The Wiz Live!

Well, that's a shame. I was really looking forward to seeing this one. But in just a few minutes I knew that I wasn't going to like it. I got as far as the tin man's entrance before I gave up, realising that you just can't beat the Diana Ross and Michael Jackson film version. I think they have just tweaked it too much in this rendition, modernising the music and changing the story in little ways. Maybe this is how it's meant to be from the original stage production and the film is the one that changed things, but there was so much I didn't like about it. Dorothy was a brat for a start, not someone I cared about and the other characters were all just a bit exaggerated, like they couldn't help projecting their voices so loudly and smiling like their lives depended on it, even when they weren't supposed to be.

It was a bit like a cheap Disney, you know the ones that they just don't want to commit too many resources to, but feel that they should try anyway, so they make it for TV. Except that there was clearly a lot of money spent on this one. With Amber Riley's appearance, it could almost be a dream sequence from an episode of glee. It was that sort of random.

I don't understand why they weren't showing the scene changes either? It felt like they were cutting bits out. And the sound was terrible.

I expected more from Ne-Yo, but at least now we know why he's gone in to obscurity. I'd be embarrassed too.

I'll stick with the film, which is just a bit more polished and jazzy. They've tried to hard with this one.

I can't score it, because I didn't finish it.

With a stellar cast, you might wonder how this production could be anything but great. Well, it starts off somewhat shakily.

The story is rooted in the 1939 classic film, though there are substantial changes--including the entire song list. But it is best to evaluate this work on its own, without comparisons to the MGM classic. It is easy to miss the film's "Over the Rainbow" barnyard ballad, but the viewer quickly gets past that if he accepts the new sensibilities of this modernized version, with its less stringent grammar.

But the beginning is plagued with a very obvious camera in frame. And the dance of the dust devils feels like nothing more than a time filler. And there is a product placement that draws the viewer away from the story. Overall, the first scene lacks magic. Granted Dorothy is not yet in a magical land, but it doesn't grab the audience's attention. Then, the Winkies dance in costumes ill-designed for dance.

Fear not. The best is yet to come. Indeed, this live performance exceeds expectations and gains momentum throughout the telecast. By the time we meet the Tin Man, "The Wiz" hits its stride.

With only an occasional misstep, the remainder of the show is stirring, clever and filled with great musical performances. ("Believe in Yourself"--a predictably strong musical number--does fall a little short due to straining on the high notes).

Another criticism is the inclusion of religious imagery in the dialogue and lyrics. This serves to undermine the story's message--look to yourself for strength.

I don't mean to sound too critical, because this is a show worth seeing. Take out that camera reveal, and this could be an annual favorite.

7/14/16: Received six Emmy nominations.

I know the story from the 1939 movie--my favorite of all time--and a beautifully illustrated book. I have never seen a version of this story, where the cast is black and Dorothy is trying to return to Omaha, not Kansas. Or was she? I don't know what was invented for this production, and I didn't see the "Making Of" special until afterward. All I know is the crows were in the Scarecrow's big number. I do know some of the language used here could not have been in any of the 1970s versions, since those words didn't have those meanings way back then.

The first two live NBC productions had their problems. Until I read or heard other opinions, I didn't think anything was wrong with Carrie two years ago, except the other cast members were more talented than she was. Last year, there was one truly dismal performance and one uneven performance among the leads. This year, NBC had no weak links and, for the first time, the lead actress was fantastic. And she was a newcomer!

Elijah Kelley is quite a dancer. Could Michael Jackson have done quite as well way back then? Perhaps. I've never seen him in the role. I do know Jackson had that kind of talent in the 80s.

In the "Making Of" special, Ne-Yo is said to have delivered his lines with heart. That's certainly true.

Bad Principal to Bad Teacher had a Bad Series, in the eyes of most viewers, but I liked his show. But because others didn't agree with me, he was available to be a great Lion.

Common is anything but common. The Bouncer of Emerald City stands out and becomes a truly memorable character.

