Caught in the crossfires of civil war, CIA operatives must send a former U.S. diplomat to negotiate for the life of a friend he left behind.Caught in the crossfires of civil war, CIA operatives must send a former U.S. diplomat to negotiate for the life of a friend he left behind.Caught in the crossfires of civil war, CIA operatives must send a former U.S. diplomat to negotiate for the life of a friend he left behind.
- Awards
- 1 nomination total
Khalid Benchagra
- Nadim
- (as Khalid Benchegra)
Yoav Sadian
- Karim (13 Years Old)
- (as Yoav Sadian Rosenberg)
Abdeslam Bounouacha
- Partygoer #3
- (as Abdesselam Abounouacha)
Youssef El Hibaqui
- Gunman
- (as Youssef El Hibaoui)
Hichame Ouraqa
- Abu Rajal
- (as Hicham Ouraqa)
Charley Broderick
- Boston Cop
- (as Charles Broderick)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One reviewer indicated this was not filmed in Beirut and the city wasn't in the condition as depicted. Not ever having been there I won't dispute but the images of the damages and treatment of individuals were horrifying and set the tone for the film. But, terrorist activities in the area has been well documented since recorded history. Jon Hamm was exceptional in the development of his character and Rosemary Pike may have been somewhat miscast but she managed her character fairly well. What was most disturbing was the probability of sacrificing one to maintain a precarious "peace" in the Region. And, of course, there is the issue of corruption by a U.S. official in another country (go figure). All in all it is a complex story with something of an unlikely conclusion but it was still extremely entertaining.
Tony Gilroy's thriller "Beirut", tautly directed by Brad Anderson, propels that iconic "Mad Men" tv star Jon Hamm into the long-vacant Hollywood position created in the '40s by Humphrey Bogart. It's a character persona of disillusioned, world-weary masculine presence that springs into action, however reluctantly, when absolutely necessary.
Previous IMDb reviews of this exciting film either have been premature (of the "Gee, I can't wait to see it" non-review content) or ignorantly dismissive, as if fiction had to be judged by reality standards, or location hunting be abandoned in favor of merely using the practical "real" places from the script. I guess Matt Damon in "The Martian" was somehow exempt from that latter idiotic requirement.
Several hit films come to mind, clearly "Argo" the most relevant in terms of demonstrating box office potential, and Hamm is blessed with a talented and selfless co-star in a key yet subdued role by Rosamund Pike, coincidentally having risen to stardom in "Argo" maestro Ben Affleck's "Gone Girl". The director cites Peter Weir's "The Year of Living Dangerously" as a key influence, and that's a fine source to draw from.
I appoint Hamm as the next Bogie because in addition to his classic good looks as leading man he captures here and in "Mad Men" the uncanny ability to define a film noir hero -self-divided, prone to hitting the bottle, and winning over a viewer no matter how close he comes to betraying his best moral instincts in service of self-interest. Certainly he could handle a remake of "Casablanca" (perhaps with currently hot-hot Scandi star Alicia VIkander as co-star) without much of a stretch.
Though low-budget and closer to pulp than a major Hollywood blockbuster, "Beirut" succeeds because it is fun, not because it is giving us a history lesson. The cliches of its genre and the unfortunate real-life cliches of the Middle East as a quagmire work very well in the traditional roller-coaster ride that is what Hollywood does best. Quibbling over accuracy is absurd; rather Gilroy should be commended for fashioning, over a period of several decades, a tight script that makes its historical points while firmly inhabiting the fantasy land of movies.
Previous IMDb reviews of this exciting film either have been premature (of the "Gee, I can't wait to see it" non-review content) or ignorantly dismissive, as if fiction had to be judged by reality standards, or location hunting be abandoned in favor of merely using the practical "real" places from the script. I guess Matt Damon in "The Martian" was somehow exempt from that latter idiotic requirement.
Several hit films come to mind, clearly "Argo" the most relevant in terms of demonstrating box office potential, and Hamm is blessed with a talented and selfless co-star in a key yet subdued role by Rosamund Pike, coincidentally having risen to stardom in "Argo" maestro Ben Affleck's "Gone Girl". The director cites Peter Weir's "The Year of Living Dangerously" as a key influence, and that's a fine source to draw from.
I appoint Hamm as the next Bogie because in addition to his classic good looks as leading man he captures here and in "Mad Men" the uncanny ability to define a film noir hero -self-divided, prone to hitting the bottle, and winning over a viewer no matter how close he comes to betraying his best moral instincts in service of self-interest. Certainly he could handle a remake of "Casablanca" (perhaps with currently hot-hot Scandi star Alicia VIkander as co-star) without much of a stretch.
