IMDb RATING
6.5/10
1.5K
YOUR RATING
The movies follows the incident known as the second battle of Yeonpyeong which happened in 2002.The movies follows the incident known as the second battle of Yeonpyeong which happened in 2002.The movies follows the incident known as the second battle of Yeonpyeong which happened in 2002.
- Awards
- 1 win & 6 nominations total
Kwon Hwa-woon
- Corporal Kim Seung-hyeon
- (as Kwon Shi-hyun)
Hwang In-moo
- Radar chief
- (as Hwang In Mu)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I absolutely fell in love with the characters, and how they interacted with one another. The film was a little slow moving in the beginning as we get to know the characters, but it was all good. The climatic battle scene was hard-hitting and quite emotional. A maritime war movie well done!
Most people in the West probably haven't heard of the Second Battle of Yeonpyeong, a maritime incident of war that took place between North and South Korea in The Yellow Sea in 2002. The so called 'Northern Limit Line' is a maritime boundary that sets the national borders between the two countries and both North and South Korea have different ideas of exactly where is starts and ends. The North has a history of testing the south and making frequent incursions over the boundary with its navy, presumably to test the resolve and readiness of the The South Korean Navy. One such incident involved 2 North Korean Warships which were challenged by 2 South Korean Warships. Just as it looked like North Korea was retreating it opened fire and thus began the above named battle.
The film tells the story primarily from the perspective of the crew members of South Korean patrol boat PKM 357. It's Captain, Lt. Cmdr. Yoon Young-ha (A superb performance from Mu-Yeol Kim) and several of the other crew who bore the brunt of the fighting during the incident. The film establishes the background of many of these key characters including in some cases their relationships outside of work, their families, partners and so on. These crucial scenes create the very humanity of each character so you feel fully connected to them emotionally when the events unfold further on. The film also gives some considerable screen time towards outlining the complex nature of the rules of engagement that the South Korean Navy have to tread on a daily basis. The film also covers a number of mistakes made in the lead up to the incident, including the failure to detain a North Korean intelligence officer who was disguised as a fisherman and passed on information about South Korean ship movements. The film is all the more poignant when one see's the real footage of the memorials of those who died at the end of the movie. Reminding us very firmly that this is not fiction and war causes pain and misery for all concerned.
Clearly a passionate subject for the films first time feature director, Hak-sun Kim, the film was shot in 3D thanks to a grant from the SK Arts Council but Crowd Funding still had to be sought to ensure the films completion when other investors backed out. So its to the credit of everyone involved that not only was the film completed by that the film itself is such a tremendous achievement. Hak-sun Kim does an incredible job with the action scenes and the blend of the CGI effects work is effective and not distracting as can often be the case these days.
Obviously this is a film told from the South Korean perspective though from reading factual accounts available on the incident I find it hard to believe the film stretches to far from the truth. Incidents of this type between nations are far more common that we are led to believe and NLL underscores the tragedy that always follows such events. This is a gripping, extremely well made film and it comes with my strongest recommendation.
The film tells the story primarily from the perspective of the crew members of South Korean patrol boat PKM 357. It's Captain, Lt. Cmdr. Yoon Young-ha (A superb performance from Mu-Yeol Kim) and several of the other crew who bore the brunt of the fighting during the incident. The film establishes the background of many of these key characters including in some cases their relationships outside of work, their families, partners and so on. These crucial scenes create the very humanity of each character so you feel fully connected to them emotionally when the events unfold further on. The film also gives some considerable screen time towards outlining the complex nature of the rules of engagement that the South Korean Navy have to tread on a daily basis. The film also covers a number of mistakes made in the lead up to the incident, including the failure to detain a North Korean intelligence officer who was disguised as a fisherman and passed on information about South Korean ship movements. The film is all the more poignant when one see's the real footage of the memorials of those who died at the end of the movie. Reminding us very firmly that this is not fiction and war causes pain and misery for all concerned.
Clearly a passionate subject for the films first time feature director, Hak-sun Kim, the film was shot in 3D thanks to a grant from the SK Arts Council but Crowd Funding still had to be sought to ensure the films completion when other investors backed out. So its to the credit of everyone involved that not only was the film completed by that the film itself is such a tremendous achievement. Hak-sun Kim does an incredible job with the action scenes and the blend of the CGI effects work is effective and not distracting as can often be the case these days.
Obviously this is a film told from the South Korean perspective though from reading factual accounts available on the incident I find it hard to believe the film stretches to far from the truth. Incidents of this type between nations are far more common that we are led to believe and NLL underscores the tragedy that always follows such events. This is a gripping, extremely well made film and it comes with my strongest recommendation.
Full Disclosure; I like foreign movies, especially war movies as depicted by what ever nation is portrayed. This movie ranks as one of the best with Tae Guk Gi. The battle scene is well done. Watch it....I bought the Blu-Ray after reading reviews about it. Glad I did. If you can see it on NetFlix by all means go for it!
