A horse groom reconnects with his childhood love, but she is engaged to marry the local prince.A horse groom reconnects with his childhood love, but she is engaged to marry the local prince.A horse groom reconnects with his childhood love, but she is engaged to marry the local prince.
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Some good random thoughts by R-O-Mehra, but fewer efforts were put to get them in shape. In an attempt to induce too much feel into the movie, the actual crux is lost. New actors Harshvardhan Kapoor and Saiyami Kher portrayed a good body language, despite having nothing much to showcase. Anjali Patil held her character well and was good in her little stint.
Storyline Rating: 2 Content: 3 Commercialization: 3 Entertainment: 2
Acting Rating: 2 Harshvardhan Kapoor: 2 Saiyami Kher: 2 Anjali Patil: 3 Anuj Choudhry: 3
Direction Rating: 2
Music Rating: 2
Cinematography: 4
Editing: 2
Storyline Rating: 2 Content: 3 Commercialization: 3 Entertainment: 2
Acting Rating: 2 Harshvardhan Kapoor: 2 Saiyami Kher: 2 Anjali Patil: 3 Anuj Choudhry: 3
Direction Rating: 2
Music Rating: 2
Cinematography: 4
Editing: 2
The most pretentious pile of turd splashed on the big screen since Roy and I am not exaggerating this one bit, mind you. This has pretentious written all over it. I would have given this movie 0 stars but it is not possible in this rating system and the only way I can justify the compulsory 1 star is the opening sequence, but then it is done over and over and over and over so many bloody times that I wish I wouldn't have thought that that was a good scene.
Well, everybody knows the story of Mirza-Sahiban but truly speaking I didn't and before getting into the theater I read about it a bit or else the flashback/lore sequence would have seemed even more vague. The people other than Anil Kapoor's son and the niece of Tanvi Azmi look from a foreign lineage for some reason. The whole movie is interjected with Daler Mehndi shrieking Mirzya and those irritating and even more pretentious and vague dance sequences. If anybody tries to explain it, I warn you, you are going to be slapped because THAT didn't have any significance at all! The cinematography looked like a recycled version of Bhaag Milkha Bhaag.
Now to Anil Kapoor's son and Tanvi Azmi's niece. You might be wondering why I am not taking their names because they were taken due to above mentioned Bollywood background that they have inherited and anybody saying otherwise is lying through their teeth and that goes for Rakesh Omprakash Mehra. I still remember that my 1st review on IMDb was of Bhaag Milkha Bhaag and I am a huge fan of RDB and even Delhi 6 had it's moments but this has diminished my respect for you. The reason that in an interview to T2 you clearly mentioned that the hero and heroine were taken solely on the basis of their acting prowess and they were treated just like any other actor. After watching the movie it is evident that you had Anil Kapoor breathing down your neck.
For moviegoers this is my true advice. I know many of you are a fan of Rakesh Omprakash Mehra or Gulzar and the girls might have a fondness for Junior Anil Kapoor but it isn't worth spending your money on. SO avoid this movie like the plague.
Well, everybody knows the story of Mirza-Sahiban but truly speaking I didn't and before getting into the theater I read about it a bit or else the flashback/lore sequence would have seemed even more vague. The people other than Anil Kapoor's son and the niece of Tanvi Azmi look from a foreign lineage for some reason. The whole movie is interjected with Daler Mehndi shrieking Mirzya and those irritating and even more pretentious and vague dance sequences. If anybody tries to explain it, I warn you, you are going to be slapped because THAT didn't have any significance at all! The cinematography looked like a recycled version of Bhaag Milkha Bhaag.
Now to Anil Kapoor's son and Tanvi Azmi's niece. You might be wondering why I am not taking their names because they were taken due to above mentioned Bollywood background that they have inherited and anybody saying otherwise is lying through their teeth and that goes for Rakesh Omprakash Mehra. I still remember that my 1st review on IMDb was of Bhaag Milkha Bhaag and I am a huge fan of RDB and even Delhi 6 had it's moments but this has diminished my respect for you. The reason that in an interview to T2 you clearly mentioned that the hero and heroine were taken solely on the basis of their acting prowess and they were treated just like any other actor. After watching the movie it is evident that you had Anil Kapoor breathing down your neck.
For moviegoers this is my true advice. I know many of you are a fan of Rakesh Omprakash Mehra or Gulzar and the girls might have a fondness for Junior Anil Kapoor but it isn't worth spending your money on. SO avoid this movie like the plague.
