Computer-generated imagery and other visualization techniques reveal how it would look if all the water was removed from RMS Titanic's final resting place.Computer-generated imagery and other visualization techniques reveal how it would look if all the water was removed from RMS Titanic's final resting place.Computer-generated imagery and other visualization techniques reveal how it would look if all the water was removed from RMS Titanic's final resting place.
Russell Boulter
- Narrator
- (voice)
Brad Cartner
- Narrator
- (voice)
Paul-Henri Nargeolet
- Self - Co-Director, Titanic Mapping Project
- (as Paul-Henry Nargeolet)
Thomas Brown
- Self - Hoteller
- (as Thomas William Solomon Brown)
Featured reviews
Appreciate the team that has worked on the mission. Kudos to them.
A great story which is told in a most boring way possible.
The script is so repeatetive, I would be a millionaire by the end of the movie if I had gotten a dollar every time the narrator said "drained on the ocean floor", "never seen before", drain the water" Arghh.. Gave me headache.
A great story which is told in a most boring way possible.
The script is so repeatetive, I would be a millionaire by the end of the movie if I had gotten a dollar every time the narrator said "drained on the ocean floor", "never seen before", drain the water" Arghh.. Gave me headache.
As others here note, the repetition and faux "drama" blunts the pleasure and value of seeing this, even to someone interested in the topic.
Instead of a calm and sane review of what was accomplished, and time to look over the new model, we get an incessantly ominous junk-music soundtrack, constantly tense narration, and camera work that cuts away from every remark as if to mark it as profound or revelatory.
Pretty soon, I too cut away.
Who's minding the store at National Geographic? Who sets the goals, the story-line, and the style guidelines?
Who thinks that "if some drama is good, then more is better, and too much is just enough"?
Instead of a calm and sane review of what was accomplished, and time to look over the new model, we get an incessantly ominous junk-music soundtrack, constantly tense narration, and camera work that cuts away from every remark as if to mark it as profound or revelatory.
Pretty soon, I too cut away.
Who's minding the store at National Geographic? Who sets the goals, the story-line, and the style guidelines?
Who thinks that "if some drama is good, then more is better, and too much is just enough"?
The conclusion they made about when the Titanic broke up is tenuous at best. They use the 'relatively' small size of the debris field to theorize that it broke up after going underwater. That doesn't add up. If it had then the stern might have been in better condition and I don't think they would have the great sliding feature in the mud near the stern. Also ocean currents are unpredictable so you can't say for sure whether they would have carried the artifacts far away.
I really liked it. They didn't actually drain the sea. I don't remember much but it was just cool. I watched it for school. I liked seeing under the ocean. It looked really real. And the computer graphics were cool, too. --Cameron, age 8
I love most things on the Titanic. This is a cool doco, but stretched out to 45 minutes by repeating the same "now, as never seen before, the ocean drained away" and lots of slow dramatic statements like "and on that deadly night, when disaster struck, an iceberg, it tore a hole" like, it's really not new info. Very repetitive, lots of seen before footage, with a few cool views of CGI ship with the water drained. Kinda background TV while you're playing on your phone :/
Did you know
- ConnectionsEdited into Trésors sous les Mers: Ghost Ships of the Atlantic (2018)
Details
- Runtime
- 46m
- Color
- Aspect ratio
- 1.78 : 1 / (high definition)
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