Caught this on Netflix streaming, while I had "nothing better to do;" and, boy, am I glad I did. "Northern Limit Line" is, clearly the most authentic movie about military life since "We Were Soldiers"; and it the most the most authentic film about shipboard life since "Das Boot", but a lot more entertaining. Based on a two incident, what would be called a "clash" by a news reader in a paragraph on a "Nightly News," "Nothern Line Limit" is, alternately, suspenseful, exciting, grueling and, ultimately, touching. Very well written, directed, photographed, acted and scored, "Northern Limit Line" also contains the longest modern naval warfare sea battle I have seen. Hollywood could certainly learn from South Korea about how to film a sea battle. My only slight quibble is the editing. One or two sequences end abruptly, disorienting the viewer for an instant. The movie could also use a slight trimming, particularly the "port departure sequence" on the day of the battle.
Inexplicably, I could not enjoy "Northern Limit Line" on my home theater system. For some reason, the title does not appear on the Netflix "Search" menu on my Roku. Too bad, because the sea battle cries out for a big screen and Surround sound. I give "Northern Limit Line" a "9".
Inexplicably, I could not enjoy "Northern Limit Line" on my home theater system. For some reason, the title does not appear on the Netflix "Search" menu on my Roku. Too bad, because the sea battle cries out for a big screen and Surround sound. I give "Northern Limit Line" a "9".
Northern Limit Line is a portrayal of the 2002 "Second Battle of Yeonpyeong" (the first having been a somewhat similar encounter a few years earlier) in which North Korean warships attacked two South Korean patrol boats in disputed waters on the west coast of Korea. (The title refers to the maritime boundary that (in the US and ROK view) was established in the 1953 armistice, but which is not accepted by the DPRK.) Some of the external reviews complain that the film is bifurcated -- the first part establishing the personalities and interactions of the crew, and the second part dealing with the battle itself. This, while accurate, seems to miss the point: The message of the film is that a nation's battles are not fought by either flawless heroes or by oppressed victims. Rather the film presents a ship's crew that is both a proud and disciplined unit controlled by a hierarchical order of command and a group of individuals with their own ambitions, dreams, fears, friendships, and dislikes. When a unauthorized party or watching a soccer game on an unauthorized link is interrupted by a general stations drill, the sailors show they are displeased, but they go to their stations. In fact, my sense was that, in contrast to the reviewers' opinion it is the first part of the film, not the second to which non-Koreans and those of us who have never served in the military should pay most attention. The concept of showing the character of relationships in a military unit is pretty much a standard war movie device, but what makes this special is that the relationships are distinctively Asian. True, there are resemblances to how any collection of young men (and int the film, also a young female officer) in a military unit move between the highly structured military role and being typical late adolescents. But in a way that is hard to define, but comes across clearly, there is a special Asian (and presumably particularly Korean) character to the interrelationships -- the way they talk, the things they seek, what annoys them, the way they trick the system in which they nonetheless take pride. In my view, without that establishment of context, the second part --the battle itself - would be just another action sequence and much less involving for the viewer -- especially, one suspects, for a Korean audience. We come to care deeply about what happens to these kids when the North Korean ship turns a routine encounter at sea into a pitched battle. The combat scenes are presented with a candor and explicitness about what war is really like-- the chaos, the terror, the determination, the failures and bitter costs -- that few if any American war flicks would risk. In particular, I have seldom seen a film that is as uncompromisingly honest about what battle wounds look like-- would an American film show, as Northern Limit Line does --the severed arm of one of the central characters lying next to the hemorrhaging stump? Certainly, the film takes a unequivocally pro-South Korea perspective -- it is quite explicitly a tribute to the skill and dedication of the nation's navy. But it is both brutally honest about what war means and, in a rather more low key way, critical of the civilian population who are cheering at a big soccer match while the battle goes on. That the civilian don't know about the battle and pay due honor to their nation's soldiers afterward makes their innocent detachment from the sacrifices of the sailors who are fighting all the more poignant.
Did you know
- TriviaDirector Kim Hak-soon acquired the rights of the same-named novel by Choi Soon-jo in 2006 and planned to film the movie in 2007. But the families of the soldiers who had died in the battle had been against the movie, so Kim stopped the Project back then. But after the sinking of the war-ship Cheonan in 2010, the families made contact with Kim Hak-soon and asked him to do the movie.
- GoofsER doctors shocking a flat line cardiac condition (twice) and getting a heart beat reestablished (once). The shock is done to stop the heart beating in an irregular rhythm which then allows the intrinsic pacemaker to take over and produce a regular rhythm. In other words, shocking the heart produces a flat line which allows a regular rhythm to take over. Shocking a flat line is not done because there is no rhythm to reset; it only produces a continuing flat line. AEDs are programmed not to shock a flat line and it is not done manually either.
- How long is Northern Limit Line?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Northern Limit Line
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $337,907
- Opening weekend US & Canada
- $108,255
- Jul 19, 2015
- Gross worldwide
- $40,034,677
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content