Two wanted women decide to rob their wealthy psychotic friend who lives in the fantasy world they created as children; to take the money they have to take part in a deadly perverse game of m... Read allTwo wanted women decide to rob their wealthy psychotic friend who lives in the fantasy world they created as children; to take the money they have to take part in a deadly perverse game of make believe.Two wanted women decide to rob their wealthy psychotic friend who lives in the fantasy world they created as children; to take the money they have to take part in a deadly perverse game of make believe.
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There is a brash, surreal, out-the-box vibe to Braid that I have to appreciate, but it's hard to ignore the amateurish aspects which make it feel more like a B-movie, whether it's the uneven acting, bratty characters, unstable tone, and almost random attempts to be edgy and experimental.
I absolutely love overt weirdness in movies, but I also believe there must be a solid vision to be able to employ it successfully. What makes surrealism work or not, is perhaps down to personal taste, and since it becomes clear very early on that the director has every intent of sabotaging a 'normal' telling of this story, one then has to rely on intuition as a guide.
My problem is that despite watching with full attention, my intuition kept telling me that this whole ordeal is bupkis. As it devolved into predictably violent terrain, with a poorly drawn detective character, the film began to feel less intelligent, and deliberately inchoate, as though its director put this whole thing together during a manic coke binge.
Instead of the pleasure of watching little pieces of brilliance come together like pieces of a dream, I was simply lost very early on, and when I submitted to that loss, I was bored. There are moments of crazed greatness here, but they are unfortunately not well enough sustained, and arrive along with a mixed bag of scenes and characters that don't amount to a whole lot.
I absolutely love overt weirdness in movies, but I also believe there must be a solid vision to be able to employ it successfully. What makes surrealism work or not, is perhaps down to personal taste, and since it becomes clear very early on that the director has every intent of sabotaging a 'normal' telling of this story, one then has to rely on intuition as a guide.
My problem is that despite watching with full attention, my intuition kept telling me that this whole ordeal is bupkis. As it devolved into predictably violent terrain, with a poorly drawn detective character, the film began to feel less intelligent, and deliberately inchoate, as though its director put this whole thing together during a manic coke binge.
Instead of the pleasure of watching little pieces of brilliance come together like pieces of a dream, I was simply lost very early on, and when I submitted to that loss, I was bored. There are moments of crazed greatness here, but they are unfortunately not well enough sustained, and arrive along with a mixed bag of scenes and characters that don't amount to a whole lot.
Or is it just a weird good night story? Whatever you make of this, you can't really pin point what it is. At least not as fast as with other movies. To call this weird would be an understatement. If you don't embrace that, you won't have a good time at all watching the movie.
Characters are strange, actions are most often than not unrelatable. Or at least hard to comprehend. Why would that person do this and the other person do that? Shouldn't they be reasonable? If that is what you are thinking (which is perfectly ok or even normal), the movie will annoy you. At least if you keep up the questions and don't just let go. It took me a minute or two myself, but after that I just went with the flow and enjoyed this a lot
Characters are strange, actions are most often than not unrelatable. Or at least hard to comprehend. Why would that person do this and the other person do that? Shouldn't they be reasonable? If that is what you are thinking (which is perfectly ok or even normal), the movie will annoy you. At least if you keep up the questions and don't just let go. It took me a minute or two myself, but after that I just went with the flow and enjoyed this a lot
I nearly gave this a 4 because I really didn't enjoy it but opted on 5 in the end as that doesn't reflect it is at least a solid piece of film making.
In brief: three girls in a house, two of which are there to get paid, for playing along with the hostesses odd fetishes and fantasies. Not all is as it seems ... but for whom?
It takes quite a while to get to the point and is hoping to wow the audience with some innovative plot turns late in the day, which might work for you but I didn't really get much out of it.
