Masaan

I don't have to explain why you should watch this movie.

There are so many aspect of this movie which will touch you. Reality, true cinematography, story acting.

People from Banaras, Allahabad, UP will feel more touched due to so many reality scene shot on true spots.

For some people it may be a little sad and heart touching movie, but rest assure, it will leave a mark in your memories.

Perfect and right actors choose, like super Sanjay Mishra, Richa Chadda etc. To really enjoy this movie, watch it undisturbed, end to end, without chit chat, I am saying this because you need to connect to the move and very light emotional plots, which you will miss in small chit chat.

Can a single film give us all so many messages, some so universal that it touches all of us as Human beings?Death is as certain as our birth.All of us of whatever culture or faith we are born or bred in know that basic fact.It does not need a thinker or great education. But a film and its audio visual story telling has such an impact that few film like this one can reveal to you all about living even as One faces death all the time or suddenly at any time unexpected.How like flow of river Ganga which begins as many rivers but merges at a geographical place in India the characters of the film begin far apart from each other.The stage is set all along the river and camera captures it in pain, suffering, will to live on and beauty it shares with those who resides along her banks. The spasm of a growing up youth beyond genders and culture or geography is well captured by first part of the film.Two different approaches to Courtship and eventual beginning of a unit of civilization-The family is revealed.One is daring and experimental walking the talk till its unexpected turn and the Other soft and smooth slowly inter twining relationship which too faces its test.Suddenness of turn of events in both stories shake you up and tests the will power of the protagonists.How they climb the uphill climb challenge that the life suddenly throws against them leaves us with immense faith in the flow of time ,life and ability of the Human beings to live on despite it all.The river along is the perfect analogy that any one can relate it all with.The ghats and life of the most ancient city in the world-Kashi,Benares ,Varanasi is captured with caring camera work.Despite the stage where last rites by Fire are performed as a routine occupation by few of its actors the life of courtship ,education, finding job, friendship between genders and within themselves all blossom in front of you.How friends are add ons to the family helping one in many ways during all times is what we all can relate to.How one has to walk out of it all as life moves on too we all know.Barriers of age,culture,ethos,caste and economic difficulties are multiplied by by gross inhuman injustice of corruption and exploitation from those who are our protectors.How in our utopia we all dream of fair-play justice, freedom to be oneself and power to explore all aspects of life as we want!The central characters have acted so well with such finis in direction of each frames and scenes that we all feel the ups and downs in their lives as if our own for 109 minutes we share with them till screen is lit.What else is life but certainty of death looming large silently unseen over it.Still we all live ,enjoy its each moment,and have ability to heal the wounds and learn to live on as a river does.Film will reinforce a belief that Life will help you ,the world will conspire to help you if you help yourself and continue the journey called Life.Walk On despite it all..

Now we know how long it took for Bollywood to come up with 2015's first best film: 7 months.

One should be prepared to give multiple chills to their spine as he/she goes on about watching and completing this compelling drama consisting of two parallel stories talking about life, love, and death. A young careless daughter (Chadda) of an aging professor (Mishra) from the highly conservative city of Varanasi finds herself committing a mistake while bridging the gap between love and lust, after having fallen for one of her coaching class students, which pushes the father-daughter duo into a horrible mess involving a corrupt policeman and his greedy, two-holed belly. The first five minutes of this story is enough to entice a normal person, and if you are a film fanatic, you'll throw away the popcorn for you want to concentrate.

The second tale, about adolescent love, is as charming as its two main characters. The most valid setting for an interior village in the holy city is perhaps what best describes one of the protagonists here: an Engineering student (Kaushal) who is the hope of a family whose generation-old work background has everything to do with the celebrated, open crematorium (translating to masaan in Hindi) that happens in the banks of the Ganges river in Varanasi. His transition from a sincere student into a bereaving mass of wreck is triggered when a girl (Tripathi) innocently enters his life. They fall in love, and watching this love unfold is a real treat. Sweet pleasure treat.