Rakesh Omprakash Mehra is back with some artistic poetry of love saga from different ages. Definitely this one is full of cinematic excellence frame by frame with stunning visual effects. Debutant Harshvardhan and Saiyami were good in lead pair. Shankar-Ehsaan- Loy's music was mesmerizing.However Daler Mehdi's voice make some irritation in your ears. Mirzya is pure treat for Class audience which contain melody, art, visual enchantment. Arrow clash and chase sequence on Horses were terrific. As Rakesh Omprakash Mehra's film career is full of Sine Curve( consecutive Hit and Flop movies). His debut movie Aks was flop then Rang De Basanti was Hit. After that Delhi 6 was flop on box office then Bhaag Milkha Bhaag was Hit. As trend suggest, Mirzya will surely flop on box office.
Director Mr. Rakesh Omprakash Mehara work as a technician is good but as a creative person notably bad. It is hard to believe that he was the brain behind my two most favorite films "Rang De Basanti' and "Bhag Milkha Bhag'. Not a single shot gives any glimpse of that magic in this film. Screenplay is obsolete and confusing. Writer thought that everyone is well versed with the 'Sahiba-Miraza' story, so he didn't feel a bit of requirement to at least describe the key points of that legend story. Film goes into flashback from present frequently, whenever an emotional scene comes, an intense song but difficult to understand the lyrics takes over with some good visuals. Lyrics do not justify the two different time periods at all. Lead characters childhood scenes are too lame. First of all they don't look cute. Girl looks older than the boy. They seem of age 7 to 8 years but in pre climax it got revealed by boy that he was twelve year old that time. Boy getting late to feed girl 'Til Laddo', teacher show causes him for being late then asks for home work's copy, girl passes her copy to him but teacher sniffs this and then asks girl for her home work copy, eventually leading girl canned. All class give expression as if it was most unusual incident when teacher already cleared that it is well known punishment. Boy keeps mum that time then decide to retaliate in some idiotic way by shooting the teacher!!! It gives first hint that you are going to witness some crap. It is love story but you can't find a faint glimpse of love throughout. Film starts with some high octane action with support of VFX but you don't feel anything because it was not cleared that what is happening and why, actually it was just for the sake of introducing the male lead. Girl went abroad and returns back, her childhood friend is working in her Prince fiancé stable. Again some lame hide and seek identity scene. When girl recognizes the boy is so bad that I strongly felt urge to laugh but controls it with subsided smile, but then after few scenes audience started to evoke controlled giggle and then I joined them shamelessly. Surprisingly there is some weird sense of humor in most of the emotionally intense scenes, which at least save you from getting headache. Boy's Polo playing with his master then flashback of horse riding of past time. Girl wants to learn horse riding, boy trains her and all that blah blah. A key scene of tiger attacking in full moon light looks so fake and crude in the time of so advanced technology. Again thrill lost in making. In climax marriage scene, sneaking out in veil is so old fashioned scene and why that old person supported her is not clear and why that girl commits suicide is also. It was just to add drama but sorry to say it looked absurd and film is full of such type of scenes. Pre climax and climax is unbearable but yes laughter is there for sure. Performance wise all bad actors are stuffed in one film. Harshvardhan Kapoor's looks is good but he speaks stone flat. Even good actress Anjali Patil gone wasted as Zeenat. Nothing to say about rest of the cast. Musically and lyrically 'Ye Wadiyan Dhoodhiyan Kohre Ki' is good.
Mireya could have been much better if they could have focused on performances and story execution , it's a boring and a major let down Movie !
Did you know
- TriviaMirza-Sahiban is one of the four popular tragic romances of Punjab. The other three being Heer-Ranjha, Sohni-Mahiwal and Sassi-Punnun. Mirza-Sahiban is the only love story where the heroine ends up sacrificing her lover to save her family.
- ConnectionsReferenced in The Kapil Sharma Show: Team Mirzya in Kapil's Show (2016)
- SoundtracksYeh Wadiyan Doodiyan Kohre Ki
Lyrics by: Gulzar
Performed by: Daler Mehndi
Music by: Shankar Mahadevan, Ehsaan Noorani and Loy Mendonsa
(p) 2016 Super Cassettes Industries Limited, T-Series
- How long is Mirza's Lady?Powered by Alexa
Details
Box office
- Gross worldwide
- $22,886
- Runtime
- 2h 9m(129 min)
- Color
- Aspect ratio
- 2.35 : 1
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