11 septembre

9/11 is a poignant and heartfelt film that pays tribute to the courage and resilience displayed during one of the darkest moments in American history. Directed by Martin Guigui, this powerful drama delicately explores the human stories behind the tragic events of September 11, 2001, without exploiting the immense pain and loss suffered by countless individuals.

The film centers around a group of strangers who find themselves trapped together in an elevator within the World Trade Center's North Tower on that fateful day. As they grapple with their fears and confront the harsh reality unfolding around them, their individual backgrounds, beliefs, and personal struggles are revealed. Through their interactions and shared experiences, the film beautifully captures the strength of the human spirit and the capacity for compassion and unity in the face of adversity.

The performances in 9/11 are exceptional, with a talented ensemble cast that includes Charlie Sheen, Gina Gershon, and Luis Guzmán. Each actor brings depth and authenticity to their respective roles, portraying characters who are flawed, vulnerable, and ultimately relatable. Their performances serve as a reminder of the countless real-life heroes who emerged from the tragedy, displaying extraordinary acts of bravery and selflessness.

Director Martin Guigui demonstrates great sensitivity in his approach to the subject matter. With a restrained and respectful tone, he allows the emotional weight of the story to unfold organically, capturing both the horror of the events and the triumph of the human spirit. The film avoids sensationalism and instead focuses on the universal themes of love, loss, and the indomitable strength that can emerge from even the most devastating circumstances.

While 9/11 may not offer groundbreaking storytelling, its true power lies in its ability to honor the memory of those who lost their lives and to recognize the heroism displayed by ordinary people during a time of immense tragedy. It serves as a poignant reminder of the importance of unity, compassion, and resilience in the face of unimaginable challenges.

In conclusion, 9/11 is a deeply moving and respectful tribute to the victims and survivors of the September 11 attacks. With its heartfelt performances, restrained direction, and powerful storytelling, it serves as a testament to the enduring human spirit and the capacity for hope even in the darkest of times.

Apparently, it took over six production entities to put this THING together.

It's horrendous on every level. Script, production, performances. It looks extremely cheap. Why were these actors willing to be attached to such a sub-par film?

In the opening shot, they show a building that didn't even exist in 2001. When Whoopi is seen "walking down the street toward the towers," it is one of the worst green screen shots imaginable.

Terrible acting. Even the extras are distracting.

The lighting is inept.

Based on a play, and it is obvious. Almost TWENTY listed "producers," which means that most of them financed the film. The credits for almost everyone in the crew consist mainly of "shorts," and garbage films.

Bad, bad, bad, bad, BAD.

There have been over 50 feature films made about the September 11th terrorist attacks on the U.S. – dramas and documentaries – about the attacks themselves and about their effects on the U.S. and on individuals. 2017 brings us the action drama "9/11" (R, 1:30), but that's not the first film to use that title. 2002's "9/11" is a television documentary from Bronx-born filmmaker James Hanlon and French documentarians Gédéon and Jules Naudet who were in New York filming a documentary about a rookie firefighter, but whose planned film was hijacked by real-life events, giving us rare footage from the epicenter of the attacks. In 2006, "World Trade Center" put Nicolas Cage and Michael Pena in that same spot, portraying real-life NYC Port Authority police officers trapped in the collapse of the Twin Towers.

Movies telling fictional stories of how the tragedy of September 11, 2001 affected ordinary people include "Extremely Loud and Incredibly Close" (a 2011 Best Picture Oscar nominee starring Sandra Bullock, Tom Hanks, Max von Sydow and featuring child actor Thomas Horn) and "Reign Over Me" (a 2007 drama starring Adam Sandler and Don Cheadle). Then there are movies like "Zero Dark Thirty" (a 2012 Best Picture nominee with an all-star cast led by Oscar-nominated Jessica Chastain and directed by Oscar winner Kathryn Bigelow) which represent the wider effects of the attacks. For my money, the best 9/11 film to date is 2006's "United 93" (as opposed to the TV movie "Flight 93" – same subject, same year), which earned Oscar nominations for its editing and for the directing of "Bourne" series helmer Paul Greengrass. All of these films are good and some are great. So, how does this "9/11" stack up?

