American Girl

The luckiest girl alive, had to dig deep to survive, to establish a career, to crack down on all her fear, give the scars their time to heal, reconnect the nerves that feel, gain the courage to fight back, after multiple attacks.

Sadly, a not unfamiliar story of abuse against a young woman in a culture that even to this day wants to bury its head in the sand and pretend these far from isolated incidents don't take place (the world over unfortunately). Two spectacular performances from Chiara Aurelia and Mila Kunis, with brilliant dialogue (both spoken and narrated, especially the narrated), make this an excellent companion piece to Promising Young Woman.

Film is an interesting blend.

A "boss girl" type film, the protagonist even has the typical sassy inner monologue.

However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.

Many films portray victims as weathered survivors.

This film shows the victim as extremely put-together and successful.

It's a take I haven't seen before, and it's definitely one that is good to see.

The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.

But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.

The movie starts slowly as we get to know Ani, through her actions, inner monologue, and a series of flashbacks.

We get hints that she has suffered a terrible trauma while at an expensive high school, but has done her best to push all of the trauma down.

Her resulting life is hollow, obsessed with status, and her writing focused on sexualizing every topic.

That Ani is finally forced to confront her trauma, to let it ooze out of the dark corners where she's repressed it, is predictable. The story, however, is not nor is her reaction.

Not to give anything away, but the movie confronts a serious, important subject and gets better as it moves along.

Acting and editing are highlights. Visuals, however, are rather dull.

(This, however, may be on point as well given how the character lives life at a distance every day since high school.)

I'm glad I didn't go to see this in a theater, but it's a solid enough movie to screen on Netflix, with a follow up conversation in your friend-group almost mandatory.

Knoll should stick to writing books, not screenplays. In the convoluted, incohesive and dragged out 113 minute runtime, the story is all over the place, with poorly placed timeline tidbits, and ridiculous and mostly unnecessary scenes and dialogue.

The entire film felt one hour too long and failed to maintain any fluidity to the sensitive nature of its content. It lacked the consistency, depth and tone to be a suspenseful narrative, and instead, chose pretentious shock value trauma in a misguided self-serving fantasy theme.

And that's too bad, because the casting and performances were spot-on, especially Kunis who shined. Had any seasoned filmmaker made some much needed edits, they would've have gone a long way to make this a great watch, instead of getting impatient, frustrated and uninterested in what was going to happen next in the bender-mixed writing and directing. It's a generous 6/10 mainly for the performances.

The book was a million times more (not better; apples and oranges) than the movie. I don't think it's fair to expect 1.5 hours to do it justice. I can't give an unbiased review if the movie after reading the book so the movie was decent but the depth and development in the book deserves a mini series. Without the buildup, background, and character development some of the story seems incomplete and really paints a better picture of surviving/victimhood. I worry that it became more of a message than a quality story. That being said, the casting for Ani and Luke (especially) was great! I think it's a movie worth watching if you haven't read the book.