Moonlight
- 2016
- Tous publics
- 1h 51m
A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.
- Director
- Writers
- Stars
- Won 3 Oscars
- 235 wins & 310 nominations total
- Little
- (as Alex Hibbert)
- Azu
- (as Duan 'Sandy' Sanderson)
- Longshoreman
- (as Herman 'Caheej' McGloun)
- Gee
- (as a different name)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The cinematography is interesting, with a video-game like POV, floating over the lead character's shoulders from behind, inviting you into the action. There's some nice shots, good use of music (although sometimes cut a bit abruptly, and I would have liked to have heard more of the beautiful score), and a lot of use of the senses. Feel the ice, feel the sand, taste the food, enjoy the nightlight; it all feels relaxing, enhancing the ability to escape a grim reality into something more beautiful. Other sounds are blocked out or intentionally out of sync. I liked that Barry Jenkins was able to capture that.
The first act has an excellent scene with a showdown between a surrogate father and an absent mother, which is also a debate about the drug dealer/drug user relationship. Mahershala Ali and Naomie Harris are great in these respective roles. There's discussion of identity, acceptance, masculinity, and bullying. The second act builds on a climax in which the characters stands up for himself, literally and figuratively, and then takes on a sociopathic bully, who is one of this year's scariest villains. The third act tries to balance a charming but thin love story, while exploring identity, and the influence of our role models and life circumstances on ourselves.
It sounds better than what it is, unfortunately. The trailer is great. But, again, the screenplay is underdeveloped. The third act is a different film, or perhaps needed to be shorter and add an additional act between that and the second one, to further flesh out the story.
Brooding, challenging and sad but well worth the watch.
It's also important to remember that just because you don't understand something, that doesn't mean it is unimportant or invalid. Just because you can't relate to the entire story doesn't mean pieces of it can't teach you something about life. Just because the narrative is one that isn't widely told, doesn't mean it should be disregarded. If you don't understand this film or find it a waste, look deep inside yourself and ask why.
10/10 would recommend.
The film is about a young man named Chiron. The film is broken into three distinct phases. In phase one, Chiron is about 7 years-old. His life stinks. His mother is a crack addict and he's often beaten up by neighborhood gangs. The sole positive relationship is with an adult named Juan. Juan is an odd case...he's a drug dealer and a very tough guy. But he's also very tender and loving towards Chiron...and he doesn't seem to have any negative agenda...he just cares about the kid. Phase two is middle school. Chiron is still an exceptionally quiet young man...and he's still beaten up by gangs. He mostly tries to do his own thing...and Juan is no longer in his life. His only friend...well, that's a problematic relationship and I don't want to say more, as it might ruin the film. Phase three is adulthood and I am guessing Chiron is about 30. He now is very much like Juan...a drug dealer, but a very lonely one.
The problem with this movie for me is that although the acting was exceptional and very realistic, the plot seemed almost inconsequential at times. Additionally, the movie's plot is quite vague. What's also vague is Chiron's sexuality. I read that the film is a very gay-positive film about a gay man...though this has been so de-emphasized I am shocked anyone really even cared. I wish they'd explored this is greater detail...and provided a lot less slow, uninteresting moments. Overall, a good film but certainly nothing that seems Oscar-worthy...and I still feel very confused by all this hubbub about "Moonlight".
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Did you know
- TriviaNaomie Harris had to shoot her entire role in three days, in between her promotional tour of 007 Spectre (2015), due to a visa problem (Harris is British). The scenes spanned 15 years in the character's life and were filmed out of sequence.
- GoofsWhen Chiron and his mother are in their house and she asks him for money, his backpack is placed at his front, strapped over both shoulders. However, in several shots where he is seen from the back, there is no strap over his left shoulder. At one point he switches the backpack from his front to his back, but right after that, when his mother starts struggling with him, the backpack is at his front again.
- Quotes
Juan: [to Little] Let me tell you something, man. There are black people everywhere. You remember that, okay? No place you can go in the world ain't got no black people, we was the first on this planet.
[Slight pause]
Juan: I've been here a long time. I'm from Cuba. Lotta black folks in Cuba. You wouldn't know that from being here, though. I was a wild little shorty, man. Just like you. Running around with no shoes on, when the moon was out. This one time, I ran by this old... this old lady. I was runnin' and hollerin', and cuttin' a fool, boy. This old lady, she stopped me. She said...
[He pauses]
Juan: [Imitating an old lady's voice] "Runnin' around, catching up all that light. In moonlight, black boys look blue. You blue, that's what I'm gon' call you. 'Blue'."
Little: So your name 'Blue'?
Juan: [Chuckles] Nah.
[Another pause]
Juan: [to Little] At some point, you gotta decide for yourself who you gonna be. Can't let nobody make that decision for you.
- Crazy creditsThere are no opening credits.
- Alternate versionsDespite the 'A' (adults only) rating, the Indian theatrical release was cut by 53 seconds by the Censor Board to mute all instances of "bitch/bitches, motherfucker, and dick", the sex scene between Kevin and Chiron, and the homosexual kiss between 2 boys. After cuts, 2 minutes was added to promote anti-smoking disclaimers.
- SoundtracksEvery Nigger Is a Star
Written by Boris Gardiner and Barrington Gardiner
Performed by Boris Gardiner
Remix by Dennis "DEZO" Williams
Courtesy of Now-Again Records, LLC obo Jazzman Records LTD.
Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $27,854,932
- Opening weekend US & Canada
- $402,075
- Oct 23, 2016
- Gross worldwide
- $65,172,611
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1