2017's "9/11", based on the award-winning play "Elevator" by Patrick James Carson, tells the fictional story of five strangers stuck between floors in the North Tower of the World Trade Center after American Airlines Flight 11 crashes into it. Jeffrey Cage (Charlie Sheen) is a billionaire businessman who is being divorced by his wife, Eve (Gina Gershon). Jeffrey and Eve have a young son together, but Eve's one big complaint against Jeffrey is that he doesn't pay enough attention to her or their son and she's had enough. Tina (Olga Fonda) has also had enough of her guy. She's dating a rich older man and she appreciates the perks that come with that relationship, but she hates being controlled by him and she's heading up to his office to tell him that she's leaving him. Michael (Wood Harris) is a Manhattan bicycle messenger who has a chip on his shoulder, but he also has a loving wife and young daughter who is having a birthday today. Last, but certainly not least, is Eddie (Luis Guzmán), a WTC maintenance man who is on that elevator as part of a work call. Fortunately, Eddie is friendly with Metzie (Oscar winner Whoopi Goldberg), who works the day shift in the elevator control room in the WTC's North Tower.

Like many others in the towers, the attack causes confusion and fear in the five people in that elevator, but their isolation just exacerbates those feelings. They realize that the explosion they heard, the elevator's sudden stop and their lack of cell phone service are probably connected and they begin talking about the 1993 attack on the World Trade Center and the airplane that flew into the Empire State Building in 1945, increasingly convinced that this is something like one of those incidents (or both). After repeated failed attempts to raise Metzie on the elevator's intercom, Eddie finally gets a hold of her and she reluctantly confirms their fears, based on news reports that she is watching from the basement of the North Tower. With a combination of information provided by Metzie, the limited resources they have at their disposal inside that elevator and their teamwork, those five trapped individuals try everything they can think of to free themselves, in between bonding and sharing personal details of their lives and trying to keep each other's growing fears from turning into panic. We also witness one desperate phone call that eventually successfully connects from inside the elevator and the valiant efforts by NYC fire fighters to save as many lives as possible even as the building starts coming apart.

"9/11" is a pretty good dramatization of the experience of being inside the World Trade Center on the morning of September 11, 2001, but is far from perfect. Most film critics (and many Movie Fans) have accused this movie of being cheesy, unrealistic, overly melodramatic and even offensive, but those criticisms are unduly harsh. The dialog in the script (by James Carson, Steven James Golebiowski and Martin Guigui, who also directs) is simplistic, Guigui's direction is too tame (and his film's budget too small), while the acting lacks depth… but to simply focus on those things is to miss the big picture. This movie approaches the experience of being in those towers that day from a fresh perspective and showcases the humanity of that day's victims and survivors, alongside the heroism of the WTC's workers and the New York area's first responders. People who are overly critical of how believably such people are portrayed weren't in the Twin Towers on that horrible day and those who think such portrayals are manipulative or unnecessary have kept themselves from appreciating this interesting and sympathetic motion picture. "B"

Since the opening scene you get a taste of the absolute mediocrity that follows for the rest of the film. There's so much wrong with it that I really don't even know where to start, but the first apparent serious problem seems to be the casting choice, and that's what probably made this movie fail in such disastrous proportions. This film needs to be shown in acting school as an example for how NOT to act, and I'm honestly very surprised that Whoopi Goldberg got herself involved in such an amateurish project, as there's a big difference between supporting a cause and agreeing to be part of a mediocre production. All the performances were terrible, but Sheen's acting in particular is so laughably bad that by the end of the movie I felt truly embarrassed for him. The script is extremely weak and lame - the dialogue between some of the characters is stupid and totally unnecessary in moments of tension that are supposed to be serious. The so called "comic relief" fails miserably and it clearly makes the scenes cringy and awkward for the actors themselves. The characters are so unlikable and annoying that at some point you actually stop caring about them, and when you have such a limited acting cast and this situation occurs you know the movie is in serious trouble. Generic camerawork and choppy editing makes the technical aspect of the production seem boring and unattractive. The overall tone of the movie is very confusing, as sometimes it feels like a low-budget horror film and other times it has the comedic vibe of a parody. All in all this has to be one of the absolute worst films of 2017.

I saw this movie on 9/11 and there was no one else in the theater besides me. The movie felt very cheaply made and Charlie Sheen's performance was pretty laughable. Lots of monologues in this film that dragged on and characters I cared very little about, even if they were supposed to be victims of a real event. The whole concept of a movie about being trapped in an elevator is a bad idea for a movie, adding on top a real tragedy just makes it even more tasteless. Fictional characters don't belong in a movie about a tragedy so recent.