Anne, la maison aux pignons verts

This movie is so syrupy. After having seen other renditions, including the new series on Netflix, "Anne, With an E," this one is put to shame. First of all, as a teacher, I used these books many times. They are extremely well written and have a real edge to them. Marilla's slow acceptance of Anne is totally lost here. She is a harsh, practical woman and Anne really gets on her nerves. I'm a big fan of Martin Sheen going back forty some years. But his portrayal of Matthew is a total miscast. His cutesy, confident character is the opposite of the Matthew I know. First of all, Matthew is generally frightened of his sister and doesn't dare to confront her. The problem is that she gives up right away and lets Matthew have much more freedom than the real story portrays. Anne's previous experiences are so harsh and are hardly exposed in this new telling. When Marilla starts to accept the sad little girl, it is when she sees the pain of loneliness brutality she has experienced. This makes her turnaround an act of triumph. Ann is also less interesting. She so quickly catches on with the other children, we lose the harshness and unfairness of them. There is only one girl who is really unlikable and she quickly becomes at least tolerant of Anne. Mostly, I just found this so quick and formulaic and lacking in depth with easy plot transitions.

Siblings Marilla (Sara Botsford) and Matthew Cuthbert (Martin Sheen) are looking to adopt a boy to help out on their PEI farm. They are shocked to be given the talkative, precocious orphan Anne Shirley (Ella Ballentine). Marilla tries to send her back. Anne is haunted by abuses at the orphanage and unstable homes. She befriends Diana Barry and Josie Pye is the mean girl. Anne gets into a fight with Gilbert Blythe.

Megan Follows can't be replaced but this one does go a little darker. Anne starts off like a victim. The black and white flashbacks add to that sad and darker start. The well-worn story gets a condensed treatment. It ends when Marilla stops Anne from leaving. The rest is left on the budget cutting floor. Ballentine does a good job. She isn't quite as comical as Follows. This Anne has more feisty anger and bitter sadness.

This production has the misfortune of following the brilliant 1985 version. Marilla Cuthbert in 1985 was a solid, religious, grounded woman, who learns to love Anne. The present Marilla is merely cranky. The character of Matthew Cuthbert in 1985 was shy and deep. The present Matthew is a superficial fool. The 1985 Anne was passionate. The new Anne seems forced. The actress does not really inhabit the role -- but rushes through her lines and puts on laughter or tears as the script directs. In 1985, the characters interact and change each other. In this production, they seem to bounce off each other. They are not really present. I agree with other reviewers that the story was rushed.

Come to think of it, I don't believe the house had green gables -- or any gables at all. (Maybe I'm wrong about that.)

Maybe if the viewer has never seen this charming story before, the 2016 production would be good. Compared to the earlier version -- still easily available -- it is a great disappointment.

I thought the first episode was lovely, and drew me into the scene. It depicted a charming setting on a rural farm in Prince Edward Island. I would not want to be overly critical for these young actors who put a great effort into their acting. The young girl who played Anne did a marvelous Job.

I am not sure why we have to compare each version and be so critical. I also saw the 1985 version and also enjoyed it but I was a teen then so it was awhile ago but I think Ella Ballentine and Martin Sheen did a great job. The friendship between her and Diana was so very sweet. I do agree it was a little rushed but was a very sweet story.

To anybody who ever saw the ultimate TV series adaptation with Megan Follows.... And no offence meant to this cast who is undoubtedly doing their best, But this is wrong, wrong wrong on every level.

This is dull as dishwater and has zero sparkle, even feels completely anachronistic in the actors' delivery and dialogs.

It feels like bad fanfiction. The children are doing a good job but they're not Anne, Diana nor Gilbert, not by any stretch of the imagination. As to the adults, the least said the better. Pointless remake of an absolute all-time classic (I mean it) , which I recommend to anyone who has never watched it.

Avoid this at all costs when you can see the other one.

And please don't click on "not helpful", unless you HAVE seen the eighties version I'm on about because you couldn't even envisage how superior it is ;)