Mindhorn

"Mindthorn" is one of the newest Netflix productions to be released. However, it is very unusual in that it has a mostly British cast and it was filmed on the Isle of Man, an unusual location for a Netflix film, I know. In fact, most people outside the United Kingdom probably have no idea where the Isle of Man is or if it exists at all! I assure you, it does and the self-governing island is home to tailless cats and motorcycle racing!

When the story begins, you learn that back in the late 1980s there was a British television series called "Mondhorn". It was about some bizarre private detective with a cybernetic eye who went on adventures and solved crimes. The problem is that today, a crazed maniac believes that the show was completely real and is demanding the police let him speak to Mindhorn. As for the actor who played the title character, Richard Thorncroft (Julian Barrett) is a complete mess and can only find work doing commercials for compression socks and adult bladder protection these days! He hopes that by traveling to the island that he'll become a hero and revive his stalled career. But there is one serious problem. Thorncroft is a complete jerk and a dumb one at that. He manages to alienate just about everyone he meets and you cannot help but hate him, but there is far, far more to the story.

Up to the point I've described, the film is a bit hard to take because Thorncroft is such a big jerk.a thorough and complete jerk. Fortunately, the second half of the film improves tremendously and becomes rather funny especially when he ends up teaming up with a guy who calls himself 'the Kestrel'. The film takes a definite turn towards the weird as well as the heroic and actually is very unique and worth seeing.

This film is clearly one that I urge you to keep watchingeven with a slow start. My wife cringed repeatedly and found Thorncroft's character so annoying and awful she wanted to stop watching. As for me, I have a higher threshold for the embarrassing and weird and really enjoyed the film. It's uneven, of course, but a film that ends on a very high note. Hopefully, we'll see more stuff like this from Netflix.

Mindhorn is the ultimate treat for anyone who has an appreciation for ludicrous humour. The film is set on the Isle of man which in my eyes sets the plot up for greatness as the clash of action and crime with understated countryside life is always a winner for me! I love to see the quaintness of British life being fondly ridiculed by a silly parody action sequence! Mindhorn is immediately funny and the 80s Mindhorn montage sequence reached both people who feel nostalgic about the 80s action genre (my dad was roaring) but it also tickled a 22 year old like myself. I love the parody form and Mindhorn's purposefully cheesy devices landed with rip-roaring comedic success.

The acting in this film was spot on because the actors had amazing command of physical humour and timing and the script didn't scrimp on funnies! Visual comedy is a really intelligent and inventive form of humour and the mark of a good script. Mindhorn has some brilliant moments of this and you can clearly tell from watching the film that the art department had a whale of a time! l also thoroughly enjoyed the use of garish colour in this film there was a strong use of carefully considered yet brazenly bold costumes and set. A piece of art as well as a good comedy! I'm sure I could pick faults but because I laughed the entire way through I don't think I need to.

The title says it all; this movie wants to make you laugh and leave you with a smile on your face afterwards. No nonsense, no melodrama.

The characters are real people (although exaggerated slightly), so it's not a parody - just a feel-good movie that's a little on the silly side.

Recommended!

On paper there is a lot to get excited about with Mindhorn. The cast is deep with talent that comes with a lot to like - particularly the links to a style of humor that is Mighty Boosh, and Alan Partridge. On top of this the location of Isle of Mann, and the 'faded x-list celebrity" held out hope that the tragic and cringey element of the comedy would be well formed. It isn't to be though, and the film never really gets into that space even though it is clearly trying to do so.

There are moments where this works, and it can be occasionally very funny, but mostly it only half-hits, misfires, or gets too silly. The setup takes too long, the final 30 minutes are far too silly in the detail. It does still manage to be quite funny, but I couldn't shake the feeling of it being inconsistent, and lacking a clear conviction for what it was trying to do. I guess part of my reservation was that I was looking for it to be something it wasn't, because I wanted more of that tragic cringe comedy which would have had Mindhorn be more like Partridge - and the bits I enjoyed the most were the bits that pained me the most.

The cast work hard to make it all work, and even when the written elements don't really work, the cast are still good. I am surprised by how many big names and recognizable faces they got involved in this, and then at the same time it also then feels like a missed opportunity that they couldn't make the film as a whole rise to that level.

Mindhorn is the cinematic equivalent of that friend who takes forever to decide what they want to eat: chances are you'll have a good time regardless of the decision, but that doesn't make the journey there any less frustrating. Written by lead actor Julian Barratt and supporting cast member Simon Farnaby, the film's script is scattershot to say the least. But it's also charming, light hearted and frequently very funny.

Mindhorn establishes its tone immediately in its 1980s-set TV shoot, as actor Richard Thorncroft (Barratt) tries to woo his actress girlfriend (Essie Davis) on the set of his cop show Mindhorn - he plays the titular character. We then jump into the present and find Thorncroft as a failed actor, until he's contacted by the police with a strange request. A deluded criminal on the Isle of Mann - where the series was shot and set - believes Mindhorn to be a real detective, and will only divulge information to him. Happy for the publicity, Thorncroft enthusiastically dons the costume and heads to the island, but the case proves more complex than he initially thought.

Right off the bat, the best thing about Mindhorn is its performances. Every actor here brings their A-game: Barratt is unashamedly wacky in the lead role; Farnaby turns a one-note character into a reliable joke cannon; Davis brings her character through a notable comedic journey across the film. Russell Tovey is also on hand in a scene stealing turn as the accused criminal, both his line delivery and physical comedy are perfectly executed but he still infuses his character with an appropriate vulnerability. It's a simply brilliant comedic performance.

Never taking itself too seriously, Mindhorn soars through its brief running time. This is a film of fundamental silliness, one that couldn't work if it tried to grow up a bit. Its stupidity is infectious though, especially demonstrated through a handful of terrific visual gags. In one, Thorncroft escapes the murderer by darting backwards through a bush, and in another a graffitied car window is rolled up in a rather awkward place. Like the best visual gags, they're impossible to explain without context but impossible not to love in the moment.

While the visual jokes are consistently effective, Mindhorn tends to struggle in forming its own comedic identity, or any identity at all in fact. The film is wacky, but not quite wacky enough for this to be its niche. It ends up stuck in the uncomfortable midpoint between conventional comedy and delirious farce. It stumbles between the two and handles them both solidly but it would perhaps fare a bit better if it pushed the wackiness that little bit further.

Mindhorn as a film consistently feels unsure of itself. The script reportedly took a decade to piece together but it still lacks confidence, never quite plucking up the courage to go all out - every time the film sets its sights on something insane, it always pulls back again. It demonstrates good self control, but Mindhorn should be a film that doesn't need it. Go all out, be mad and weird and wacky - who knows, you could stumble on something great.

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