L'Agent secret

It's a strange and unconvincing story, but it has its points of interest, as it deals with the murky late Victorian world of mysterious anarchists.

Unfortunately, this BBC version is not very well done. The main problem is that it is too slow and does not flow.

Stephen Graham has a difficult part as Inspector Heat, whose doings and motivations are often obscure. Why he further encumbers this with a heavy Scouse accent is one of the mysteries of the series (I know he's from Liverpool, but he's good at accents).

As for Vicky McClure, what is her accent? It's unrelated to the speech of the rest of her screen family and also seems anachronistic to me (too many glottal stops and -d- for -t- in places). Is it that she is just using her own accent (and does she perhaps do so in every part she gets)?

The first episode does start out rather slow and it has a lighthearted feel to it. Seeing Toby Jones in this type of role for the first time takes a bit of time to get use to ,but He does come through and gives a great performance.

A real stand out performance from Vicky McClure and the rest of the cast give a good performance too. By episode 2 it starts to get dark and much more enjoyable to watch.

Episode 3 is really good ,it takes some really dark twists and holds your interest .

The music really adds to the feel of it all, as does the great location scenes. I thought it well acted and produced, it leaves you wanting more.

Not many I would watch twice but this I did Glad to do so production and acting was enough for a repeat look Ps my phone means I cant see what I hve typed.

The Secret Agent based on Joseph Konrad's work of the same name, for me at least, is rather uninspiring and badly dated.

This series, on first view, feels like a "dull artifact" that expresses stale, somewhat paranoid sentiments, from a bygone era.

Unlike similar series, such as Reilly Ace of Spies, there's nothing overly exciting on offer here. Reilly beautifully captured the essence of an early period of political intrigue and built an enjoyable tale around it. By contrast, The Secret Agent, simply feels like a proxy for the exhumed opinions of long dead political elites, afraid of the Communist bogey man.

The acting in this series and production values, as is often the case in the UK, are of a high standard. Its not for me, the performances, that are in question, however. The whole proposition seems anachronistic, when filtered through 21st century eyes. The Secret Agent, might have worked as a satire or adapted to a comedic format but, as serous drama, to me, it feels like an absurdity. Five out of ten.

I'm puzzled by the reviews that claim all of Conrad's brilliant story have been abandoned. Utterly untrue. All the main points of the original story are here. The betrayals, the ethical compromises, the cowardice. Not a single one missing. What had changed is how the story is told. Conrad jumped back and forth, a device that works better on writing than on TV. There are always some compromise made when covering a written story to a screen of any size. Those made here seen more than reasonable to me. The result is a thoughtful carefully constructed story that resists the urge to pick up the tempo just for the sake of a little "excitement". Some will find the pace slow, but it builds from the meaningless pretense of the characters lives and the mundane tempo of real life.

Some lovely performances by the whole cast. No one is cast as either superhero or supervillain. These are ordinary people of no great distinction, no matter thier place in life. Both evil and justice are flawed and banal.