Kalo Pothi, un village au Népal

Movie kalo pothi is a movie for those who wants to see rather a different timing story , Story that are related but in a different way.

While watching movie , I experienced the lives & living of the mugu people exactly which are explained & truth.

Even there's a vast differences in caste factor of living in Nepal in those times however now , the friendship between the Boys with despite the having caste that may allow people of the time to have relationship with , is what makes the movie into a good story.

Combining many stories with the small stories are the top work of the team.

overall I recommend you to watch it , if you want movie with different taste.

The movie Kalo Pothi is a Nepali movie directed by Min Bahadur Bham. This movie is set around the northwestern part of Nepal and is the first Nepali movie to be screened at the Venice Film Festival. The highest-grossing Nepali movie overseas, it was also the first Nepali movie entered in the Academy Awards.

The story revolves around two kids - Khadka Raj Nepali as Prakash, Sukraj Rokaya as Kiran. The story is based on the personal life experiences of the director and has an emotional connection to him. The lead character Prakash is an old childhood friend and Kiran reflects the director himself. Through the movie, he is portraying aspects of Nepal that are often neglected in mainstream narratives - the minutiae of village life and the marginalization caused by the caste system that is rarely a focus for Nepal's urban-centric cinema. Bhamhas successfully infused the production with the real look and feel of his native region.

The movie was released on September 4, 2014, with an investment of Rupees 30 million. The director was honored by the then President of Nepal with the National Talent Award for his contribution to art and culture, and the movie was nominated for the Best Foreign Language Film Oscar.

So It's a must watch masterpiece movie.

There are lots of excellent Nepalese movies that should get recognition from international level. Movies like Kalo Pothi, Bulbul, White Sun, Saanghuro, Prakash, Loot, Pashupati Prasad should be realesed through Netflix, Prime Videos and other OTT platforms. We can dub in Hindi and English with subtitles. If there is low chance to get immediate popularity but it will be very significant for the future. Our industry is getting better day by day and Prem Geet 3 could be the best example. We need to work on quality cinema presenting our language, culture, history, religious aspects and value of eastern society.

JAY Nepali Cinema!!!

The fundamental premise of "Kalo Pothi" very much evokes memories of Kiarostami's "Where is the Friend's House," a film that I hold in high regard by the way. Both works strive to weave the innocence and naivety of childhood into a broader political and societal narrative.

Whilst the Iranian film achieves this integration with remarkable finesse, maintaining its core theme throughout without hiccups, this Nepali production occasionally strays from its central theme and subject, and this inconsistency ultimately emerge as the primary issue of the writing.

Although I commend the effort put into it, the messaging regrettably resonates with less than half the intended impact.

"**The Black Hen**" (Kalo Pothi) is a 2015 Nepalese film directed by Min Bahadur Bham. Set during the Nepalese Civil War, the movie follows the story of two young boys, Prakash and Kiran, from a remote village in Nepal. Their lives are intertwined with a black hen, which becomes a symbol of hope and resilience amidst the turmoil of war.

### Key Themes: 1. **Innocence and Childhood**: The film captures the innocence of the two boys as they navigate their daily lives, unaware of the larger political and social upheaval around them. Their friendship and adventures provide a poignant contrast to the grim realities of war.

2. **Impact of War**: The civil war serves as a backdrop, subtly influencing the lives of the villagers. The film doesn't focus on the war itself but rather on how it disrupts the lives of ordinary people, especially children.

3. **Resilience and Hope**: The black hen becomes a metaphor for hope and survival. Despite the hardships, the boys' determination to protect the hen reflects the human spirit's resilience.

### Cinematography and Direction:

• The film is visually stunning, with breathtaking shots of the Nepalese countryside. The director uses natural lighting and landscapes to create a sense of realism and beauty.

• Min Bahadur Bham's direction is subtle and understated, allowing the story to unfold organically without heavy-handed drama.

### Performances:

• The child actors, particularly Khadka Raj Nepali (Prakash) and Sukra Raj Rokaya (Kiran), deliver heartfelt and authentic performances. Their chemistry and portrayal of rural life are compelling.

• The supporting cast, including the villagers, adds depth to the narrative, making the village feel alive and real.

### Critical Reception:

• "The Black Hen" received widespread acclaim for its storytelling, direction, and performances. It won several awards, including the Best Film at the 2016 Nepal National Film Awards and the Interfilm Award at the 65th Berlin International Film Festival.

• Critics praised its ability to address serious themes through the lens of childhood innocence, making it both accessible and deeply moving.

### Conclusion: "The Black Hen" is a beautifully crafted film that offers a unique perspective on the Nepalese Civil War. It's a touching story of friendship, resilience, and hope, set against the backdrop of a country in turmoil. The film's simplicity and emotional depth make it a standout in contemporary Nepalese cinema. If you enjoy films that blend personal stories with larger socio-political contexts, "The Black Hen" is a must-watch.