Though low-budget and closer to pulp than a major Hollywood blockbuster, "Beirut" succeeds because it is fun, not because it is giving us a history lesson. The cliches of its genre and the unfortunate real-life cliches of the Middle East as a quagmire work very well in the traditional roller-coaster ride that is what Hollywood does best. Quibbling over accuracy is absurd; rather Gilroy should be commended for fashioning, over a period of several decades, a tight script that makes its historical points while firmly inhabiting the fantasy land of movies.
As a movie this is a solid, dependable thriller with a really solid performance by Jon Hamm, as well as by a range of supporting players who turn in good, taunt performances. The one exception is Rosamund Pike whom is a great actor, but is ill-used. I suspect there were a number of scenes left on the editing floor.
This movie will be controversial because of its depictions of Beirut, as well as lack of agency of the Lebanese people. These criticisms are valid, but at the same time it is very hard for Hollywood, let alone a Western director and writer to get the right nuance and tension of the period AND make a successful movie. To the critics, you have a point, but this is a thriller, not a documentary.
If you are looking for a modern spy/espionage movie, this should be on your list. Plus I would love to see more Jon Hamm in these types of roles...well done.
This movie will be controversial because of its depictions of Beirut, as well as lack of agency of the Lebanese people. These criticisms are valid, but at the same time it is very hard for Hollywood, let alone a Western director and writer to get the right nuance and tension of the period AND make a successful movie. To the critics, you have a point, but this is a thriller, not a documentary.
If you are looking for a modern spy/espionage movie, this should be on your list. Plus I would love to see more Jon Hamm in these types of roles...well done.
That's the basis for this taut, fast-paced actioner set in the Middle East of the 70's. John Hamm is a State Dept. negotiator coaxed out of retirement to find an American operative held by (select one) the Palestinians, Israelis, Lebanese or maybe the PLO. Be sure to bring a pad and pencil to keep track of the cast and which side they are on, because you never know in "Beirut".
For some reason, this picture is getting bad ratings from IMDb contributors. I don't know if here is a Hollywood conspiracy against it, but the bad reviewers are way off. "Beirut" needs to be seen by fans of edge-of-your-seat thriller fans. Just pay close attention as some info goes by quickly, which is in keeping with the complex plot and brisk pace of the movie.
My star rating is in the heading. The website no longer prints mine.
For some reason, this picture is getting bad ratings from IMDb contributors. I don't know if here is a Hollywood conspiracy against it, but the bad reviewers are way off. "Beirut" needs to be seen by fans of edge-of-your-seat thriller fans. Just pay close attention as some info goes by quickly, which is in keeping with the complex plot and brisk pace of the movie.
My star rating is in the heading. The website no longer prints mine.
Expected more in all honesty. Gives a very brief outline of an aspect of a very complicated conflict.
Solid performances from the cast and solid direction from Brad Anderson.
Middle of the road Middle Eastern thriller which just lacks cohesion and at does drag at certain points.
Did you know
- TriviaThe city of Tangier in Morocco proved to be especially suitable as a stand-in for Beirut because of a quirky chapter in the city's recent history. "Tangier had a building boom ten years ago and it all came from drug money," producer Monica Levinson explained. "When the government figured that out, they immediately put a stop to the construction, so you have a ton of buildings in Tangier that are just half-built shells. The government didn't want squatters to dwell in these buildings so they took sledge hammers and bulldozers and reduced the buildings to rubble. It was incredible to find all of that existing in Tangier."
- GoofsAlice returns to an apartment in which Cal has been staying that is said to be in a very unsafe area of the city. It is not realistic that a CIA operative in Beirut with responsibilities for supervising all Middle East operations would be domiciled in a very unsafe sector of any city in which his station was located.
- Quotes
Mason Skiles: You're not hallucinating. It's me Mason.
Mason Skiles: [to sandy] I don't want to be anywhere near this murdering fuck
[to Abu Rajal in Arabic]
Mason Skiles: Today is you're lucky night... YOU SON OF A WHORE!
- How long is Beirut?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Beirut
- Filming locations
- Tangier, Morocco(city: Beirut, environs: desert regions)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,019,226
- Opening weekend US & Canada
- $1,734,497
- Apr 15, 2018
- Gross worldwide
- $7,509,436
- Runtime
- 1h 49m(109 min)
- Color
- Aspect ratio
- 2.39 : 1
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