Dans un recoin de ce monde

Suzu is a young girl living in a peaceful seaside Japanese city. It's revealed to be pre-war Hiroshima. Her family farms seaweed. At 18, she receives a marriage proposal from a relative stranger, a young earnest man from Kure who fell in love with her at first sight. She marries and moves in with his family. Kure is a Navy town and everybody works at the base. As food gets rationed, she finds ways to adapt. She continues to draw and is beloved by her adoring niece Harumi. The winds of war blow harsh as life grows ever more difficult.

The animation is simply beautiful which contrast nicely with the fear of impending doom. I really liked not naming Hiroshima at first. I'm sure everybody in Japan noticed the building right away but outside Japan, the audience may not catch on. It would be more compelling to stay silent on the city name longer. I actually expected more of a love triangle especially with that amazing sea rabbit drawing. It didn't turn out that way which is perfectly fine. I grew to like Shusaku which is exactly what Suzu does. There are some devastating drama but it also leave some heart-warming turns for the audience. Hiroshima is handled with class. It's Fireflies without the unrelenting depression.

A coming of age story set during WWII depicting the story of Suzu a girl forced to marry away from her home. Viewers may find parallels to 'Grave of the fireflies' another animated Japanese film depicting war time struggles of the ordinary people. In fact the struggles of the everyman(woman) is heavily featured in this story of a young girl in a fish out of water situation while maintaining her inherent innocence in spite of the horrors of war.

It is very interesting how through this character and the gentle animated artstyle a story of war depicting horrible imageries from bombings, to explosions, to death can all seem innocent and calm. A particular scene of explosions in the air transitions perfectly to colourful splatters of colours in the sky in the eyes of our protagonist. Her innocence and naivete is challenged throughout the film yet through the many challenges she faces yet it is maintained constantly.

What's great about this film is that because of such a characterisation her struggles to daily life often seems even on par to that of the horrors of war, focusing on the everyman's struggle is a new and innovative way of viewing war, struggles from finding her way and managing rations. Such a character seems almost the opposite of war and bloodshed as she sets the tone for this film which seems unlike one that focuses on war setting In this corner of the world apart from the bunch. Yet we still witness the character mature and grow throughout even though she doesn't lose her sense of imagination and innocence, it's a tough notion to balance and goes against traditional ideas in a coming of age tale where a main protagonist must understand the 'true colours' of society, the world, humanity…… in order to come to fruition. By doing so solidifying itself as a staple supporting that of peace and the good in being ordinary.

This film, centred on Suzu Urano, opens when she is a child in pre-war Japan. She lives in a small town that is part of the city of Hiroshima. She helps her parents farming seaweed and in her free time engages in her love of art. Then, when she is eighteen in 1943, she receives a marriage proposal from a man in the city of Kure; a naval port fifteen miles away. She accepts to proposal and moves to Kure where she becomes part of his family. At first they are unaffected by the war but gradually shortages increase and then the city is targeted by American bombers leading to wide scale destruction and personal tragedy.

Sitting down to watch this I expected that it would be a tear-jerker at times; and it certainly is. What I didn't expect was the sheer joy of most of the first half of the film; pre-war Japan looked idyllic and even in during the war, while the war is far away, it is little changed apart from the shortages and the large number of naval vessels in Kore Bay. There are charming scenes as Suzu gets to know her new home; particularly the scenes where she talks to her new young niece Harumi. The animation is delightful; its water-colour style mirroring Suzu's artwork. Inevitably there will be comparisons with 'Grave of the Fireflies' as both are set in wartime Japan the films feel quite different; while this certainly has its tragic moments the ending isn't so clearly signposted. Overall I'd definitely recommend this thoughtful film; just expect to shed a few tears.

For a film that takes on a big and heavy-going part of history, I have to say I was very impressed with how sweet and touching In This Corner Of The World is. Although it's never an emotionally exhilarating experience, it brings a very nostalgic and intimate story to light with some beautiful animation and a unique look at the years before the bombing of Hiroshima, all making for a thoroughly engrossing and affecting film.

But first, let's just get across what doesn't quite work about this film. It's definitely important to know that this isn't an account of the Hiroshima bombing itself, nor is it a heavy-going war drama on par with something like Grave Of The Fireflies. That said, the first half of this movie doesn't quite deliver a strong enough story to make its more personal focus so enthralling.

As sweet and nostalgic as the film is, and as clever as using the historical hindsight to watch people live out their daily lives innocently in the old Hiroshima is, the plot for the first half just doesn't really take you anywhere. It's a pleasant and pretty account coming of age story, but it's a little too much like a slice-of-life drama to really give you that strong emotional connection to the characters right from the beginning, meaning that the film does take quite a while to really get going.

That said, once it shifts up into a more dramatic gear, things become very impressive. Now contrasting the hardships of a war context with the life that this young girl was building for herself, the film taps into an emotion that's rarely focused on, bringing a sombre atmosphere to what was such a sweet and pleasant story of nostalgia, by showing you what the true loss of war can be: an entire community filled with lives flourishing all over taken away.

And yet, the film remains surprisingly heartwarming even when it gets into some of the heavier-going parts of the history. Whilst there are many really sad moments that tug at your heartstrings, the determination of our main character as she negotiates an unimaginably harrowing situation is so uplifting, and brings out a brilliant beauty amidst all of the horror of war.

Which brings me to the animation. Styled in a similar fashion to many of Studio Ghibli's best works, this film not only looks beautiful, but its animation style plays a big part in its story. Throughout the film, we learn how the young girl loves to draw, which is even more apparent against the beautiful hand-painted landscapes.

But from her love of drawing come a series of stunning sequences in which we see the Japanese navy ships, as well as aerial battles and air-raids in the skies above Hiroshima turned into delightful and colourful paintings seen from the eyes of this young girl, heightening the sense of sadness when you think about such a happy and kind- natured character having her life turned completely upside down by the war.

Finally, when it comes to the atomic bombing of Hiroshima, I think that this film handled itself very well. In keeping with the notion that it's not a direct story about the event on the August 6th, 1945, the very moment itself isn't shown explicitly, and we continue to focus on the confused and gradually beleaguered people living in the city on the outskirts of Hiroshima.

Yes, the story does still bring to light the horrors of the aftermath of the bombing, but in that it continues to show some beautifully heartwarming and uplifting moments that emerge from the terror, and in the film's finale, it really shines with a bold and brave but utterly stunning demonstration of the strength of decent human beings in the face of the worst possible adversity.

Overall, I was very impressed by this film. Although it gets off to a very slow start, it compensates with a beautifully-executed second half, using the sweet and nostalgic nature of the first act to tug at your heartstrings when everything turns dark, and with the gorgeous animation style from start to finish, this film is a truly touching watch.

If you have chance to watch this movie, no matter what you must. And if you like it, you had better go looking ofor original manga book. I have been huge fan of original manga work but am still surprised the quality of this animation version. It was so true to original and yet what added has all tasty meanings. I found this masterpiece of animation as a rare case of triumph being transitioning media.