However, if you're happy with its style and enjoy the off-beat characters, you might find this film a pretty satisfying watch. Unfortunately, that was not the case for me and its lack of an evolving plot left it feeling like a stuck-record.
In brief: three girls in a house, two of which are there to get paid, for playing along with the hostesses odd fetishes and fantasies. Not all is as it seems ... but for whom?
It takes quite a while to get to the point and is hoping to wow the audience with some innovative plot turns late in the day, which might work for you but I didn't really get much out of it.
However, if you're happy with its style and enjoy the off-beat characters, you might find this film a pretty satisfying watch. Unfortunately, that was not the case for me and its lack of an evolving plot left it feeling like a stuck-record.
This is my second viewing of the film. I will simply say that there are a mountain of highly negative reviews here, which inspired me to comment. If "Braid" (now titled as "Dying to Play") ain't your cup of brew, so be it. Feel free to dislike it. But to simply say "it made no sense" or to point out multiple plot holes is to lazily ignore what is going on.
A single example: what might appear to be bad film-making (a bloody, scarred knee appearing in the next frame as totally healed), is in service of the larger purpose at work here: the blurring of reality, role-playing and the consequences of resigning oneself to a world of fantasy.
As for the "point" of this film: This really is a movie where the camera controls the plot. The jumpy, cinematic shots control the text, and do so in a manner that is much more careful than its seemingly haphazard style would suggest. After all, this is on its face a movie about a game that three girls created as children- here, repeated as adults. The point, then, concerns the creation of a fantasy world (whether through drugs, the Game, acting, wealth etc.) and the repetition and phantasmagoric dysfunction that this bubble world of safety ends up creating. Put another way, the Fellini, Lynch, Argento touches serve a narrative that is purposefully disjointed and fragmented: each of the primary characters plays "the Game;" but only one of them really attempts to make it out . . . Again and again in almost circular fashion.
While this movie certainly has its flaws, it is quite ambitious. I do think it is the sort of film that fares better on a second viewing.
A single example: what might appear to be bad film-making (a bloody, scarred knee appearing in the next frame as totally healed), is in service of the larger purpose at work here: the blurring of reality, role-playing and the consequences of resigning oneself to a world of fantasy.
As for the "point" of this film: This really is a movie where the camera controls the plot. The jumpy, cinematic shots control the text, and do so in a manner that is much more careful than its seemingly haphazard style would suggest. After all, this is on its face a movie about a game that three girls created as children- here, repeated as adults. The point, then, concerns the creation of a fantasy world (whether through drugs, the Game, acting, wealth etc.) and the repetition and phantasmagoric dysfunction that this bubble world of safety ends up creating. Put another way, the Fellini, Lynch, Argento touches serve a narrative that is purposefully disjointed and fragmented: each of the primary characters plays "the Game;" but only one of them really attempts to make it out . . . Again and again in almost circular fashion.
While this movie certainly has its flaws, it is quite ambitious. I do think it is the sort of film that fares better on a second viewing.
Two of the thirteen reviews so far have a ten star rating. I'll let you guess how many other reviews those two people wrote. None! There is no chance in hell that somebody not involved in this movie would score it a perfect score, or maybe if you're very easily pleased and have no clue about other real gems. Braid starts promising, with good filming shots so I can't blame the director for that, but the more the movie advances the lesser the quality. It's just badly written, not interesting at all, and the final twenty minutes I just lost all interest as it became just a mess. Don't waste your time on this boring story.
Did you know
- TriviaDaphne's house is historical landmark Alder Manor in Yonkers, New York - the mansion of mining magnate W.B. Thompson. It was designed in a 20th century Renaissance Revival architectural style. It is rented out as event space, particularly weddings.
- GoofsTilda and Petula's missing poster lists no eye color for Tilda and reads, in part, "Disappeared from the their home."
- Quotes
Daphne Peters: Reality will never keep up with our dreams.
- How long is Braid?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Dying to Play
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $80,745
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 2.39 : 1
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