The Last Heist

The idea of the criminal mess that's about to happen in this vault is actually good, but that's all. The acting is poor, really poor, the scenes are cheap, it ruins everything, so I can't recommend the movie, but it gets 4 stars for the idea and because of the fact I've seen worst, way worst.

This movie is a waste of time. The acting is subpar. The actors are melodramatic. The basic actions of the police are dumb. If you are taking fire you call for backup. You don't just keep delivering your poorly written lines. Get some basic firearm training for your cop actors. I saw a cop trying to throw bullets out of his gun. This movie in concept had the possibility of being really cool. Rollins did a great job of being creepy but the mess going on around him really wrecked his performance. I would say as long as you don't pay a dime to watch this movie aka wait till it hits Netflix. Then it is worth a couple hrs of your time.

Don't waste your time! 1.5 hours of total garbage and they want at least 10 lines of review where I have the difficulty of writing even one line. Don't waste your time! It tells the tale of a gang of unlucky bank robbers who, mid-job, find themselves trapped on the premises with a serial killer who gleefully embraces the opportunity to slaughter a smorgasbord of new victims. The psycho, Bernard, dubbed "The Windows Killer" due to his propensity to remove the eyes of his victims—he takes quite literally the idea that they're the window to the soul—is played by Henry Rollins. Clad in a nondescript dark suit, Clark Kent-style glasses and sporting a gray buzz cut, the rocker/spoken word artist/actor is supremely creepy as the deceptively calm madman who has mastered his craft. After slashing one unlucky robber's femoral artery, he authoritatively informs her, "I estimate you have 9 minutes to live," although not without adding the caveat, "I'm no doctor." After eagerly inquiring how it feels to have the life draining out of your body, he considerately points out, "I'm not laughing at you…I'm laughing with you."

In the main, cardboard characters collide with wooden acting.

That said, Henry Rollins demonstrates that he can overcome the obstacle of ropey material and still deliver a decent performance. What a shame he don't recognise ropey material in the first instance. Dressed like an undertaker, he does a capable job of playing the creepy, serial killer. Giving the best performance of all he elevates himself above cliché.

The story doesn't really hold together. In places, purpose-wise some of the characters' actions don't make any sense. They place themselves in harm's way to achieve no, apparently, useful goal. Both the good guys and the bad guys seem to be trying to trip themselves up in places.

A good heist, in the movies at least, should be tight and methodical, think Heat (1995). They get in, get rich and get away. Most robbbers don't want to run into the police and get caught. Presumably. These guys take all day. There is no sense of impending deadline, so there's no tension.

Conflict be shouldn't delivered in a way that makes characters unsympathetic. The robbers swear and gesticulate at one other too often to seem mature enough to be professional. Acting like juvenile delinquents makes them even more unsympathetic. This carry-on produces a sense of conflict but an irksome one.

I could go on but it's too depressing.

Overall, this lacks sympathetic characters and, because you cannot care about any of the characters, any real tension. It's slow, clumsy and clichéd. Television does it better.

Heat, Heist, Ocean's 11, The Score. Some great heist movies. Then there's "The Last Heist", which has Henry Rollins in it. You'd think that a man who's so opinionated, is a recognized actor, musician, man of thought would make sure what he's starring in is a decent film. Unfortunately either Henry is out of money, or so desperate to be in a movie that he'll take anything.

A promising beginning, a confrontation between sketchy van driver and Rollins set the stage for a possibly interesting watch. Unfortunately this movie is so cookie cutter, with every cheesy cliché line you can imagine written in. It's so cliché I couldn't even watch another minute past about 20 of them.

The script itself isn't very good, its exacerbated by powerful, powerful overacting by women whom I assume are very good on the casting couch, as based on their talent, I wouldn't cast them in a tampon commercial.

Amazingly enough this dog seems to be a straight to video release. I can't see anyone paying for a seat for this.