IMDb RATING
5.3/10
4.4K
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Two wanted women decide to rob their wealthy psychotic friend who lives in the fantasy world they created as children; to take the money they have to take part in a deadly perverse game of m... Read allTwo wanted women decide to rob their wealthy psychotic friend who lives in the fantasy world they created as children; to take the money they have to take part in a deadly perverse game of make believe.Two wanted women decide to rob their wealthy psychotic friend who lives in the fantasy world they created as children; to take the money they have to take part in a deadly perverse game of make believe.
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There is a brash, surreal, out-the-box vibe to Braid that I have to appreciate, but it's hard to ignore the amateurish aspects which make it feel more like a B-movie, whether it's the uneven acting, bratty characters, unstable tone, and almost random attempts to be edgy and experimental.
I absolutely love overt weirdness in movies, but I also believe there must be a solid vision to be able to employ it successfully. What makes surrealism work or not, is perhaps down to personal taste, and since it becomes clear very early on that the director has every intent of sabotaging a 'normal' telling of this story, one then has to rely on intuition as a guide.
My problem is that despite watching with full attention, my intuition kept telling me that this whole ordeal is bupkis. As it devolved into predictably violent terrain, with a poorly drawn detective character, the film began to feel less intelligent, and deliberately inchoate, as though its director put this whole thing together during a manic coke binge.
Instead of the pleasure of watching little pieces of brilliance come together like pieces of a dream, I was simply lost very early on, and when I submitted to that loss, I was bored. There are moments of crazed greatness here, but they are unfortunately not well enough sustained, and arrive along with a mixed bag of scenes and characters that don't amount to a whole lot.
I absolutely love overt weirdness in movies, but I also believe there must be a solid vision to be able to employ it successfully. What makes surrealism work or not, is perhaps down to personal taste, and since it becomes clear very early on that the director has every intent of sabotaging a 'normal' telling of this story, one then has to rely on intuition as a guide.
My problem is that despite watching with full attention, my intuition kept telling me that this whole ordeal is bupkis. As it devolved into predictably violent terrain, with a poorly drawn detective character, the film began to feel less intelligent, and deliberately inchoate, as though its director put this whole thing together during a manic coke binge.
Instead of the pleasure of watching little pieces of brilliance come together like pieces of a dream, I was simply lost very early on, and when I submitted to that loss, I was bored. There are moments of crazed greatness here, but they are unfortunately not well enough sustained, and arrive along with a mixed bag of scenes and characters that don't amount to a whole lot.
Petula and Tilda, two small time drug dealers, go on the run and decide to stop off at the isolated estate of their childhood friend, Daphne. Daphne's seclusion has turned her into a dangerous psychotic who insists on playing childish games all day long and, if Petula and Tilda don't want to get caught, they'll have to play along.
More of an exercise in style and shock over substance, Braid is a daring and often confounding indie horror/thriller. Madeline Brewer steals the entire film as Daphne, finding just the right balance between terror, camp, and pathos. It's an excellent performance and Braid is worth seeing for that alone.
The cinematography is gorgeous and the filmmakers use the crumbling mansion location to great effect. Pacing never drags much either which is surprising given that the majority of the film is a chamber piece between three characters and it's mostly confined to one location. In that sense, it feels much more like some long lost regional horror relic from the 70's, using whatever it has available to tell its story.
The script could stand to be tighter and it leaves us with maybe a few too many unanswered questions, but the experience of Braid as a whole is well worth your time.
More of an exercise in style and shock over substance, Braid is a daring and often confounding indie horror/thriller. Madeline Brewer steals the entire film as Daphne, finding just the right balance between terror, camp, and pathos. It's an excellent performance and Braid is worth seeing for that alone.
The cinematography is gorgeous and the filmmakers use the crumbling mansion location to great effect. Pacing never drags much either which is surprising given that the majority of the film is a chamber piece between three characters and it's mostly confined to one location. In that sense, it feels much more like some long lost regional horror relic from the 70's, using whatever it has available to tell its story.
The script could stand to be tighter and it leaves us with maybe a few too many unanswered questions, but the experience of Braid as a whole is well worth your time.
Or is it just a weird good night story? Whatever you make of this, you can't really pin point what it is. At least not as fast as with other movies. To call this weird would be an understatement. If you don't embrace that, you won't have a good time at all watching the movie.
Characters are strange, actions are most often than not unrelatable. Or at least hard to comprehend. Why would that person do this and the other person do that? Shouldn't they be reasonable? If that is what you are thinking (which is perfectly ok or even normal), the movie will annoy you. At least if you keep up the questions and don't just let go. It took me a minute or two myself, but after that I just went with the flow and enjoyed this a lot
Characters are strange, actions are most often than not unrelatable. Or at least hard to comprehend. Why would that person do this and the other person do that? Shouldn't they be reasonable? If that is what you are thinking (which is perfectly ok or even normal), the movie will annoy you. At least if you keep up the questions and don't just let go. It took me a minute or two myself, but after that I just went with the flow and enjoyed this a lot
It started looking promising - arty, sinister, some good interesting visual stuff, but then it just got too messy trying to be too clever, and I lost interest. By the end it had bounced about that much with reality versus mental health that I didn't really care what was real and what was not and what any of it was about or what happened to anyone. It was just too silly. Acting was pretty mediocre, working with a really thin plot and direction.
Two of the thirteen reviews so far have a ten star rating. I'll let you guess how many other reviews those two people wrote. None! There is no chance in hell that somebody not involved in this movie would score it a perfect score, or maybe if you're very easily pleased and have no clue about other real gems. Braid starts promising, with good filming shots so I can't blame the director for that, but the more the movie advances the lesser the quality. It's just badly written, not interesting at all, and the final twenty minutes I just lost all interest as it became just a mess. Don't waste your time on this boring story.
Did you know
- TriviaDaphne's house is historical landmark Alder Manor in Yonkers, New York - the mansion of mining magnate W.B. Thompson. It was designed in a 20th century Renaissance Revival architectural style. It is rented out as event space, particularly weddings.
- GoofsTilda and Petula's missing poster lists no eye color for Tilda and reads, in part, "Disappeared from the their home."
- Quotes
Daphne Peters: Reality will never keep up with our dreams.
- How long is Braid?Powered by Alexa
Details
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- Also known as
- Dying to Play
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Box office
- Gross worldwide
- $80,745
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 2.39 : 1
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