Mr Six

In "Mr Six", we see the urban life of modern day Beijing; we see how some of its older resident (Lao Bei Jing) are struggling to adjust to the rapidly changing city; we see strained father -son relationships put under even more stress by the accelerated generational transition. But most of all, we see an aging anti-hero, well past his prime and caged in by values deemed old- fashion and unsuited for the new world, trying to set himself free. The main characters are as much as Mr Six as the city of Beijing itself. And both the film's director and Mr Feng, the director-turned-actor who played the leading role, did a good job in portraying both.

It's really difficult to review this film in a different language. In fact it's even tough to comprehend it for many Chinese who are distant from Peking for the reason that it entirely roots on the very local culture of Peking, of both yesterday and today.

The main theme, to me, is about the change of belief.

To many countries, the late half of the 20th century is a continuous of history. But in China, things are opposite. There was no much difference from North Korea till 1980s. But now it's more Capitalism than any genuine Capitalism countries. The old generation, including the Mr. Six, was born in the North Korea - like era. Although brainwashed by propaganda daily, what these former Peking boys value most are something traditional, the loyalty to friends and the courage to risk life for friends. They are really man, of great dignity, and will not bow down for money.

The young generation, born in 1990s or 2000s, grew up in a totally different era. Peking, along other major cities of China, spent the last 20 years to become metropolitans cannot be differentiated from New York by appearance. The lifestyle of many Peking youth is in close association with alcohol, pub, racing cars. Also ironically, a significant portion of these playboys are descendants of those high rank communists who intended to shape the country to the 2nd USSR. Consequently, the belief of the younger generation, the worship of money and power, is totally different from the former.

The film is of plenty vanishing features of old Peking, like the Peking alleys or so called Hu Tong, the parrot in the cage, and the last scene, a remarkable stamp of those heroic boys in 1970s who fight with Katanas (collections of high rank communist from Sino-japan war) and green woolen coats.

Mr. Six was a Beijing crime boss who still has the respect of his hood despite being long retired, but he gets back into the game when his son gets into some trouble, owing rich privilege kids some money.

It's not as action packed as I thought it would be from the plot line, Yet it's still very appealing as if you are watching an action movie.

It's a lot like Unforgiven, as Mr. Six spends the film trying to reconnect with old ties in order to help his son. It was interesting seeing him handle himself ageist a foe that does not care about his past. The actor who played Mr. Six was very successful in his low key style of acting.

It was funny and charming and dramatic perfectly at the same time.

Not an action movie by any means but an interesting drama concerning traditional values versus new free-market attitudes seen from the perspective of an older criminal element trying to deal with the new-money, corruption-based variety.

The movie does a nice job of showing community life in the laid back old hutongs that still exist in Beijing and while the plot is a little slow it develops well. Since this film was designed to appeal to a domestic audience a lot of the nuance will be lost on foreigners. It emphasizes relationships, loyalty and honor in contrast to the quest for individual wealth, power and exaggerated regard of face. It also reinforces the notion that you can trust the Party to do the right thing but not the police.

Some ask "what's happened to Chinese cinema?" I guess the answer is that it is booming and delivering a wide variety of product. If you want a big budget action film with lots of CG you'll find it in Mo Jin - The Lost Legend. I enjoyed Lao Pao Er more though.

I wanted to write a review just to let cinema goers know that this is a well made movie, with a lot to like about it - but action is not one of them - because quite simply there is none - ZERO. Now don't get me wrong, i love all sorted of Asian cinema, drama, action, martial arts and thriller, but i am sick & tired of being mislead. It shouldn't be in the category of action and whilst the trailers showed "glimpses and promises of knives, swords and a few sensational stare downs" thats where the action ends. It was actually very well paced for the first half, but there is a scene in which the movie comes to a grinding halt and never recovers. It is a movie about redemption, father & son relationships and Mr Six being a man of principle which is rarely found in today's society. It was beautifully shot and acted, but shame what started out promising so much at a decent pace ended up grinding to a halt and delivering none of the action it promises in description or in the trailer.