The original Dorothy is now Auntie Em, and very good too. Quite stern but loving, as she has to be. I'm not clear on whether Stephanie Mills played her sister, who tempted Dorothy in Oz, or who made Dorothy see her. This was something new to either this specific production or to the black version. Anyway, Mills is good in both roles if that is her.

When I saw the Good Witch, I saw a great if quirky character and did not see Mercedes from "Glee". In the "Making Of" special I immediately recognized her.

The Wiz is great too, in different ways. I've never seen a version where the group saw the actual person before that one scene, but what they did see at first was a flamboyant, confident and demanding ruler. Queen Latifah is great there and, of course, later. If you don't know the story, I won't give it away, but the later scenes are quite effective.

The Wicked Witch has a less prominent role here than in the 1939 movie. Mary J. Blige is deliciously evil and even more so than her ABC counterpart, but not quite on the level of Margaret Hamilton or ABC's most evil witch of all.

And then there is a fourth witch, another good witch. She is kind and less off-the-wall than the other one. Not in the 1939 movie, but presented in a different way in the book.

I'm not sure what the purpose was in having the farm hands, since they weren't in the original book and no mention is made of Dorothy thinking they were familiar either in Oz or later. I was wondering how they could get out of makeup to do the finale from the 1939 movie, but that's not what happened. Anyway, there is no Uncle Henry, so running a farm on her would have been quite a challenge for Em and Dorothy alone. The farm hands add something at the beginning.

I mentioned no weak links. As in the 1939 movie, everyone who has a line delivers it well, whether it is one line or many. Lots of other quirky characters add something. Several Munchkins and a couple of employees of the Wicked Witch are included. And the crows are very "Street".

The music is great even if it isn't entirely my taste, but I couldn't help but like the Scarecrow's number, which isn't quite disco but is the style that became disco back in the 70s. Some of the music is good to me, and some is good only to those who have that particular taste in music, which I don't.

And the dancers are very talented. Once again, not necessarily what I would like, but it is a fantastic production.

Visual effects are pretty spectacular as well. I learned a lot more when I saw the "Making Of" special, but so much of what goes on in the background is so real. I only saw one wire supporting a character who was up in the air.

Family friendly? A little less so than the 1939 movie, in which some the flying monkeys scared some kids. This one is not quite as scary, but does have three curse words, one for each hour, and one particularly bad one.

The best yet? Maybe. NBC should keep doing this.

I wasn't sure what to expect from the show. Well I'm not familiar with the wizard of Oz. (Did I hear a "shame on you"?) I didn't like the story, not a fan of fairy tales. But the songs, the music and the performances were marvelous. I didn't know Elijah Kelley but man, he's got a great voice. I knew David Alan Grier from his "In Living Color" days but now he really impressed me. And Ne-Yo was PERFECT in his songs. Queen Latifah is brilliant. Who would have guessed 30 years earlier that this young rapper would become such a charismatic actress and singer. Amber Riley, perfect as always. Uzo Aduba, was a pleasant surprise. Shanice Williams, was good too. But to be honest I didn't like Mary J Blige.

I think the show is a must-see for the music and the performers.

This was the annual NBC network live presentation for the Holiday season.

"The Wiz" was conceived and presented on stage back in the 1970s as a black re-imagining of the classic "Wizard of Oz" story. It differs in mood and songs, with an emphasis on the more traditional black vibe.

I have long been a fan of the "Wizard of Oz" movie and was very entertained by this live production. The basic story is the same but the costuming is unique, and of course the songs.

Newcomer Shanice Williams, 18 and from New Jersey, is in the lead role as Dorothy Gale. She sings wonderfully and her acting is OK for someone new to stage productions.

I always enjoy seeing Queen Latifah and here she plays the key role of The Wiz. At first it seems that they have chosen a female to play a male part but as the story unfolds her character is indeed a female.

It was also fun to know that Stephanie Mills, who plays Auntie Em, was in the original all those years ago.

All in all a successful presentation by NBC.