And if one feels unfinished with these stories, then there is great doses of poignancy to it. It is absolutely heartbreaking to watch the fate of these characters as they embrace dynamic equilibrium in their hopeless lives, just to move forward. The stories as a single entity reek of realism to the fact that such things still happen in this modern world where on one side of the globe people are talking about shifting to Moon or Mars. The whole idea is haunting and let us not go down the anachronism road, not that it is prevalent in the film.

Cast performance is brilliant. The way they act out the well-written characters shows how the makers have paid attention to details and have done good homework about the theme. Mishra, as original as ever in his typecast character, rules the frame whenever he appears. The newcomers also add panache (wrong word, I know) to the screen, especially Tripathi. Music and lyrics are supportive, too.

BOTTOM LINE: With a fantastic conclusion, Masaan is a heart- wrenching tale of people trapped in a conundrum we all call life.

VERDICT: 8 stars out of 10. Highly recommended!

Can be watched with a typical Indian family? YES

Sex/Profanity: Mild

Gone are the days when people used to flock to cinemas on hearing about a "Salman Khan will remove his shirt" scene. Gone are the days where you have a 100 people pop out of nowhere and join the actors in an impromptu dance. Gone are the days when a shower of petals across the screen would imply that people are making out. Well, at least, they should be gone.

2015 is turning out to be a breathtaking year for Hindi Cinema. First we had "Margarita, with a Straw", which, simply put, broke all stereotypes. And now we have Masaan, which makes Margarita look small. We have had a few amazingly touching and intense films in regional Indian cinema, with the likes of Ray, Kasaravalli, et al, but this is a whole new territory in Hindi Cinema.

Masaan is devastatingly beautiful. Where do I even start? In the small North Indian town of Varanasi, the lives of a few ordinary people intertwine in two tales of love and loss. Right from the opening scene, we are thrown right into the tragic lives of these people, with an intensity hitherto unseen in Indian cinema, almost Scorsese like. It is so intense, that an air of discomfort fills the theater just 5 minutes from the opening. And that of unjust. Unjust, as we are forced to see the catastrophic consequences of corruption, greed, caste-ism, and people's attitudes towards sexuality. This is no pretty film. There are no scenes of comic relief. It gets into your head real quick, and you are all but mute spectators to their spiraling lives. You feel chained to your seats as you're unable to do anything for them. Now that's the power of good cinema.

The acting is almost perfect. Richa Chadda, as Devi, the bold woman caught up in sexual crime and corruption, is the star of the show. She pulls off the small town girl next door role with elegance and beauty, which only increases with her fearlessness as the film progresses. All the other actors, though not as good, are extremely believable in their respective casts. The direction is impeccable, with every small shot, be it romance or crime, captured with equal ferocity. But where the film truly stands out is in its cinematography. Avinash Arun Dhaware does in incredible job in capturing the holy city of Benaras in both its highs and lows. He sure is an expert in glorifying tragedy. The shots of the cremation at the ghats, the boat rides at night, and the train on the bridge are so hauntingly beautiful that they would remain etched on to my memory for quite some time.

Masaan is a film that exposes you to the kinds of lives people elsewhere live, and gives you an opportunity to evaluate yours. It makes you ponder over issues, though a tad exaggerated, that people in certain parts of our country surely still face. It might also teach you a thing or two on love, loss and moving on. Although I haven't seen a lot of Hindi cinema, this might just about be the best that I have.

Unfortunately, most people would still prefer a topless Salman Khan than a gem like this.

Thanks to Bollywood for making such kind of movie. An abstract, artistic and full of emotions which portrays real life of Banaras. Film touches delicate issues of life and depicts how expression of those emotions could be dangerous especially in a small town in India. Story revolves around two youths when their life gets changed by death of someone close. But at the end, they understand the cycle of life and death and just tries to move on their life (which I suppose happened, because there's no proper ending of this movie and it was intentional!) Dialogues and songs are completely resonate with the theme of movie. Overall one of the epic movie of recent times with realistic story which leaves viewers to think about the ending and life!! A must watch non commercial realistic movie!