster of the film, we NEEDED that ending.

Thoroughly recommend it for all - especially for those who think that anyone who is different is a lesser individual.

Ned hates school his father has remarried and decided to send his only son off to a boarding school. It is one of those schools where sports rule and in particular – rugby. Yes the ultra macho contact sport where beef, brawn and attitude count. My school was very similar. Ned is not sport minded and as such is an outcast being sneered at for being 'gay'.

Then new boy Connor arrives under a cloud from his previous school. Only he is also a top rugger player and gets placed in the same room as Ned. The Jock and the 'gay' are not best suited and neither boy is happy. However, the two soon form a bond based on mutual interests but it soon becomes apparent that the natural order of things is only allowed to be in flux for so long before the forces, that be, must exert themselves and return everything to its proper place.

Now this is a film supported by The Irish Film Board and has a cast peppered with talent including Ardal O'Hanlon, Moe Dunford ('Vikings') and Amy Huberman ('Moone Boy') and everyone puts in good performances. It can be light hearted and lack in character development in places, but it is a well rounded drama which focuses on those that we chose to exclude and how that fear of revulsion changes a person – and not always for the better. It is a scenario that is familiar to many and not one that any of us ought to be proud of for taking part in. It is also a ruddy good watch with perfect timing and drama to keep you hooked till the credits roll – easily recommended.