Une femme d'exception

Felicity Jones stars as Ruth Bader Ginsburg in this movie about how she came to argue a case in tax law and upturn two hundred years of Federal law and American culture about sexual stereotypes. Another reviewer says the movie is not political. I disagree. It is all political, from the opening scenes at Harvard Law, when the nine women in class are asked to justify their presence in place of nine similarly situated men, through the end, when she asks for justice. Times, she argues, have changed, and the law must change to reflect that. That change in attitudes may seem revolutionary, natural and proper in our society -- although there are still those who would deny it -- but the changes and arguments that led to those changes were purely political.

Director Mimi Leder directs this as a personal odyssey, and offers us characters living in the moment, from Armie Hammer cooking for his family to Justin Theroux and the ACLU lawyer who fights Mrs. Ginsburg over strategy and tactics. Central, of course, is Miss Jones as Mrs. Ginsburg. She is excellent, speaking in a muted Brooklyn accent that reminds me of my mother -- and which Mrs. Ginsburg did not use in her public appearances. It's hard to make history gripping, since we know how it came out. The movie succeeds because it offers us the inner turmoil of the people involved.

This movie depicts future Supreme Court justice Ruth Bader Ginsburg as first a law student with her husband also entering the profession during the '50s. Then it segues to the early '70s as she finally tries a case. This was quite a compelling drama of her life and career during those times I just mentioned. Especially when it explores some of their family life. My mom enjoyed this as well. So on that point, we heartily recommend On the Basis of Sex.

A documentary is a documentary and a movie inspired by real events is just that. Each stand alone. RBG is an outstanding documentary to which On the Basis of Sex should not be compared. Yes, the movie is old fashioned reminding one of the classic movies of the 40s. So what. The subject matter is still timely even more so in the climate we are now living in...unfortunately there are probably many who want to go back to the "great" pre-Ginsburg days.

The only criticism I can give to this movie really, is that I would have liked more. I would have loved if this was a mini series so we could see more of her life and accomplishments. In other words a brilliant and important film.

The education and early career of U.S. Supreme Court Justice Ruth Bader Ginsburg, the first woman to sit on the highest court in America, is captured in this film. It stars Felicity Jones as the young woman who attended Harvard Law School with her husband (Armie Hammer) and went on to become one of the preeminent legal minds of her era.

The film centers on how Ginsburg was initially instrumental and ultimately essential in an appellate case that helped pave the way for gender discrimination in federal law being eradicated. Along with her husband, she worked on the appeal with the ACLU, heralded by Mel Wulf (Justin Theroux), a liberal with complicated principles. Kathy Bates makes a nice turn as a famous, hardened civil rights litigator who failed in some earlier cases. Sam Waterston is a welcome presence as the outwardly progressive but inwardly parochial Erwin Griswold, Dean of Harvard Law during Ginsburg's years as a student.

Jones shines in the role of the young Ginsburg, a dedicated, steadfast attorney who was undaunted by the entrenched views on gender in academia, the workplace and ultimately in the courts. She spends most of the film grappling with these challenges but all the while never letting go of her core principles and dedication to the law.

Although this film occasionally lurches into Oscar bait territory, it makes for a good portrayal of a woman who became a true pioneer in the history of gender equality and a good starting point to get to know Justice Ginsburg from where she started. Recommended.